Movie Review: Sierra Burgess is a Loser (2018)

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Plot: A case of mistaken identity results in unexpected romance when the most popular girl in high school and the biggest loser must come together to win over their crushes.

I swear there are a couple of films from Netflix that I adored like crazy, but right now I can only write about the ones I infinitely despised. There was the truly horrific The Kissing Booth, which was just plain awful, and a review you shall be getting, but then there is this movie, which isn’t bad acting per se and contains the adorable Noah Centineo (always a plus), but the damn message they portray for impressionable young teenagers is so terrible I was in the mood to smash things.

Dear teenage girls – CATFISHING IS WRONG. It is wrong if you are traditionally attractive and it is wrong if you are traditionally unattractive. It is wrong if you are insecure and it is wrong if you have all the issues. It is never right.

In a nutshell – Veronica (Kristine Froseth) is a little pain in the ass who passes out the phone number of Sierra Burgess (Shannon Purser) as a cruel joke to boys who ask for her number. Veronica is the typical terrible pretty girl you just know will rear her head in this type of movie. Sierra starts talking to Jamey (Centineo), a handsome guy from another school who also seems like a decent enough person. It escalates and eventually Jamey wants a date. At this time Sierra has roped in Veronica to play along, because naturally veronica is insecure about her intelligence and needs tutoring and blah blah blah, we’ve seen all of this before. Said date happens, and when Jamey tries to kiss Veronica, Sierra jumps in and kisses the boy.

Let’s just be clear on what assault it – it is any situation where something is done to another person without their consent, and yep, this is assault. I hate to play this game, but if the roles were reversed and Jamey kissed Sierra without her consent, there would have been hell to pay in the media.

RAGE. FURY. DEATH.

Also, it is only Hollywood that will cast Shannon Purser in roles for the “more unattractive” – I find her quite gorgeous and natural and it irritates me to no end that Hollywood has such warped ideas about feminine beauty. She has had some roles (#JusticeForBarb) which highlights her talent and gives her a place to deservedly shine. She really shouldn’t have done this, because it takes away from her talent and plays into the hands of creepy old men who think they can dictate the messages we send to teenagers. Anyway.

Then there is Centineo, who is the cutest thing to rear his head in a long time. Just, again, someone isn’t automatically a good person because they have someone with a disability in their family (his deaf brother), but let’s also move on from that. A way this movie should have ended is Jamey getting a restraining order against both female nutcases in this.

Last of the unholy trio of terrible messages to portray on young girls, is Kristine Froseth as Veronica, the cute preppy girl everyone hated in school. She has issues as well, she’s insecure about her intelligence and about the older douchebag she had the misfortune to date. So much stereotyping!

Finally, again, this movie is a terrible message to girls and please correct them if they ever think it is okay to misuse boys just because the media told them to.

Rating: 5/10

Movie Review: A Star Is Born (2018)

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Plot: A musician helps a young singer find fame as age and alcoholism send his own career into a downward spiral

Some people are born with a whole lot of talent. Like, sickening amounts. Two such humans, Lady Gaga and Bradley Cooper, decided to collaborate in a project we never knew we needed quite this much. They are a powerhouse combination as Ally, the down-to-earth-but-wildly-talented Italian American girl who meets Jackson Maine (Cooper), where he stumbles into a burlesque bar one night while she’s performing. Jack, a country megastar is an alcoholic and on a slow medical decline due to his ever growing hearing impairment. Ally seemingly stabilizes him for a while, and as her star continues to shine Jackson’s doesn’t really grow dimmer so much as that his out of control problems rips their life into chaos.

Let’s first focus on the directorial debut of Bradley Cooper. He is a great actor, but might I say he is an even better director? There are strokes of genius moments – focusing on Jackson instead of on Ally while she performs, giving him as the actor enough time to show the feelings the character is experiencing while Ally changes some of his previous ideas. It’s beautiful and touching and inspired. The movie is also incredibly real feel to it, never shying away from the sweaty looks while artists are onstage that makes them so undeniably human – there is one particular scene where Ally is performing one of her new songs to a large crowd and she is sweaty and messy and very human. I am not too great at chatting about why I believe a director is great, but can I finally also add that the colors and use of lighting in this film is really good.

