Movie Review: Sweet Home Alabama (2002)

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Plot:A young woman who’s reinvented herself as a New York socialite must return home to Alabama to obtain a divorce from her husband, after seven years of separation.

I wouldn’t want to be the woman who had to choose between Patrick Dempsey and Josh Lucas. It seems criminal to be faced with such a decision. This is what befalls Melanie Carmichael (Reese Witherspoon), a successful fashion designer in New York. When the lovely Andrew Hennings (Dempsey) proposes, Melanie, real-surname-Smooter, must head back to the place she’s been avoiding for the last couple of years like the plague, to get a divorce from her high school sweetheart Jake Perry (Josh Lucas), without alerting the press and Andrew’s mother, who just happens to be the mayor of NYC.

But naturally all is not as easy as it should be. Melanie is faced with the fact that she’s become an uppity Yankee snob, and an uncaring one at that. Jake has a lot of secrets, and he’s clearly not as over her as he wants her to believe. There are many people of her past that hasn’t forgotten the mayhem she caused in her life, and that they are comfortable with who they are despite not being upstate and fancy.

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So yes, I wouldn’t want to choose between the blue eyes of Josh Lucas and the warm charm of Patrick Dempsey. It would be SAD. This film is your basic romantic dramedy. There are some attempts at deepness – talk of a miscarriage and Jake knowing he would have to make a drastic change to win back his estranged wife, and lots of subliminal messages about just being yourself and not hiding away your past. There was also so much 2002 fashion in Witherspoon’s outfits that I had a grand time laughing at it – who would have thought that a mere fifteen years later the choker-fashion would return?

Sweet Home Alabama (2002)
 Reese Witherspoon and Patrick Dempsey
Credit: Buena Vista Pictures/Courtesy Neal Peters Collection

I enjoyed Sweet Home Alabama. You need to walk in without too much expectations – this is just your basic enjoyable romance. A 7/10 for me.

Read, Watched, Loved: May 2017

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Hey everybody! This post is going up super late this month – I was happily scheduling away on here and didn’t notice that I still hadn’t put this guy up. So as usual, here’s my monthly rundown (but for May). Let me know what you’ve seen and haven’t seen, and just generally how you are 🙂

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Guardians of the Galaxy Volume 2 (2017) I don’t think anyone was able to hate this film. It was buckets of fun, and I really have such a soft spot for Baby Groot (who doesn’t?). It is similar to the first film but bigger and more of the formula that worked. The plot wasn’t as solid as the first, but I was able to have a fantastic time regardless of that.

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Pride and Prejudice (2005)I liked this movie so much that when I wanted to initially write a quick blurb for here I ended up writing out the review. It is a wonderful film. I am now convinced I need a Mr. Darcy. He’s difficult and worth it. The adaption is fantastic and the chemistry between the leads is amazing.

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Sweet home Alabama (2002) – I watched this as a young person – maybe at around 21 years or so, and really enjoyed it. I have such love for Reese Witherspoon, she truly is a beautiful and talented woman. Her character has the terrible task of choosing between Josh Lucas and Patrick Dempsey, and this movie has humor and heart to it.

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Jackie Brown (1997) I watched this for Tom and Mark’s Decades Blogathon.It is one of the few Tarantino films I hadn’t seen as yet, and found it a great pleasure to watch.

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The Host (2013) – I just had to watch this film again to compare source material to it. It is not as unforgivably bad as the internet make it out to be, and I had a rather enjoyable time watching it.

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Pride and Prejudice – Jane Austen: Pride and Prejudice is a slow read, that is no lie, but I enjoyed it so much. It is a wonderful, wonderful book with many events and excellent character development. It also gave me yet another book hero to attach strongly to.

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Three Fates – Nora Roberts: I reviewed this before and seemed to have a good thing to say about it. Strange, because I don’t remember loving it so much. I am having a really good time rereading it again though, it is truly Nora Roberts and some good and light reading.

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The Host – Stephanie Meyer: I’m not sure whether the I was a masochist or just seeking enjoyment without thinking too much about it, but I decided to pick up The Host again. It is okay and certainly better than Meyer’s previous novels. It raises some moral questions and has interesting theories despite some slow parts.

What did you do this month?

