5 Things Friday: Five Songs I am listening to right now

 Happy Friday! I haven’t been on year for a ginormous amount of time, and I have really been missing it. Now is NOT the time to get into everything that has been going on in my life as I am squeezing this in between meetings, but here’s a couple of songs that I have been listening to on repeat lately:

Roan Ash is an incredible South-African artist on the rise. Absolutely loving the song and how well he sings. Definitely of international standards and when this guy breaks the global stage, I will be happy to say I was there from the start!

I think this song is quite old, but I recently found it again. It gets a little loud in the end, but I do love the lyrics

I am so sad I couldn’t get to see this film in cinema. How incredible is Lady Gaga’s voice? Who knew Bradley had that voice in him? I AM SHOOK

I have been listening to this song on repeat since I watched the movie. So beautiful and the reactions of the cast is incredible

To round things off, I am pretty pleased with this song from Sigrid – especially when I am feeling extra dramatic, which happens to be quite a lot.

What have you been listening to?

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Book Review: City of Bones (Cassandra Clare)

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Plot: When fifteen-year-old Clary Fray heads out to the Pandemonium Club in New York City, she hardly expects to witness a murder― much less a murder committed by three teenagers covered with strange tattoos and brandishing bizarre weapons. Then the body disappears into thin air. It’s hard to call the police when the murderers are invisible to everyone else and when there is nothing―not even a smear of blood―to show that a boy has died. Or was he a boy?

This is Clary’s first meeting with the Shadowhunters, warriors dedicated to ridding the earth of demons. It’s also her first encounter with Jace, a Shadowhunter who looks a little like an angel and acts a lot like a jerk. Within twenty-four hours Clary is pulled into Jace’s world with a vengeance when her mother disappears and Clary herself is attacked by a demon. But why would demons be interested in ordinary mundanes like Clary and her mother? And how did Clary suddenly get the Sight? The Shadowhunters would like to know… 

My sister was campaigning that I  read this, hands wildly thrown in the air, that it was good and I needed to read this (you get the idea). I needed a healthy break from Grey’s Anatomy (seriously too attached), so it was a great time to pick up a new book series.

I think we all know these YA books are such hits with their population group because it tells the story of a teen who realizes that she really is different, and that it isn’t just her wildly out of control hormones making her feel excluded. I happen to still like them – they are fun and campy and you can use them as “filler” books between more serious reads.

City of Bones is a good example of this. Clary is likable, Jace is a good love interest. Jace has an attitude as big as the Great Wall of China so that makes him an entertaining character even when you want to punch him, which is quite often. There is a regrettable love triangle going on between Clary’s best friend Simon, Clary and Jace, and that is really typical and not too unexpected, but I still an arc like this as I consider it lazy writing. Imagine a series where two characters are completely into each other and a third doesn’t have to get hurt? For all Tris’ many mistakes, she and Four in the Divergent series never deviate from each other. But it does play into the dreamworld of a teen girl who wishes that not only one, but two, really handsome guys can pine after her

Simon is also a pretty cool only-human character (there needs to be one in every YA book). He is sweet and it is annoying that he lost his superior position in Clary’s life just because she realized her true identity. I hope he is around throughout the series. He’s a funny guy.

So if you’ve read the book you will know there is a major plot twist at the end. It made me furious furious furious (probably as intended). I hope some magic happens and it un-plots itself because I just can’t deal with this.

The book felt about a hundred pages too long. Gosh, the ending is just too drawn out and the author could have kept a few paragraphs off the book and still have gotten to the end like she did.

So now that I have bitched about the bad things, I will tell you that this is easy and light reading. The lore is explained as the book continues and it is as imaginative as we can hope from a genre that has explored every single avenue repeatedly. There are demon hunters, werewolves, vampires, faeries and an entire underworld that hosts them. The focus is on the demon hunters, and how snobby and elite they can be. The villain is all around bad and unforgiving, and not unlike Hitler in his beliefs. He is mad and determined and not even remotely afraid in taking out the people that needs to be taken out in order for him to succeed.