As an actor, Cooper undertook 18 months of vocal training to perfect Jackson’s gravelly country drawl. He also performs all the songs himself and sang live in all the shots in the film. Like I said, sickeningly talented. There is also a heartbreaking raw desperation to Jackson – sad and lonely and dealing with an idolization of a father who was anything but great. It’s impossible not to be touched by scenes where he describes how he was treated by the father he idolizes, and it is clear that his problems started

There is nothing particularly fresh about how the story is told, and even the ending is slightly darker than the usual route, it still remains a well visited topic. A Star Is Born is unique because, in my opinion, the following reasons:

  • Lady Gaga is not only a phenomenal performer with one of the best voices of our time. She is more than a passable actress. Cooper chose well to have her in this role and the movie couldn’t possibly have enjoyed this level of success with a less convincing performer. I will be honest and say that I never cared for her crazy theatrics on stage, but as this form? I can become a major fan.
  • The chemistry between Cooper and Gaga is off the charts. I hope they make more films together because they work seamlessly as a pair and were utterly convincing as a pair, so much so that there are STILL rumors about their off screen affair, which didn’t happen, because, ya know, maybe Bradley just isn’t the cheating type. However, it creates a tense and powerful atmosphere in this movie and the combination of the two makes you truly want it to work for Ally and Jackson
  • I had some moments rolling my eyes because the notion that only women who have poor self esteems and dress “down-to-earth” are worth noticing is played with a bit in here – let me just say that a woman can dress in a piece of meat and still be just as talented as Ally in ASIB (quite literally for Gaga), and still have the same amount of talent worth noticing.

Overall, this film definitely deserves the hype it got. and even though heartbreaking, I can commit to watching it again. It was THAT good.

Let me know if you saw it and loved it!

Rating: 8/10rev-1-ASIB-15481r_High_Res_JPEG

Movie Review: The Guernsey Literary Potato Peel Pie Society (2018)

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Plot: In the aftermath of World War II, a writer forms an unexpected bond with the residents of Guernsey Island when she decides to write a book about their experiences during the war.

I may not actually know how to blog anymore, but here goes. But some films deserve to be written about. This movie just deserves to be up here, and for the three still reading this blog, this is for you.

I have been keeping my eye on the release date of the mouthful of a film: The Guernsey Literary Potato Peel Pie Society in South-Africa for a while, but became quite despondent when I saw just how limited release was planned. Fate intervened, and I got tickets to a special screening of this film. (Lucky me!)

I didn’t know all the deets about the film, but I was excited because it looked like my dormant British heart (I am sure I am 50% British because I love everything about their entertainment culture and history), the location of which I have always been interested in and an interesting mix of cast, I thought would be satisfied. My hopes were not smashed in one of these aspects. It is also good once in a while to completely not know what will happen in a movie.

When phrases like “Move over Darcy, this is Dawsey Adams” makes the round, you must know I will arrive at the scene to form my own opinion. However, this statement is way off base and those who agree with it have certainly never picked up a copy of Pride in Prejudice. Although both men are nearly perfect (and imaginary) depictions of what anyone would hope to find in love, they are dissimilar to each other. I won’t say too much about Mr. Darcy, you can read my lyrical waxing on a number of posts in this blog about his fine character, but Dawsey Adams (by the delightful Michiel Huisman) is straight off delightful from the very beginning. He is pure and wonderful and takes on more than he ever should have by taking care of a little girl, at first glance his own child, while Elizabeth Mackenna (Jessica Brown Findlay) is mysteriously not on the island when writer Juliet Ashton (Lily James) arrives. He is a pure hardworking farmer that has witnessed the ugliest side of war. How must he have felt when he couldn’t join the forces and fight against the Germans due to a medical condition? How powerless when he witnessed the casual cruelty of the Germans occupying Guernsey? When he also had to deal with the fact that not all the German soldiers were evil? So many questions.