Movie Review: The Host (2013)

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Plot: When an unseen enemy threatens mankind by taking over their bodies and erasing their memories, Melanie will risk everything to protect the people she cares most about, proving that love can conquer all in a dangerous new world.

The Host is again one of the movies where the Internet and I do not see eye to eye. Based on the Sci-Fi/dystopian novel of the same name by Stephanie Meyer, The Host was released in the time where the Twilight craze was full blown. It’s not hard to see what the grand plan was here – the producers hoped the Twilight hype was enough to draw crowds for The Host. That didn’t happen – I don’t think the majority of the Twilight fan base would even appreciate Melanie Stryder – she’s way more independent than the ever whiney and spineless Bella Swan. The Host is also not strong enough to stand as a Science Fiction film, and any hardcore SciFi fan would be irritated by the predominantly romantic and schmaltzy moments between the lead characters. So while The Host failed rather in the eyes of the public, I enjoyed it.

Before I typically start only discussing characters again – let’s just talk about how dark the whole essence of The Host is. Humans being infected with aliens and their souls dying out while they are trapped in their bodies?Brutal man.

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Also, there were some great scenery – the barren landscapes are gorgeous, contrasted sharply with the world environment created by the alien species. The CGI was also neat. The being network thing was beautiful to behold. The cave that was transformed by Jeb is also amazing to behold, and the harvest nearly angelical in its’ existence.

Saoirse Ronan ( Melanie / Wanda) en 'THE HOST (La huésped)', basada en la obra de Stephenie Meyer

I’m a big Saoirse Ronan fan – the girl can act life into any character. She applies subtle changes to her impressions of Wanda and Melanie, and can appear slightly alien and very human alternately. There is naturally a bit of a love triangle – it wouldn’t be a Meyer book without it – and Max Irons and Jake Abel, who star as Jared Howe and Ian O’Shea, seem at times a bit bemused by how they ended up in this film, and also comes across as unconvinced and bored, but that doesn’t stop them from being smoldering and sexy love interests when they must. I did enjoy Diane Kruger as The Seeker – the character is such a big pain in the ass, and proves not all the beings are as benign as Wanderer claims. It took me some time to place Frances Fisher – she’s Rose’s mom in Titanic – and I think she could have been worked in more frequently into the film with her character serving as the voice of doubt. William Hurt as Jeb was also fun, with some good one-liners that I enjoyed. Kidlet Chandler Canterbury as Jamie Stryder was likely the weakest performance – he was unconvincing and wasn’t really capable of acting out the role, I’ve seen other kids do much better work with similar source material.

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The Host focuses mostly on the romance and very little on the actual story – which is quite interesting and thus a shame. However, I do enjoy the romance part as I have a marshmallow heart underneath it all. The movie could have been better planned and executed, but overall I can see myself watching it again. That is the most important part of entertainment, right?

Rating: 6.5/10

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Movie Review: Underwold Bloodwars (2016)

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Plot:Vampire death dealer, Selene (Kate Beckinsale) fights to end the eternal war between the Lycan clan and the Vampire faction that betrayed her.

Although my fondness for the franchise has not dimmed in the least, the last two Underworld films have been really bad compared to the previous three. It feels like they story has veered far off from what the original was about. Bloodwars does not mention what happened in Awakening. Apparently the human race conveniently forgot that vampires and lycans exist and just happily ceased the war that they subsequently raged on them. Seline’s daughter was spirited away by executive producers for no other reason. There are some strange new vampires that have been to the other side. Seline soon joins them and gains delightful highlights. It seems like the writers are desperately trying to replace Scott Speedman with Theo James. I’ve said it in my review of Awakening too, so please note that Theo James, for all his deliciousness, isn’t the character we want to end up with Seline. There is no one for her but Michael, and whatever issues the directors have with Scott Speedman better be resolved before the next film because no one believes the easy copout they sicced on us. I enjoy his inclusion as David, but really, give me my Michael back. Tobias Menzies as Marcus was okay. He provided the necessary antagonist, but was he really convincing? The character isn’t developed or explored. He has a terrible backstory, similar to Michael and Lucian, but he isn’t properly introduced and felt like an empty antagonist by the end of it.

Underworld Bloodwars is the sloppiest of the franchise, with bad writing and heartless performances. It certainly isn’t my favorite of the bunch, and I do hope that when the sixth film gets the light they will have a story to tell again.