The main protagonist Clary is determined and can deal – she isn’t needy or silly or whiney, and she does her thing. I liked that about her, because too often female protagonists in their own story end up depending on every male available. Clary isn’t like that, and while she may be minuscule, she remains someone to be reckoned with.

If you like the genre, you will definitely like this. I will pick up the movie (even though it has terrible ratings), and maybe even the series – I see that got cancelled too – just to see whether their casting matches to my imagination

Have you read the series? No spoilers please!

Blindspot 2018: Die Hard (1988)

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Plot: John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.

1988 was the year. My eldest sister was born and John McClane became became the hero of the Nakatomi Plaza attack when he took down Hans Gruber and his other German terrorists. So all in all, it was a good moment in history. Let’s also just take a moment to marvel at the fact at how the view of terrorism has changed,  as well as the nationalities of suspected terrorists.

I have been chewing on this a while – did I like it? Did I not? I really can’t tell for sure. I really like action movies, so it was a bit of a weird thing for me to not have seen Die Hard, considered by many to be 1) a Christmas movie and 2) one of the best action movies, like, ever. So, in the spirit of actually finishing up my Blindspot list this year, I sat down and got this done.

I have to confess that while I liked Die Hard just fine, I didn’t really love it. I felt disconnected from Bruce Willis being young and gung ho and ready to fight the bad guys. The dialogue is fantastic though, and John really is a smart mouth. I am sounding old again, but the dialogue in “today’s” movies just aren’t the same anymore.

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I’ve never seen Alan Rickman in a younger role. He has always been Severus Snape to me, (and now Marvin). It seems like a real shame and something I need to sort out – he is simply fantastic as Hans Gruber – controlled, brilliant, devious and a mastermind. If not for one rogue cop, this man would definitely have succeeded. Hans Gruber is a villain that you don’t get too often in action movies – he is not just a bad guy for shits and giggles, he is smart and has a plan and Alan Rickman acts convincingly as this ominous man.

There is also a bit of a buddy cop vibe going between John McClane and Sgt. Al Powell (Reginald Vel Johnson). Al is the first person to take John seriously and alert the cavalry that there is indeed a terrorist attack going down. Al gets a moment too at the very end to prove his bravery, and I can only hope he is in the next million films that were released in this franchise.

I also liked Holly (Bonnie Bedelia), but I have never really been able to sympathize with people who leave their cop-partners because of the workload (sure, infidelity or abuse, but he is busy protecting everyone). Despite her choice to leave John, she is given good dialogue and is not so afraid of the terrorists that she can advocate rights for her fellow hostages.

I’m giving this a 7/10 because it was good, not particularly great, but a decent watch that didn’t require too much brain power and a decent film to have noted as “watched”.

 

Movie Review: Ant-Man (2015)

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Plot: Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.

Ant Man is really the only Marvel film I haven’t specifically gone to see in cinema in the last five years. I finally sat down to watch it a while ago, and it halfway confirmed my suspicion that a movie about a superhero the size of an ant would be silly, but that doesn’t mean I didn’t end up enjoying myself quite a lot.

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Anyone who has ever seen Clueless will tell you that Paul Rudd is the most adorable person to have ever person’d (not a word, but going with it). He also hasn’t aged in the 23 years since Clueless and looks exactly the same, adorable person he was back then (although with a lack of photographic evidence I can’t really comment on whether he was as ripped back then). He takes on a big role and sort of becomes an Avenger as Scott Lang, an engineer who has some bad taste in friends, and is recruited for a big role when he steps out of prison.