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Lily James provides a charming performance as Juliet Ashton and highlights well her underlying trauma of the war, a woman trying to fit herself into a world where she is wildly successful but still managed by all the men in her life, no matter how charming they might be. One of these men is her handsome fiancé Mark Reynolds, an American soldier who has put a very, very sparkly ring on her finger. Mark (Glen Powell), is as perfect as you can hope to find a man – dashing, kind, generous, helpful, and yet the watcher knows for certain the love Juliet and Mark has is just not enough to carry them.

Things I liked:

  • Let’s start with the quoting of one of Jane Eyre’s most infamous passages during the book club meeting Juliet attends – I am currently rereading this gothic romantic masterpiece, and I was extremely impressed that they included it in the movie. The rendition by Isola (Katherine Parkinson) was at once slightly hilarious and touching.
  • On that topic, the character of Isola Pribbly provides just the correct amount of comedy to the film. She was a favorite in the cinema and all her lines, slightly drunk and ever endearing, made me wish I could be friends with such a fantastic woman.
  • The Downton Abbey Flashback! Lily James, Matthew Goode, Jessica Brown Findlay and Penelope Wilton made this a family affair. Whether it was deliberate or not, the combination of these four actors made me more ready for the Downton Abbey movie (hopefully) later this year.
  • Penelope Wilton is a fantastic actress and her grief in losing so many people in the war made more than one person in cinema emotional.
  • Matthew Goode needs more screen time in my life. I firstly loved this character because he was on Juliet’s side, and not some sort of villain as is often the case with agents depicted in movies, but her genuine friend and confidante. He also provides a solid performance.
  • The Guernsey Literary Potato Peel Pie Society is not only a romantic film, it is a tribute to the land, the people of Guernsey and the aftermath of war, the rebuilding of life and dealing with repercussions long after an event has passed. The romance is indeed secondary, and the true love is indeed for the beautiful tale told.
  • The Guernsey Literary Potato Peel Pie Society made me remember half-forgotten memories and feelings – I remember reading about the evacuation of the British children to their countryside during the war, I remembered how my sister and I loved to keep flowers in books and parse them. It is shot and directed beautifully and the scenery is as charming as the story itself.
  • The handsome Matthew Goode is Juliet’s agent and close confidante. He is as always endearing and I can see this man being a fantastic friend. I liked that he was on her side – how often is the agent/manager actually an antagonist? It’s exhausting and bad writing. Not all business partners are bad.
  • I can carry on for hours about each character – which I am glad Mark Reynolds wasn’t a bad guy, and how charming Glen Powell was in his depiction. The hypocritical Christianity of Adelaide Addison – such a fantastic job by Bronagh Gallagher – I have rarely seen such a tasteful depiction of the pettiness in which righteous, bored old women can fall into.
  • The chemistry between Lily James and Michiel Huisman – such a slow, burning and quietly increasing vibe. They made this movie by appearing so perfectly compatible.

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I will round it off here, and tell you to just go watch it. If you don’t like it I am not sure we can be friends. I am currently reading the book, and I need the DVD as soon as it is available in South-Africa. If I don’t have it to watch on repeat, I will surely die a slow and lonely death.

On that dramatic farewell, do let me know if you saw this!

Rating: 8.5/10

Blindspot 2018: Breakfast at Tiffany’s (1961)

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Plot: A young New York socialite becomes interested in a young man who has moved into her apartment building, but her past threatens to get in the way.

There can’t be more to say about this film than what has already been said, and only my lack of seeing it would prompt me to even post about it  – a film 57 years old has had many reviews, certainly more loquacious than the one I’m about to wring out. However, I found the motivation to watch another Blindspot film, and this was readily available.

Breakfast at Tiffany’s is my very first Audrey Hepburn movie, a woman as well remembered for her humanitarian work for UNICEF and her iconic status as one of the greatest actresses to ever grace our screen. Personally I like the UNICEF remembrance more, as it shows that she used her great fame for a cause and was really a lot more than just a pretty face (and what a pretty face it was!) Marilyn Monroe and Shirley McLain were both also considered for this role, and although Truman Capote felt her woefully miscast, Audrey Hepburn managed to make the role her own and to turn it into a defining moment in her career. She is delightful as Holly Golightly, as a (correct me if I’m wrong), high scale call girl. The film plays this out very carefully, I would assume due the time of release, and there is more focus on Paul Varjak’s nefarious activities than on Holly’s. She’s fascinated by Paul when he moves into her building, and it turns out he is similarly employed and wants to be a writer. He’s as charming as she, and through ups and downs Holly discovers what it means to be herself and to be in-love. Holly has a lot of plans and very few of them are wise, and a few things are revealed during the film – Holly’s previous marriage, her ability to jump between rich men and her inability to give a cat a name. The film could have been choppy, and I thought it could have had a stronger story, but between Peppard and Hepburn they manage to keep it together through charm and banter.