Rating: 5.5/10

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Movie Review: One Day (2011)

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Plot: After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.

Mind-numbing, soul-crushing, depressingly dreary, the undeniable stupidity of the human – in particular female – race.

This quote from Perks of Being a Wallflower “We accept the love we think we deserve”. That powerful, terrifying and thought-provoking phrase surely indicates that Emma (Anne Hathaway) does not think she deserves a good man.  Emma meets Dexter on the night of graduation. It’s the typical – she crushed on him hard, he’s ignorant to it. He’s had everything given to him in life and is as a result more open to adventures than Emma. Jim Sturgess’ considerable charm is not enough to make rooting for Dexter plausible.

Dexter is beautiful, charming, affluent and a B-grade celebrity in One Day. He’s a jerk, he can’t keep his pants up, and he mistreats his dying mother and concerned father. The only thing good about Dexter is Emma, who for whichever reason remains his friend after rejections and indifference and an unhealthy dose of selfishness from his part. They remain friends for years. She struggles to bloom but eventually reaches her dream of becoming a writer. Dexter, in contrast, loses his B-grade celebrity status because everyone thinks he’s annoying and falls into pit after pit of despair. But no – Emma never realizes that she deserves more. She’s still caught in that University fantasy about the gorgeous man falling for her. No relationship ever works out for her because remains attracted to Dexter. His shitty personality is marginally better when he’s with her, but he only becomes fully saved towards the end of the film, and by that time I just couldn’t care anymore about him.

The script of this film is largely the cause of its’ failure. There is a constant lack of information. Dexter’s mother wants to tell him something, we actually never hear what it was. Is this the cancer she later develops? Is it to tell him she thinks he’s a piece of shit? We aren’t privy to that information and we don’t get to see how it alters Dexter. Dexter’s father is an unsuccessful attempt to be a stoic-but-good man. He’s grouchy and has some moments where he ekes out wisdom, but for the most part he’s an empty character that does nothing for the story. Emma has no family apparently. I didn’t even reach a well of sympathy or gushiness for these characters – the script doesn’t allow you to get there.

Dexter is completely insufferable. Have I mentioned this?! He is the typical and often seen privileged private school kid without morals. I can’t root for him on principle. Not all privileged kids are jerks, but this one certainly is.

Anne Hathaway does her best with Emma, she truly does, but Emma remains a bland, boring and pathetic character without self-esteem and an unhealthy dose of masochism. Anne Hathway can’t pass as a Brit. That accent is off, she rounds her words way too much, and she’s just so American.

I felt like I spent a decade of my life watching this film. It is barely more than one hour and thirty minutes, but so insufferable I’d rather have spent my time watching paint dry.

This film is a drawn out mess about a woman who believes she can save a jerk from himself. The truth is here and that is what irritated me about this film so much – no person can change another person. A person can only change him/herself.

The thing is, I also get platonic relationships that are borderline romantic or full of tension. We all do. There will always be a friend that has the potential for more but there is something holding either of you back at various times. It happens. I just can’t understand why Emma remains friends with such an unredeemable man.

I’m done with this review now. I really hated this film. There are some things that worked – the washed out tones look gorgeous particularly. Other things didn’t work – and most particularly those ugly damn boots Emma insisted on wearing all the damn time.

If you’ve seen this movie, let me know if there is a support group of traumatized watchers helping each other cope with the damage. If you liked it, please do tell me what you liked. I would be VERY curious.

Rating: 4/10

Movie Review: Prisoners (2013)

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Plot:When Keller Dover’s daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?

Prisoners reminds me oftwo things: why I really don’t want a rating system on my blog anymore and how hard it is to write about movies sometimes. Rating this film is particularly pretty hard. It is certainly another excellent film by director Dennis Villeneuve. He is the master of suspense, and if serious is your thing, you are bound to love him. He has an ability to slowly build his characters and give you surprising insight to their true colors when you least expect it.

The acting is superb. It is particularly easy to associate Hugh Jackman with only Wolverine, but here he proves the layered actor he can be. Keller Dover is a survivalist and a manly man. It is clear he takes pride in the protection of his family, and when his little girl is abducted after a Christmas dinner, he goes to desperate lengths to find her.