Joining the Ant Man cast is Evangeline Lilly, as Hope, the daughter of inventor-technology-extraordinaire Hank Pym (Michael Douglas). Hope is smart and successful and plays a double agent between her father and the rapidly mentally deteriorating ex-protégée of Hank and current evil person and CEO of Hank’s brainchild company Pym Technologies, Darren Cross (Corey Stoll). She’s also love interest of Scott Lang, because plot reasons, and she’s also not allowed to put on the suit – initially I was like poor move Marvel, not allowing her to put on the suit because of her lady parts, but the movie does try to explain it as daddy has lost mommy this way and can’t lose his daughter this way too (I’m not convinced, but at least the sequel is titled “Ant-Man and the Wasp”, where Hope becomes the Wasp. Hope is great, looking amazing in her black suits and amazing hairstyle and kicking ass while being a central part of the plot. I also really enjoyed Michael Douglas, it is good seeing him look so well after his cancer diagnosis a few years back, and he adds gravity to the movie and manages to deliver some snide remarks and sarcastic comments while he’s at it.

One of the best things about Ant-Man is Michael Pena’s performance as Luis, Scott’s former cellmate and criminally-inclined-but-still-cool-person. Not really sure why Marvel would want to tap into the stereotype of Mexican criminals, but Pena manages to make his character a hit and especially hits it off with his amazing storytelling skills.

I also enjoyed seeing Judy Greer again, she’s great and as always after seeing her in something, I wish I could see her become a leading lady in a film. She’s been in Hollywood for ages and yet has never been the sole focus of a film, which is a shame in my opinion. I liked how she wasn’t portrayed as the villainous ex-wife of Scott, but rather a mother and an ex-partner who would be open to allowing more visitation rights to the seriously cute Cassie (Abby Ryder Fortson) once Scott sorts himself out.

I enjoyed Corey Stoll as the villain, but I really wish there were just a bit more depth to the backstory and more explanations why he lost the plot quite so badly and turned from protégée to “I want to kill everyone” type of person. He quickly becomes the madman, and I don’t always understand why.

I also suffered some confusion, and would advise people to watch Marvel films in the order they come out in, because I got the events quite mixed up in my head at a stage.

Ant-Man had a lot of good things going for it, and it is as warm hearted as a Marvel superhero movie can and will get. I missed out on Ant-Man and The Wasp in cinema (cry cry cry) but will definitely watch it when I can. I hope that Hope gets her chance to kick some ass and become part of Luis’ excellent storytelling skills.

Rating: 7.5/10

Movie Review: Fallen (2016)

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Plot: A young girl finds herself in a reform school after therapy since she was blamed for the death of a young boy. At the school she finds herself drawn to a fellow student, unaware that he is an angel, and has loved her for thousands of years.

Rotten Tomatoes gives Fallen a 7% rating. A really unfair 7% rating. Look, the movie starts with a type of introduction that was clearly stolen from the Lord of The Rings intro (I kid you not), complete with a Galadriel-esque voice over and mystique images. Then it proceeds to the teenage-on-earphones driving in scene so reminiscent from Twilight that I didn’t expect too much. All these movies hope to become the sleeper hit that the first Twilight film was, and they all copy at least one or two aspects of that film.

I wasn’t such a fan of the book Fallen when I read it a couple of years ago, but that had more to do with the writing style than the actual content. Also, are all schools for troubled youth beautiful old mansions or is this just Hollywood?

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Anyway, Fallen is a surprisingly okay film for the tired Young Adult genre that has seen more misses than hits the last few years. Fatal flaw or not, I have a weakness for these films and always end up getting a copy. They don’t have to be good for everybody for me to give it a chance. There are some scenes which are remarkably silly (angels fighting in clouds), but for the most part I was interested and wanted to keep watching. The chemistry between the three leads are great, and the support cast, notably Lola Kirk as Penn, provided enough color to the film to keep it going. She’s hilarious and did the whole nerdy girl perfectly. Also, the two male parts of the love triangle never gets any real animosity going between them.

I liked the story well enough – the angels who didn’t choose sides when Lucifer and God split were sentenced to earth, and that is where one angel (hint, he’s a handsome blonde teenager), fell in-love with a teenage girl (hint, she’s a beautiful brunette), and as a result, this angel damned all the remaining angels, both good and bad, to a lifetime on earth. They are generically white, light angels versus heavy eyeliner dark makeup so that we can definitely know who is on whose side. Naturally beautiful blonde angel guy is stuck pining for eternity, and every 17 years gets to fall in-love again as his true love meets him and dies as soon as they kiss. Pretty sad, I know. Luckily for us, Luce’s reincarnation this time is “different”, and they share a smooch only to discover that she’s not dying and there is hope for them this time around.