Mickey Rooney’s portrayal of the Japanese character Mr. Yunioshi’s is the only thing that I can’t admire. The character is portrayed as nothing short of retarded, and I can’t think such a portrayal could have been appreciated during that time any more than it would have been today. It seems highly insulting that the only other race in the film was portrayed in such a fashion.

The film is really stylish, has gorgeous costumes and its theme song is truly beautiful and no doubt as iconic in its own right as the film itself. I absolutely love Audrey Hepburn’s hairstyle, though few women could pull it off, and her dress, which inspired the Little Black Dress (although these days the cloth is significantly less), is classy and she looks wonderful in it.

I had a good time with this film, and at the end of the day that is what it is about, but I won’t be rushing to repeat this classic anytime soon.

Rating: 7.5/10

Movie Review: Jane Eyre (2011)

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Plot: A mousy governess who softens the heart of her employer soon discovers that he’s hiding a terrible secret

I haven’t seen a worse plot description in my life on IMDb. “A mousy governess who softens the heart of her employer soon discovers that he’s hiding a terrible secret” – really? That is all they have to say about one of classical literature’s finest novels? Okay then. My review of the novel Jane Eyre should have alerted you already that I’d been lit up with fervor for this story, and I obsessively searched for a copy of the movie to see if it would hold up with my hopes. In fairness, the movie is now seven years old, so procuring a copy was no easy task. I eventually ordered one online and had to wait two whole weeks for delivery.

The 2011 version of Jane Eyre is fantastic, and very much what I wanted the movie to be. Mia Wasikowska is a fantastic Jane Eyre – she nails the passion of Jane so well. At first glance, Jane appears to be a mousy, plain girl who was lucky to receive an education. The viewer is naturally privy to more information – she was mishandled by her only relatives and her school was a strict and harsh environment. Yet Jane has an amazing capacity to care, noted when she takes care of her charge in Mr. Rochester’s home. Adele (Romy Settbon) is a French oddity in the prudish British countryside, and while the movie briefly references that she might be Mr. Rochester’s illegitimate child, the book illustrates better the responsibility Mr. Rochester unwillingly feels for her.

Michael Fassbender might be a bit too handsome for Mr. Rochester – in the book he is described as distinctly un-handsome (i.e. ugly) – but for intensity he is a fantastic choice for Mr. Rochester. The levels of the man – his harshness and anger towards the world and the façade he can give his more elite guests make him a really intriguing man. I would have liked it had they included his scene as the beggar woman, because it adds another level to his character – a shrewdness to not be deceived.

Judi Dench gives an – unsurprisingly – good performance as Mrs. Fairfax – her nervousness in keeping her master happy and the protectiveness she feels towards the inhabitants of the manor.

Jamie Bell is very convincing as St. John Rivers, and he makes the character more likeable than I found him in the book. St. John Rivers remains a really interesting character to consider, because he is on first glance the male replica of Jane – stern, middle class, quite plain, but further inspection reveals he has nothing of Jane’s passion and determination.

Jane Eyre is as dreary as its literary counterpart – incessant fog and rain makes the watcher feel as closed in as Jane must feel. I’ll definitely re-watch – it’s really good and made me miss the novel again. Again, I felt the movie could have included at least Mr. Rochester reclaiming sight in his one eye – the movie reunites the characters but with very little hope due to his poor condition.

Jane Eyre remains one of my favorite classical literatures. It is feminism at its finest origin – Jane’s determination to be an equal to Mr. Rochester. I have to delve deeper into this world – there is so much more to discover!