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Jake Gyllenhaal keeps up his plight for me to like him. Detective Loki is assigned to work the case. He’s never lost a case and has sharp instincts, but even he is at wits end when all clues lead to dead ends. There is also something quite sinister or desperate to his character, which is hard to pin down. He’s quite clearly very dedicated to his job, but does it with an unhealthy mindless intensity that suggests that the only thing he does have is his job.

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Then there is Paul Dano and David Dastmalchian, who both give chilling performances. Dano’s Alex Jones is a man of limited mental intelligence with an IQ of 10, but he manages to be so damn creepy I couldn’t reconcile myself with his innocence. Same goes for Dastmalchian – Bob Taylor is of such character that you need to suspect him.

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Viola Davis as Nancy Birch does what only Viola Davis can do – tell you a story with her eyes. Her dialogue is always secondary to the convincing way she embodies her characters’ every mood. She’s incredible as a grief stricken mother of the other little girl who went missing, a stark contrast to the total collapse Grace Dover (Maria Bellow) suffers.

Another opposite is that of how Franklin Birch (Terrance Howard) deals with the disappearance of his child, compared to manic rage that overpowers Keller. Terrance Howard has tangible grief on screen, and seeing his close friend unravel seems to unnerve him. He’s put in a terrible place – to either join in or condone Keller’s actions. It is a grey are that no person alive can answer correctly.

The plot is complex and winding and you likely need to watch this more than once to fully understand the story. The plot is every parents’ worst nightmare – a child that just disappeared with known sex offenders in the town. The dreary images of a town almost surviving in poverty but not yet there is bleak to behold. The violence is gritty and the atmosphere is tense. The cinematography is phenomenal.

My only complaint is this: it feels like it is 400 hours long (Zoë denies this, naturally). The end was just a bit too drawn out, and while I enjoyed the slow pace throughout the film, the slow pace of the last section annoyed me. There was also just a bit of an open ending, which frustrates me endlessly.

I will give this film a solid and respected nod with 8/10. It took me ages to watch, and I’m glad when I got to it I watched it with Zoë, because I would never have finished it on my own. It is really drawn out in the end and that is the only reason I haven’t rated it higher.

Movie Review: Underworld Awakening (2012)

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Plot: When human forces discover the existence of the Vampire and Lycan clans, a war to eradicate both species commences. The vampire warrior Selene leads the battle against humankind.  

The fourth film in the Underworld franchise, Awakening, was incidentally my first exposure to them. I watched it with my then boyfriend in cinema, and was slightly bemused by it all. It probably would have been more efficient to have watched the first three before watching the fourth, but I wasn’t as smart back then. Five years later I have now watched all five films can tell you that Awakening still isn’t my favorite film in the series. The return of Seline should have been enough to make Awakening exciting, but even Kate Beckingsale can’t save this mess.

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The biggest flaw of Awakening is that the lycans as the disgusting enemy again. Where the four previous films made a bit of effort to give a showed that the ancient war between the two species is much more than just black and white war, Awakening parrots the introduction of the very first film.

The decision to include humans and make them aware of the existence and the subsequent outbreak was an expected but disappointing decision. I was perfectly fine with a covert war continuing.

Charles Dance has such an ability to be cast as some vampire / ancient douchebag. He has a twinkle in his eye which tells me he had a lot of fun being a vampire. I enjoyed him thoroughly.

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I will take some Theo James any day, but really now, he’s no Scott Speedman. I refuse to believe Michael is dead, and even if he is brought back in the very final film, he better be bought back. I’m glad they didn’t try and push another romance here, I would have been furious – Michael and Seline for life.

Introducing a kid – also something I wouldn’t prefer but it is the natural process for Michael and Seline to have a kid. India Eisley as number 2 / Eve was quite terrifying when she transformed.

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It came as surprise during the last part of the film when you realize what is actually happening in the city. I didn’t see it coming, and I usually catch a plot twist a mile away, so that was pretty good work by the writers.

I really like how short these films are. They are mostly under two hours and works to underline that they are good and honest fun, not to be taken seriously. I am still really interested in the lore here and I think some parts of the franchise could have been better managed, but for the most part this remains a sexy, dark story of the world’s creepiest creatures.

Rating: 6.5/10

 

Favorite Movie Quote: Pride and Prejudice and Zombies (2016)

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I recently had the pleasure of watching Pride and Prejudice and Zombies for the third (?) time. It is such a fun adaption of the original work. I really do hope to get to the PPZ book soon as I am currently finishing up the original Pride and Prejudice.