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The film has a satisfactory grungy look and tries hard to be hardcore. Since I am about as “hardcore” as a pink marshmallow, I was impressed with the scenes of a metal club (if you can overcome the fact that these troubled teens break out of their dormitory with loud bikes) and found it satisfactorily cool.

I might even pick up the books again to see if they are better this time around. It definitely wasn’t a bad way to spend an hour and thirty minutes, and I won’t scream loudly against picking it up again at some stage.

Rating: 6.5/10

Blindspot 2018 review: The Hitchhiker’s Guide to the Galaxy (2005)

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Plot: Mere seconds before the Earth is to be demolished by an alien construction crew, journeyman Arthur Dent is swept off the planet by his friend Ford Prefect, a researcher penning a new edition of “The Hitchhiker’s Guide to the Galaxy.”

We have imagined life on other planets and within the universe numerous times and with varying success, yet none more so unique than the book written by Douglas Adams.

I read the book before venturing into the movie, and I will have (hopefully) posted the book review before you see this post (Okay no you will have to wait). This series is far out of my comfort zone, and it was with great skepticism that I ventured into both.

So, I hope all the big fans will forgive me, but I think the more wine you have in your body, the better this movie. It is okay, especially if you consider the oddness of the material and how hard had to have been to create a film the fans would enjoy and make it intelligible to people who hasn’t read the book. I had both these types in my watching committee, and they all claim to have enjoyed the film the first time around.

Martin Freeman plays the role of Arthur Dent, the man who survives the destruction of earth by moving onto a spaceship managed by the bureaucratic Vogons with the help of his alien (unbeknownst for the duration of their friendship) friend Ford Prefect (Mos Def). They are booted off the ship almost immediately, and saved by Zaphod Beeblebrox (Sam Rockwell), who is accompanied by none other than the human girl who slighted Arthur at a party. Trillian (Zoey Deschanel) has no clue Earth has been destroyed and is quite surprised at finding Arthur on her new lover’s ship.

Even after reading the first book, I should have probably finished the series before watching the movie. There’s a lot that happens in the film that doesn’t happen in the book. I watched with people who had read the entire series and they could confirm these things were in the books, so I guess I should read all of those books at some stage.

I enjoyed Martin Freeman in his role of Arthur. Freeman has a knack of playing a slightly washed out character and making him interesting, and the main character of this series is certainly that. I also thought Sam Rockwell was pretty perfect to be Zaphod, the hapless and possibly dangerous to his own safety President of the galaxy. The depiction of Zaphod’s second head was rather disgusting and very well done – my imagination would never have come up with that on its own. Deschanel does her typical bug eyed look in the film and is as adorably quirky as the persona she has created for herself in all her roles.

The best decision however was to cast Alan Rickman as the voice of Marvin, the robot with human emotions who is eternally depressed. No other voice could have been better suited to the robot than his truly, and I wish I could have had a robot like that in my life.

I don’t have too much more to say about this film – it is a weird fandom film that fans will enjoy and not too bad if you are a semi-enthusiastic watched. But like I said – the more wine the better the quality.

Rating: 6.5/10

Blindspot 2018 review: The Silence of The Lambs (1991)

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Plot: A young F.B.I. cadet must receive the help of an incarcerated and manipulative cannibal killer to help catch another serial killer, a madman who skins his victims.

People who choose to put other people through their own digestive tracts have always captured the imagination of the world. For me the very first question is, to cannibals, why though? Kuru brain disease presents itself in the New Guinea inhabitants who chow on their tribe mates. It’s a debilitating neurological disease and sounds really quite unpleasant to me. Also, cooking normal meat can be so tiring and now you want to put human skin through that process? Ick, Ick, Ick.