Rating: 8.5/10

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Movie Review: My Big Fat Greek Wedding (2002)

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Plot:A young Greek woman falls in love with a non-Greek and struggles to get her family to accept him while she comes to terms with her heritage and cultural identity

As we head into February, it seems like it’s that time of the year again. I am a big fan of romantic comedies that doesn’t make you want to puke, and this certainly fits the bill. I watched My Big Fat Greek Wedding in June last year, and found it a really fun and sweet comedy that I will probably watch twenty times in the future again. The question is: why haven’t I ever seen this film?

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I LOVED it. It was the perfect pick me up when I watched it, and I have watched it once more already. It was so lovely. If you have a big, loud family, you will relate with all of Toula’s problems. I loved her dad and his Windex. I loved the mom and how she expertly handled dad who thought he was in charge of the house. I loved the sense of family from the women.  I loved how Ian Miller fell for and went after Toula, and how sweet and caring and understanding he was. Only a man with plenty of courage will go willingly marry in to that family! Aunt Voula was a delight, with her inappropriate comments and stories. The story about her dead twin made me laugh so hard. The film is a celebration of strange families and how we are stuck because you love them even when they embarrass you.  It is quick witted, sweet and caring. Toula’s wedding was hilarious – the level of makeup and tull and who knows what else they stuck on her was quite funny.

Definitely recommended as a delightful hilarity – it is also a quick watch so if you are like me and hate drawn out films, definitely consider this one!

Rating: 8.5/10

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Watched, Read, Loved: October 2017

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My battle cry should be: “What a Month!”. 2017 in particular has felt like a whirlwind. Every month, so busy, so rushed. Work has been mad. Growing career wise is exhausting. There have been a number of unpleasantness in my team – people resigning, a sexual harassment case (super happy to report that my esteem for my company rose with how they handled the matter), and naturally just the normal amount of pettiness, drama, laziness and idiocy I’ve come to expect from working professionals. However, that said, some demented part of me enjoys working in such a difficult environment. It is enormously satisfying when people bend to your will, see your point, praise your efforts and start acting less like two year olds. I’m probably going to go crazy while doing it, but man, what a ride.

Some things are stressing me out still – waiting for my final results to get my degree is one particular one, and my University is as relaxed about releasing results as they usually are. It is so frustrating to be on a cliff, waiting for an answer, so close to the finish line. That and the course was pretty damn hard, so I am STRESSED. One moment I am convinced I passed and the next moment I’m sure I failed. I’m not the most pleasant person to be around right now, of that I can assure you.

I am also planning my oldest sister’s baby shower. She’s married with a baby on the way; I applaud myself when I comb my hair in the morning. These are the paths we take. However, planning an event is something that always stresses me out – I am such a perfectionist and if I don’t feel something is nice, I get really grumpy. With that is all the baby things too – stressing me out, because my ovaries are going to die soon (I might remove that sentence, I might not). Looking at children in the mall and wondering why anyone would put up with that is what I think of the most, yet at the same time there is something to be said about leaving a legacy. But I also like having my entire salary to myself, and let me tell you, pregnancy seems to come with many ailments that makes me want to revise my previous notion that pregnancy isn’t a sickness.

To load more on my plate, I’ve literally started loading things off my plate. That’s right – I’m at the “healthy lifestyle” game again. It’s a pretty pompous term, but I enjoy using it and it is certainly a better one than the word diet. I’m taking it very basic – cutting out most carbs and eating veggies and protein, with lots of water. I don’t drink any sugar carbonated drinks, so that isn’t a problem, but I do consume copious amounts of Coke Light. Working on lessening that too, as my primary objective is living as clean as possible and not consuming pseudo junk. I like to think I’ve become a regular at our local Parkrun, my total tally of walks is now somewhere around ten. I’ve even done one on my own, because I’ve realized that fitness and companionship aren’t always something that can happen at the same time. So far I’ve lost 3kg, which is obviously slower than I’d like, but it is a consistent trend downwards that makes me happy. I am also sleeping better and feeling more alert, which are two things I desperately needed.

So after an entire dialogue about all my problems, here’s what went down entertainment wise this month.