As for today’s quote: The famed letter that Mr. Darcy writes to Elizabeth were he explains himself is beautiful across all the adaptions.The entirety of this letter is explanatory and heart breaking, but I am particularly fond of this paragraph:

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Of all weapons in the world, I now know love to be the most dangerous. For I have suffered a mortal wound. When did I fall so deeply under your spell, Miss Bennet? I cannot fix the hour or the spot or the look or the words which lay the foundation. I was in the middle before I knew I began. But a proud fool I was. I have faced the harsh truth: that I can never hope to win your love in this life. – Mr. Darcy, Pride and Prejudice and Zombies

Here’s my review if you haven’t seen it yet!

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Movie Review: Chef (2014)

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Plot:A head chef quits his restaurant job and buys a food truck in an effort to reclaim his creative promise, while piecing back together his estranged family.

I would never have specifically chosen to watch this film by myself, and yet Zoë really liked it. I knew if she liked something like this (and it usually isn’t the type of film she’d go for), I would likely enjoy it too.

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Jon Favreau is perhaps best known for his role as Happy in the Iron Man franchise, but we all know him to be an excellent director too. He takes on the main character role of the Chef Carl Casper (love the alliteration right there), a brilliant chef who is forced into a mundane existence by working in an upmarket restaurant with a close-minded owner (played by Dustin Hoffman). After being blasted terribly by a Food Blogger, Carl loses his shit, goes on a Twitter rampage and eventually just quits. His ex-wife, Inez (Sofia Vergara), convinces him to take up a food truck because then he can actually be true to himself and cook what he wants.

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Beware, Chef is food porn. You need to be prepared for the visual stimulation that will besiege you and I would not suggest watching this on an empty stomach. The amount of goodwill towards good food is staggering, and I was salivating even after I already had a delicious meal earlier.

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Primarily Chef is what happens when a man loses his passion. It is a lesson on social media etiquette, being a good parent, finding solutions and loving what you do how a man that lost his passion gets back on his feet, and his relationship with his wife and child are incorporated into that.  It is a feel good film . I wish all divorced couples would get along so well. Inez and Carl are the ideal divorced pair. They both care about their childs’ happiness and work towards keeping him grounded. I also enjoyed seeing Sofia Vergara in such a role, she is too often only cast as a hot Latino mammy and while she does good at it, she has so much more to give than her typecast work. I also enjoyed Bobby Cannavale and John Leguizamo in their roles, as well as Scarlett Johannson who was just a normal character. Robert Downey Jnr. Quickly makes an appearance too, which tells me a number of the Avengers cast wanted to support their friend and that is just great.

I actually have nothing bad to say about this. Chef is a joyful film with humor and self-discovery, and while it really is very optimistic it is lovely to watch. Definitely worth it!

Rating: 8/10

Movie Review: Underworld: Rise of the Lycans (2009)

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Plot: An origins story centered on the centuries-old feud between the race of aristocratic vampires and their onetime slaves, the Lycans.http://www.imdb.com/title/tt0834001/

Rise of the Lycans is perhaps to Underworld what Tokyo Drift is to the Fast and The Furious (although not that bad). It took a risk by removing their main audience draws – Seline and Michael. Rise of the Lycans is set in long long ago where we finally get to see why Lucian embarked on his vengeful path against Viktor (Bill Nighy).

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Casting Rhona Mitra as Sonja was obviously a designed and successful choice. It is mentioned in the first film that Viktor was unable to kill Seline because she reminded him so much of his daughter, and comparing the two, both on personality and on looks I agree with Viktor – they really do share similarities.

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Michael Sheen has never struck me as a man with any appeal, and yet as Lucian I was not immune to his charms. He lost that leery look that I associate with Sheen for his work (mostly as the icky Aro in Twilight) as Lucian, for which I thanked him.

The film has its’ own version of some political commentary with the harrowing conditions the lycans are enslaved by. It is cruel and inhumane, and if there was any misconception that Viktor was a “good” vampire left, this film serves as final proof that he likely had it coming to him.

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Although not part of the main story I enjoyed Rise of the Lycans. It is probably my third favorite overall. The film at least maintains its gritty and sexy feel, something the following films never quite managed to achieve as of yet.

Rating: 7/10