This film famously won the big five at the Academy Awards: Best Picture, Best Director (Jonathan Demme), Best Actress, best Actor and Best Adapted Screenplay (Ted Tally). I can say yes, I agree, to all five awards. Anthony Hopkins takes on the most famous imaginary (hopefully) cannibal, Dr. Hannibal Lecter and I have literally never seen anyone give such a frightening and perfect performance. He seems to have genuinely terrified Jodie Foster, who gives an equally brilliant performance as Clarice Starling, the new FBI agent who is tasked with corresponding with Lecter in the hopes to track down cannibalistic serial killer Buffalo Bill (Ted Levine). It is almost easy to overlook the brilliance of Levine’s work here when his other co-stars were as amazing as they were, but Bill is creepy and terrifying in his own right.

I also liked that Clarice experienced onscreen sexism – it kept it real. She’s an obviously brilliant young agent but she’s a woman and therefore must experience some skepticism and glances. Her relationship with Lecter is fascinating and Foster’s ability to switch between terrified and intrigued is wonderful.

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The move is tense and broody and Jonathon Demme created a bleak and intense atmosphere. The last few scenes alone with Bill and Clarice is full of harsh shallow breathing and sharp light, and I found myself creeping inwards toward my blanket, not knowing who would win, Clarice or Bill.

I watched The Godfather Part I and Part II in my first Blindspot year, and this is the only film that has reached that level of excellence. It’s a thriller (compared to the Horror I was expecting), superbly acted and intense. The story is solid and compelling, and leaves enough room at the end to guarantee your return for the next in the franchise.

Rating: 9.5/10

Movie Review: Jurassic World: Kingdom (2018)

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Plot: When the island’s dormant volcano begins roaring to life, Owen and Claire mount a campaign to rescue the remaining dinosaurs from this extinction-level event.

Jurassic World is a damn fine movie, even though it is technically a sequel and almost the 8th (under correction) of the entire franchise. It doesn’t suffer from repetitive writing and its success comes from the fact that the writers and directors knew that they shouldn’t spend too much time on Isla Nublar, and that they should move their cast as fast off the island as possible and continue elsewhere. There is also the considerable charm of Chris Pratt, as well as the beautiful and talented Bryce Dallas Howard, who returns as Claire, the previous operations manager at Jurassic World, and approver of the Indominus Rex.

It is three years after the destruction of Jurassic World, and the dinosaurs are facing extinction again. A volcano is set to erupt on Isla Nublar and take all the now de-extinct dinosaurs with it. Lobbyists are protesting the rights of the dinosaurs, and it is clear that the government does not feel that the dinosaurs deserve the same protection as other endangered animals. Some might say that you can’t really blame governments for adopting this stance. Dr. Iam Malcolm (Jeff Goldblum) is prepared to say that maybe the universe is sorting out this problem and correcting the mistake Jon Hammond made by making dinosaurs breathe again. Claire is leading a lobby group, and just when she thinks that the dinosaurs can be saved, the government says they are just not doing it.

She is given a lifeline when she’s contacted by Benjamin Lockwood (James Cromwell), Jon Hammond’s previous cloning and business partner. They had a falling out, and the reason is later revealed as a handy plot device which I won’t be telling you. Lockwood, aided by Eli Mills (Rafe Spall) organizes a convoy to Isla Nublar to save some dinosaurs, and they enlist Claire’s help and that of Owen Grady (Pratt) to especially track the very intelligent Blue, the only remaining velociraptor on Isla Nublar. (They say Blue is the second most intelligent thing on the earth, and I disagree, he’s probably first and humans the fifth)

The convoy heads off to the beautiful and now smoking island, and ulterior motives from some are soon revealed. Double crossing and dangerous behavior is the game of the day and it is soon evident that the worst creature on Isla Nublar is in fact not any of the dinosaurs.