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Thor: Ragnarok (2017): This was one of the big ones I wanted to see. My darling favorite superhero returned to the big screen, and I was ready. Thor has never been my favorite franchise of Marvel, but on a science level it has always worked really well. This time around Waititi joined in to direct (and star), and I actually watched it TWO times in cinema – super super rare for me. The second watch did highlight some issues – some of the pacing is off, especially by Tessa Thompson, but it was still so much fun that I am not willing to alter the 8.5/10 I gave it.

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It was also Halloween month, so I picked up Hocus Pocus for the very first time in my life. It was okay, I’ve definitely seen worse and better, but I did enjoy the drama of the three witches and how excellently they acted it out.

Dis Koue Kos, Skat, was my Afrikaans feature for the month. Think Eat, Pray, Love, with less praying (and travelling). Anna-Mart Van Der Merwe, a South-African film legend, stars in this excellent film as a newly divorced woman settling into her new life. I had  a lot of fun with it.

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Lego: Ninjago movie (2017) – This was October as well?! October WAS a long month! I had a lot more fun with this than I thought I would, which is saying something.

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Star Trek (2009) – it took me nearly ten years to watch this, and I am happy that I finally did. Review coming soon.

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I kept it pretty simple this month with reading, revisiting the Vampire Academy series by Richelle Mead. It’s simple reading, perfect for stressful days where you just need a bit of chill and sexy vampires.

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The real reason for the little amount of movie watching that went down can be pinned to Spartacus. I finally started the series. It’s pretty good despite awful dialogue, though just not one of the shows to watch with your parents / child. EVER.

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What have you been up to this month?

Watched, Read, Loved: September 2017

Yay! Spring is here in South-Africa and I couldn’t be more excited. When the weather is so much better I am so much better. Getting to work while the sun is actually up makes me a much nicer colleague.

I’ve been doing a couple of Parkruns. My work gave us all the opportunity in taking part in the Discovery Pulse challenge, which made me realize (again) how little steps I take each day. I’ve been trying to average it at 5000 steps, but that is already a challenge. The challenge officially began on the 27th of September 2017, and I really am working hard to do everything healthier – eating, sleeping, more exercise, less stress (HA!). It runs for three months and I will definitely let you know how it progresses.

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Movies

The Fate of The Furious: Continuing the ridicule of series that is the Fast Franchise, Dominic Toretto this time abandons his family for some obscure reason. I really enjoy these films because they are so brain dead and is just easy entertainment, but this one was particularly ridiculous.

Hidden Figures: So.Much.Love. It is heartwarming and beautiful with excellent performances, and I am so happy the film was released in such an important time in history. Not only is it about racial prejudice, it is about female empowerment, determination, love, courage and there are also great scenes of the early days of NASA.

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Walk The Line: I was SO proud when I finally watched this – I’ve had the DVD on my shelf for many years now, and I remember hearing people rave about it but I never really made the effort to see for myself. Well, it was great, and a great Blindspot choice for me.

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The Girl on the Train: It was okay. I enjoyed Blunt (I always do), and her supporting female co-stars where all very strong. I also really do like Luke Evans. The big plot twist – I caught it half right so I was marginally impressed. Definitely not as good as Gone Girl, but interesting all the same.

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Easy A (2010): Emma Stone is one of my favourite young Hollywood stars. She’s just so incredibly talented and really funny. Easy A is some of her earlier work and she’s hilarious as Olive Pendergast. If I ever have daughters I hope they are like Olive – not willing to take bad behaviour from friends, loyal, hilarious, inventive and wildly inappropriate.

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Wild Child (2008): Many people wouldn’t necessarily like this film, but I really do. It is one of my favourite teen movies, and although it isn’t as sharp as Easy A, Mean Girls, Heathers or Clueless (other favourites), it still remains one of the nicest things to watch, reminiscent of a time where Emma Roberts and Alex Pettyfer were clean cut, sweet individuals (probably not that sweet).

