Blindspot 2015: The Prestige (2006)

The-Prestige-2006

Plot: Two stage magicians engage in competitive one-upmanship in an attempt to create the ultimate stage illusion.

Rating: 9/10

I’ll start off saying that I’m not one of the Nolanites who obsessively watch for new releases and get violent in his defense. That does not stop me from recognizing the true genius of the man, but I don’t faint with excitement is all I’m saying. But he directed two of the Blindspots I’ve most enjoyed this year, so obviously this guy is on to something.

I chose amazing Blindspots for 2015. Both the Godfather One and Two, Fury, Interstellar, Casablanca and now the Prestige were all well worth the time I devoted to them. I have Pulp Fiction and A Good Year left and I think we can safely say that Pulp Fiction is the one that might upset the rankings here.

THE PRESTIGE, Hugh Jackman, Scarlett Johansson, 2006, (c) Newmarket/courtesy Everett Collection
THE PRESTIGE, Hugh Jackman, Scarlett Johansson, 2006, (c) Newmarket/courtesy Everett Collection

The Prestige is a phenomenal movie. It is entertaining, well-paced, and non-linear in its storytelling (I’ve come to realize that ol’ Nolan likes doing this). Michael Caine, Hugh Jackman, Christian Bale, Scarlett Johannson, Andy Serkis and David Bowie are the main cast and they entertain non-stop. I’ve always thought Christian Bale is a fantastic actor, but I haven’t really seen him as jaw dropping good. I’m told that this is more his natural accent than any other, but just realizing how excellently he does accents and how his whole demeanor changes when he slips into a role is terribly impressive. Without giving plot reveals on here, because if you haven’t seen it you really should, I called one of the big ones pretty early on. All you have to do is pay attention to Tesla’s experience (an already fascinating character and his incorporation into this was a great idea). The last one, just before the end of the movie? I had my suspicions but wasn’t totally correct there – it was very well done. The movie has a fantastic end – you are kept wondering and on the edge of your seat until the very end, and then it still manage to surprise.

The Prestige is well worth the watch. So happy I chose this!

Blindspot 2015: Interstellar (2014)

Interstellar

Plot: In the near future, Earth has been devastated by drought and famine, causing a scarcity in food and extreme changes in climate. When humanity is facing extinction, a mysterious rip in the space-time continuum is discovered, giving mankind the opportunity to widen its lifespan. A group of explorers must travel beyond our solar system in search of a planet that can sustain life. The crew of the Endurance are required to think bigger and go further than any human in history as they embark on an interstellar voyage into the unknown. Coop, the pilot of the Endurance, must decide between seeing his children again and the future of the human race.

Rating: 8.5/10

Dr. Brand sets the somber tone for Interstellar with his rendition of Dylan Thomas’ famous words: “Do not go gentle into that good night; Old age should burn and rave at close of day. Rage, rage against the dying of the light.”The devastating wasteland that earth has become has had a profound effect of the human race – Earth has finally revolted against the never ending abuse it received and is slowly getting revenge – the human race is dying out.  NASA, nearly defunct, searches desperately for a planet that can sustain human life; as well as a way to get there alive.

Left to right: Mackenzie Foy and Matthew McConaughey in INTERSTELLAR, from Paramount Pictures and Warner Brothers Entertainment.

That is how Cooper, a retired astronaut, gets to go into space again. His daughter Murph never forgives him, even as time passes in its strange pattern and she grows older.

I expected to hate Interstellar. I actually hoped I would – nothing is more annoying than the hype big movies generate. Sure, it is great for their budget, but it is so conformist. I thought it would be fussily intellectual – which I hate – but it wasn’t. There were some big concepts but it didn’t go overhead. The concepts weren’t constantly being discussed on screen either, which helped move the story in understandable lines. Interstellar managed to march towards three hours without killing the storyline. It was needed to properly illustrate the story.

 Matthew-McConaughey-in-Interstellar

The graphics were amazing. Christopher Nolan and his team did a phenomenal job. The vast emptiness of space was beautiful and in stark contrast with the destructive zone Earth has become – there is a feeling that at least the human race didn’t destroy space yet. The wormhole – can I just say WOW? That doesn’t sum it up accurately but it was the only feeling I felt, awe. The water planet and then crazy Matt Damon’s planet, and I will get to him in a moment, was absolutely beautiful to behold.