The support cast is fantastic. Justice Smith (as Franklin Webb) provided a number of hilarious moments with his complete freak out in any and every situation. It was a great decision to include this character and actor, and balances things nicely with the hyper-masculine Owen Grady on the other side.

Daniella Pineda as Dr. Zia Rodriguez is a great addition and helpful to bring some female power to the group. She’s straight to the point and a genius and I really liked that she was so integral to the story while not getting some stupid love story to dumb her down.

Isabella Sermon as Maisie Lockwood, granddaughter of Benjamin Lockwood, was adorable and managed to remain a big part of the story.

Jurassic World: Fallen Kingdom starts a little choppy, and the hearings at government feels insincere, but it finds it feet fast as soon as the original duo take over the acting of the film. It is a much darker version of its predecessor, and much different than I expected. There are some moments where I really jumped and squealed and wanted to pack some dinosaurs in my backpack and run away. I don’t want to give too much away, but some of the villains are so creepy that they could have a spinoff and just be villains (well they could have had). There’s lovely footage in the film of Owen Grady bonding with Blue, showing the remarkable intelligence of the Velociraptor, and that was done beautifully. It is a strict reminder that animals aren’t cruel because they are malicious, their actions are nothing but instinct, whereas their human counterparts will eternally find ways to destroy and hurt anything “lesser” than them.

I still think Pratt and Dallas-Howard have zero chemistry, they seem terribly suited even in the film.  They just seem so incompatible and not really comfortable with each other. Big up to the producers who put Dallas-Howard in sensible shoes this time, and didn’t have her running around after dinosaurs in heels like in the first film, because the smack down they received for that took away from a really entertaining film.

The handy plot device is a clear move to keep our main characters morally clean in what happens towards the end of the film. Some might say it was poor writing and an easy out, and some may be right. However, it doesn’t take away from the fact that the Fallen Kingdom is wildly entertaining, thrilling and a good way to keep the franchise alive.

Rating: 8.10

Blindspot 2018: Breakfast at Tiffany’s (1961)

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Plot: A young New York socialite becomes interested in a young man who has moved into her apartment building, but her past threatens to get in the way.

There can’t be more to say about this film than what has already been said, and only my lack of seeing it would prompt me to even post about it  – a film 57 years old has had many reviews, certainly more loquacious than the one I’m about to wring out. However, I found the motivation to watch another Blindspot film, and this was readily available.

Breakfast at Tiffany’s is my very first Audrey Hepburn movie, a woman as well remembered for her humanitarian work for UNICEF and her iconic status as one of the greatest actresses to ever grace our screen. Personally I like the UNICEF remembrance more, as it shows that she used her great fame for a cause and was really a lot more than just a pretty face (and what a pretty face it was!) Marilyn Monroe and Shirley McLain were both also considered for this role, and although Truman Capote felt her woefully miscast, Audrey Hepburn managed to make the role her own and to turn it into a defining moment in her career. She is delightful as Holly Golightly, as a (correct me if I’m wrong), high scale call girl. The film plays this out very carefully, I would assume due the time of release, and there is more focus on Paul Varjak’s nefarious activities than on Holly’s. She’s fascinated by Paul when he moves into her building, and it turns out he is similarly employed and wants to be a writer. He’s as charming as she, and through ups and downs Holly discovers what it means to be herself and to be in-love. Holly has a lot of plans and very few of them are wise, and a few things are revealed during the film – Holly’s previous marriage, her ability to jump between rich men and her inability to give a cat a name. The film could have been choppy, and I thought it could have had a stronger story, but between Peppard and Hepburn they manage to keep it together through charm and banter.

Mickey Rooney’s portrayal of the Japanese character Mr. Yunioshi’s is the only thing that I can’t admire. The character is portrayed as nothing short of retarded, and I can’t think such a portrayal could have been appreciated during that time any more than it would have been today. It seems highly insulting that the only other race in the film was portrayed in such a fashion.