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Australia (2008): One of Baz Luhrman’s work I have had the least exposure to, Australia is a tribute to the wild and terrifying glory that is the continent of Australia. Hugh Jackman is ridiculously attractive, wildly blown out of proportion delicious, and the dainty and unexpectedly hilarious Nicole Kidman impressed me with some of the humour she injected into her character. This was definitely a great watch and I will watch it more in the future

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Clueless: Clueless is one of my favorite “high-school” films. It is so silly and sweet and Paul Rudd is so adorable and Alicia Silverstone is so friggin adorable. You can’t feel bad after watching something like this, you just can’t.

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Books:

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Gone Girl: Gillian Flynn I actually started reading this after The Girl on The Train, because it made me want to explore more thrillers. I am really enjoying so far and finding the writer pretty good at telling a story.

Hot Rocks: Nora Roberts I can’t decide whether it will be worth my time actually reviewing this. I’ve now successfully proven to bestie that I can actually read and review a book and then just not remember it, and it might very well happen with this novel. It wasn’t bad and I actually had a pretty great time, but it feels superfluous reviewing every single Nora Roberts book I read

Series Review: Pride and Prejudice (1995)

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The BBC series adaption of Pride and Prejudice is nothing short of iconic. You mention Pride and Prejudice and the majority of people are as likely to think of this series as they are of the novel. While there are other adaptions (such as the 2005 adaption and the ridiculously fun 2016 Pride and Prejudice and Zombies), the series starring Jennifer Ehle and Colin Firth will always be used as a benchmark for the book. As otherwise as I usually like to be, I sat down with the series after I watched the other two films.

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Jennifer Ehle as Elizabeth Bennet is my favorite version of Elizabeth. She manages to capture Elizabeth’s independence and intelligence, and she always seems to be constantly smirking at Darcy. In my opinion Ehle is much prettier than Susannah Harker’s Jane Bennet – I only mention this because in the book it is clear that Jane is supposed to be the prettier one. Harker makes a decent Jane, though she falls short of my favorite. Jane is always the sweet sister, and although there is nothing wrong with her she is definitely the more stereotypical female of so long ago.

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Crispin Bonham-Carter as Charles Bingley is my favorite Bingley. He is as charming, sweet-natured and handsome as Bingley is supposed to be. The character will always be the direct opposite to Darcy, which always makes their friendship baffling and sweet. Bingley is besotted with Jane, and only his inability to see his sister Caroline (Anna Chancellor) for the horrific person she actually is makes him do silly things such as run away from Jane.

Alison Steadman as Mrs. Bennet achieved what the other ladies in her role couldn’t achieve – the woman drives me crazy. If you’ve read the book you will remember that this character is supposed to drive you crazy – so this statement is an accolade rather than an insult. Mrs. Bennet is self-involved, silly, a really poor mother, a huge embarrassment to her older daughters, an enabler in her younger daughters’ poor behavior and just generally the most frustrating character to be written in a long, long time. I also enjoyed Benjamin Whitrow as Mr. Bennet – he had a lot of the sarcasm and sass Mr. Bennet is supposed to have.

As for the sisters other than Jane, Julia Sawalha as Lydia Bennet and Lucy Briers as Mary Bennet are favorites. Julia captures Lydia’s callous disregard for her family and Briers was a perfect Mary – long suffering, dull, and despite her attempts to appear noble and wise as shallow and embarrassing as the majority of her family. Kitty Bennet is always a bit on the background and not as focused on. Polly Maberly did good in that role as well, but as it is rarely focused on I won’t claim it is my favorite performance.

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And last but not least for the character discussions, there is Mr. Colin Firth as Mr. Darcy. In the role that started and defined his career, Firth gives as a Darcy that we can strongly root for. Darcy is such a poop in the beginning, but as Zoë and I discussed, his atrocious snobbery and behavior makes him falling so hard for Elizabeth that much more rewarding. His character undergoes such strong changes when he ultimately falls for Elizabeth – it is rewarding and beautiful and powerful.

I really liked the costume and set design. The dresses are gorgeous and styled, something which lacks and seriously grieved me in the 2005 adaption. They also kept the house good looking, again a flaw in the 2005 version, as the Bennets’ are never poor, they just aren’t as rich as the elite. I really did like the dresses they put Elizabeth in, so white and gorgeous. The hair – those curled fringes, made me want to cry. No woman, no matter how beautiful, can make such horrid styling work. It was deplorable.