interstellar_3107340b

The cast did a wonderful job. Matthew McConaughey as Cooper – his apathy with being on earth, his decision to leave, his role as an astronaut – it was wonderful.  I love his slow Texan drawl so much. It makes him sound lazy and hurried at the same time, and it worked for the character. I wasn’t jumping around when I saw Anne Hathaway, but it is a testament to the excellence of Interstellar that she didn’t annoy the living hell out of me. Both McKenzie Foy and Jessica Chastain as the young and older Murphy did great – the two meshed their actions well enough that they ended up looking as the same person. Murphy’s story was really sad; losing her mother and her father and then having to watch the years pass knowing he was out there and never getting to see him. I also enjoyed Timothee Chalamet and Casey Affleck as young and older Tom Cooper, although the character took a backseat compared to Murph’s story.

interstellar-Mann

Now, let’s just focus for a few seconds on the MAD Matt Damon. I think he did a really good job in here, that his role was well done and that he was great in his part here – not a big one but an important one, showing the perils of being alone too long as well as being crazy. Why anyone would let him back into space (i.e. The Martian), I don’t know, but I’m worried.

Now, it has to be mentioned why I haven’t rated this movie at least a 9/10 – the quality certainly justifies it. I cannot for the life of me understand why LOVE had to be brought into a movie that is pure, wonderful science, and by one of the only TWO women in the movie. Anne Hathaway’s amazing Brand was totally killing it, and there she went, her choices being influenced by her silly little love story. It didn’t gel and deducted awesome points from the character and the storyline. It is a movie about SCIENCE. Done.Love is a human emotion and thus not quantifiable, idiots. If it was Anger, Jealousy and Hate would also be quantifiable.

 Interstellar_70405

Apart from that one slight, Interstellar was a jaw dropping, humbling experience. I will gladly watch it again – it seems like the type of movie where you will always notice something new. The great concepts, the wonderful score by Hans Zimmer, the graphics and the acting makes for a masterful movie that can now live with the greats.

 jessica-chastain-interstellar

PS: I will post two Blindspots in October, as I had no time to review one in September 🙂

Blindspot 2015: Romeo and Juliet (1996)

Romeo and Juliet Poster

Plot: Shakespeare’s famous play is updated to the hip modern suburb of Verona still retaining its original dialogue.

Rating: 7.5/10

The 1996 adaption of the timeless story of two hormonal teenagers made it onto my Blindspot list for three reasons – I love Baz Luhrmann’s work and this is one of the few movies I haven’t seen of him, I adore DiCaprio and young DiCaprio was my dream boy as a kid and I mean Claire Danes was a lady I loved a whole lot before Carrie Matheson (because DIE BITCH DIE).

Romeo and Juliet other

Baz Luhrmann has a very characteristic directing style.R&J had the same feel of all his movies – straight out flamboyance everywhere compared to the poignant and sweet love scenes. It is such a strong contrast and achieves to highlight that no matter how crazy life can get, romance is still the sweetest thing there is and will remain unchanged through history. The modernization of the classic can overwhelm the senses initially but is well done – there are such ghetto scenes, the Montague’s and Capulets’ are depicted more as mobsters than anything else with both families being overrun with hoodlums.

Romeo and Juliet Paris

I think apart from DiCaprio and Danes my favorite performance was that of Paul Rudd. Man, he is such a cutie. He managed to be Paris perfectly – a lovely, vacant pretty boy that was only placed in the story to act as the final catalyst to Juliet’s rash decisions.

Heeeyyyyy
Heeeyyyyy

DiCaprio… sighhhhhhh. He is so perfect. Young Leonardo is so beautiful. Old Leonardo has evolved into something like royalty in Hollywood, and is really hot in all his distinguished glory. However, this young Leo is so sweet and his acting is raw and powerful. I doubt that this movie would have been as effective without him as Romeo. He is the perfect personfor this role.

Before crazy-eyes-Matheson, Claire Danes rocked
Before crazy-eyes-Matheson, Claire Danes rocked

Claire Danes was also a great choice for Juliet Capulet. She is sweet and innocent and fresh, and an anomaly compared to her gaudy family. She and Leo had wonderful chemistry throughout the movie and there are a few scenes where I held my breath because it was so lovely and sweet.

I can’t tell you how many times I thought “TEENAGERS” throughout this movie, because really – the rampant hormones in this film caused all the drama. I mean – falling in love, getting married and dying seems a little extreme in the span of only three days.  I don’t think anyone on this planet doesn’t know how this story ends – but I kept thinking how horrible I would have reacted if I didn’t know the end and I saw that unfolding – there would definitely have been things travelling through the TV screen!

My Blindspot list has really intense and wonderful movies on, so while I enjoyed this movie a lot and would recommend it to fans of Shakespeare, DiCaprio, Danes and Luhrmann, it won’t ever end up as my number one at the end of the year (because I already know which one is going to be number one!)