The film is really stylish, has gorgeous costumes and its theme song is truly beautiful and no doubt as iconic in its own right as the film itself. I absolutely love Audrey Hepburn’s hairstyle, though few women could pull it off, and her dress, which inspired the Little Black Dress (although these days the cloth is significantly less), is classy and she looks wonderful in it.

I had a good time with this film, and at the end of the day that is what it is about, but I won’t be rushing to repeat this classic anytime soon.

Rating: 7.5/10

Movie Review: Avengers: Infinity War (2018) – Spoiler free –

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Plot: The Avengers and their allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe.

Well. I knew I had to get to cinema to watch Infinity War immediately after its release or else risk this film being spoiled by the internet for me. We’ve been waiting ages since the slightly lacklustre Age of Ultron for another instalment of the all powerful Marvel ensemble cast to once again fight some massive celestial being. Finally reunited, the Avengers and all their new superhero friends are forced to take on Thanos, the biggest and baddest of them all, who is also in running for the worst dad of all time to Gamora (Zoe Saldana) and Nebula (Karen Gillan). Thanos (voiced by Josh Brolin), is collecting the Infinity Stones, very powerful stones (obviously), and you don’t need a comic book background to know that it will be really bad when this genocidal maniac gets hold of all six stones. It’s no spoiler that some of the stones are in the possession of a few Avengers, and they do an ultimately dismal job in protecting them. You will have to watch it if you want to know what happens at the end, but it was neither comfortable nor a quietly satisfying end.

Infinity War takes an age to get their superheroes together, which is not surprising, since they decided to include a massive amount of their star power in the film. Since Age of Ultron the original Avengers have scattered and hidden, and they aren’t all super happy with each other. Tony (Robert Downey Jnr.) is still happy by being managed by Pepper (Gwyneth Paltrow). Thor (Chris Hemsworth) is still dealing with the devastating destruction that happened in Thor: Ragnarok. Natasha Romanoff (Scarlett Johannson, this time blonde), Steve Rogers (Chris Evans, with deliciously longer hair) and Sam Wilson (Anthonie Mackie) are still (I think) in hiding. They all fall in at different stages of the film, and my sold out cinema was cheering as each original Avengers cast member was reintroduced.

It’s impossible to write a short and concise review of the movie and to discuss the stars, because (nearly) the entire Marvel universe is in the film. However, here are a few thoughts on some of the characters:

Vision (Paul Bettany) comes across as awfully wimpy and I don’t know how he was intended as a superhero in this film. He seems to just be there, and his moments of action aren’t all that action packed.

If I could have had more of Danai Gurira as Okoye I would have, because she just has the best attitude and lines. Also good seeing T’Challa (Chadwick Boseman), but after the enormous success of Black Panther I would have loved to see more of the man.

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It is the first film where the Three Chris-es are combined – Pratt, Evans and Hemsworth have so much charm between them it is a wonder that they aren’t combined an Infinity stone themselves. There is delightful moments full of humour when Starlord meets Thor and needs to deal with all that muscle. I’ll just say that there is a moment when Thor arrives that made me very, very thankful.

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Thanos has character depth, and that is something that hasn’t always been present with Marvel villains. He has layers and there are times when he actually almost makes sense, his reasoning behind his warlord status. There were a few moments where I legitimately felt sorry for him, and then had to remember what he had done.

I have some issues with the ending (really, who doesn’t at this stage?). I don’t want to say too much, but I really hope that they are planning to address some… events… in the next Infinity War instalment (there better be one), because they can not just do what they did. I am REALLY excited for the post credits scene, and I am optimistic that that will mean something overall for the drama levels in the last ten minutes of the film.

I liked Infinity War, except that ending. Thee CGI is insane and everywhere again, and that as well comes as no surprise – I mean, Josh Brolin doesn’t really look like that, does he now? It is really long, again though, expected, and full of emotional upheaval. If you haven’t watched it yet and you really dislike spoilers, I suggest getting to a cinema soon. It’s a bit off the normal route for Marvel, and they’ve taken big risks, but if you look at the crowd response rate you can rest assured that Marvel has another hit on their hands.

Rating: 7/10

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