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The only thing that made me enjoy the series a little less was the music score. I’ve never been a fan of classical whiney screechy music, and it is all over the series. It deducted from my experience. The flashback moments done in the series had me smirking and sighing, but they probably did the best they could with their available technology.

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The ultimate love declaration? This is the closest to the book. I like it for the pure Britishness of it all. It is like “I love you, but let’s not embarrass ourselves”. Something I like about the entire story is how Elizabeth’s feelings change towards Darcy – it’s not sudden, it is a gradual realization that he’s not so bad as she thought and her realization of her own mistakes. If I can say, controversially, that my favorite declaration of love still comes from Mr. Darcy in PPZ, you must please forgive me. His deliverance and his Elizabeth’s reaction are so incredible that it not only stands out in this little genre, but across a large part of movies for me.

The Pride and Prejudice Series conclude my watching of Pride and Prejudice work for the first time. I am really sad about it, so anyone who wants to do another (GOOD) adaption, please see this as a beacon call for it to happen. I enjoyed all three films, and Zoë and I plan to do a discussion post soon about it, and then you will really know which actors act where in there for us.

Have you seen this? Please let me know so we can fan-club together!

Book Review: Jewels of the Sun (Nora Roberts)

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Plot: Determining to reevaluate her life, Jude Murray flees America to take refuge in Faerie Hill Cottage, immersing herself in the study of Irish Folk and discovers hope for the future of the magical past.

Finally back home in Ireland after years of traveling, Aidan Gallagher possesses an uncommon understanding of his country’s haunting myths. Although he’s devoted to managing the family pub, a hint of wildness still glints in his stormy eyes–and in Jude, he sees a woman who can both soothe his heart and stir his blood. And he begins to share the legends of the land with her–while they create a passionate history of their own..

Rating: 6.5/10

I always think that I have read all that there is to read with Roberts. I think of her work in four categories – her JD Robb work I haven’t really touched, her thriller mysteries which I devour,  her romance trilogies such as this, which I really thought I had covered them all, and her Mills and Boon novels which I really rarely, rarely venture in to.

So when I the Gallaher family series naturally I had to investigate. There is a clear distinction between  Nora Roberts writing Irish stories and real Irish writers writing Irish stories. They can’t be grouped together and Roberts really writes perfectly nice books about them but it is clear she doesn’t have the cultural grasp of the nation as the authentic ones do. Her characters are nearly cartoonish with their cultural habits and they are all, always, the “black Irish”. But anyway, I’m not here to bash one of my favorite authors, that is just the impression I wanted to share with you.

Jude Murray – who names their child Jude? – is unsure of who she is when she lands in Ireland. Since we’ve all been there I won’t really blame her. She meets the incredibly attractive and remarkable single bar owner, Aidan Gallagher. She’s clearly immediately what he’s been waiting for his whole life, and he finds her neurosis and anal personality endearing and not irritating as shit. (Because this is a totally legitimate love story). But there is more – Jude is living with the town ghost, who has been cursed to stay as a ghost in eternity because she spurned a proud Prince Fairy’s advances when she was a married woman. Men and their fragile egos aren’t made for positions of power. So there are some conversations with ghosts and fairies and sad souls all in the midst of Jude and Aidan falling in love, and we are kept entertained and a little flabbergasted throughout the book.

Despite all my mean spirited thoughts, I actually did like this book. It is innocent, empty fun and you don’t have to think way too much about it. Despite the cartoonish cultural attachments, I enjoy Aidan. He’s obviously written to be a hero and he’s good at that. Jude is my favorite of the three female characters in the trilogy – Darcy is a gold digger and Brenna was written as this fiercely independent woman who really wasn’t a fiercely independent woman. Jude might be neurotic and insecure but she’s the most believable of the three female leads. The entire trilogy didn’t need the ghost element – it is certainly not the main focus of these romance novels, and it mostly feels pushed in to breathe some life into the often lagging plot.

Anyone looking anywhere for some real characters or even just a love story that feels legitimate will probably not like this. If you are in the midst of stressful exams like I was, this might just get you through the week and prevent you of beating your zoology professor to death.