Blindspot 2016: final rankings

WOW. I’m done! Can you believe it?! I most certainly can’t. My 2016 Blindspot list was the list I’ve bitched about the most, not because of the bad movies but because I struggled so much getting time to site down and watch the films I chose. I’ve been really bad with schedules, which really ddin’t help the matter. But anyway, let’s stop that now because yet I still somehow managed to see all each and every film listed.

My list of 2017 is up tomorrow, and I’ve at least seen a number of them in preparation with my bestie and the remainders are great films won’t feel like a bit of a chore to get through. I also have most of those films already available, which was one of the reasons I took so long with 2016’s Blindspot – struggling to find these films.

Here’s a rundown of from least favorite to favorite. The scores are listed, but I’m not too worried about that right now, just basically listing what I remember actually liking the most.

Home alone

Spot #12: Home Alone (1990)

Rating: 6/10

This is definitely the movie on the list that I should have watched way early in my life to really love it. I can see why people my age would love it if they saw it as children, and probably has the same sentiment towards it as I do towards a film like Matilda, which again reminds me that I really want to watch Matilda again. Home Alone was lost on me, I really couldn’t find any interest in a story where the main character was a child.

love-actually-poster

Spot #11: Love Actually (2003)

Rating: 6.5/10

There are people that actually think that this is one of the best romantic comedies of all time. I could not disagree more. There are critically few characters that are even remotely likeable and I was highly offended by most of their actions. Eugh.The best thing about this film is Colin Firth and Alan Rickman, and if those two men can’t convince me that a film is worth it, nothing can.

Back to the future

Spot #10: Back To the Future (1985)

Rating: 7/10

The same as Home Alone here – missed my chance. It was much more appealing though as there were at least older characters, but I still felt my attention wavering once or twice.

KillBill2poster

Spots # 8 & 9: Kill Bill Volume 1 (2003)& 2 (2004)

Rating: 7.5/10 and 8/10

Yes, I am fully aware that these are Tarantino films so low on my list, but I have my reasons – mostly (and I might get shot for this bout of honesty), is that I found the story a bit lacking on both and overly violent even for Tarantino. I am such a fan of Django Unchained, Inglorious Basterds (my favorite), and Pulp Fiction, and these two didn’t get anywhere close to touching my top favorite films of his.

poster-eternal-sunshine-of-the-spotless-mind

Spot #7: Eternal Sunshine of the Spotless Mind (2004)

Rating: 8.5/10

I had trouble finding films this year that convinced me of its originality, and ESotSM is one of the very few that could convince me that creative talent was still alive and well. I loved Kate Winslet with her crazy hair, I adored Jim Carrey, Mark Ruffalo was adorable and Frodo was a sufficient level of creep in here. Hey! Kristen Dunst didn’t make me gnash my teeth.

Warrior poster

Spot #6: Warrior (2011)

Rating: 8/10

This movie! I was bent double with anxiety. Who must win? Does any person deserve to lose? Performances by Joel Edgerton and Tom Hardy were phenomenal. I cannot accept that this film tanked in the box office, it is truly great.

memento

Spot #5: Memento (2000)

Rating: 8/10

Another frequenter of my Blindspots has been Christopher Nolan. He’s such an intelligent man and it comes through in his films. Memento was this year’s pick, and I unsurprisingly loved it.

aliens-poster

Spots #3 and 4: Alien (1979) and Aliens (1986)

Ratings: 8.5/10 (both)

alien-chestbuster

Yes, I agree. How haven’t I seen these two films up until now?! I lived for 26 years without the knowledge of how awesome Ripley was or how gross the chestbursters are, and although my life wasn’t sad before, it is all the richer now.

tkamb

Spot #2: To Kill a Mockingbird (1962)

Rating: 9/10

Both numbers one and two for me were really sad and thought provoking films that provided insight into the very best and the very worst of the human nature. Pan’s Labyrinth is the ONLY film that could have beaten out To Kill A Mockingbird.

pan4

Spot #1: Pan’s Labyrinth (2006)

Rating: 9/10

The winner of the year is the gut wrenching and incredibly poignant Pan’s Labyrith. This is a bit touchy feely, but watching this film made me want to cry for two reasons – the beautiful directing and the sad story of Ophelia and her desperate escape methods from the horrors of her world.

Well, there we have it. I enjoyed the majority of this list – truly it is probably only numbers 10 – 12 that really grated on me, and yet I am not displeased about spending time with them. Did you do a Blindspot in 2016? Comment below t and I haven’t discovered your undoubtedly awesome page, send me the link below 🙂

Blindspot 2016: Memento (2000)

memento

Plot: A man juggles searching for his wife’s murderer and keeping his short-term memory loss from being an obstacle.

Rating: 8.5/10

The entire point of Blindspot is to see things that we were supposed to have seen ages ago but obviously never did for a number of reasons, most notably laziness in my case. Memento is definitely one of these films, and after watching it I am so happy that 1) I finally got to it and 2) somehow avoided spoilers all this time.

Directed by one of the craftiest and most intelligent filmmakers of our time, Memento is some of Christopher Nolan’s finest work. And it should be clear that nearly all of his work is fine – Prestige was on my Blindspot in 2015, I loved Interstellar, Inception blew my mind on a level that I still haven’t written a review for it. Those Batman movies? Dark and heavy and undeniably brilliant. Memento is some of his earlier work, and definitely some of the best that he’s ever embarked on. The directing is excellent, naturally – the black and white and color alternating between past and present. GENIUS.

memento-2

Guy Pearce plays Leonard, a man with short term memory loss. That alone fascinated me from a medical viewpoint.  Memories and retention of them are so fascinating and complex and the Nolan brothers managed to bring Leonard to life in a way that gives insight to the complexity of his problem. Leonard is highly organized and tackles his memory loss by notes and tattoos. I kept hoping he had some form of a tattoo on his back that would resolve a lot of his problems. Alas, he didn’t, but his tattoos on the front of his body were highly informative and disturbing. Pearce also gives the performance of his career in my opinion – tightly controlled and methodical, this role would have been a disaster in a less accomplished actor’s hands.

memento_3

The other characters are all a bunch of shady fellows you can never quite pin down – are they bad, are they misusing our guy, what exactly is going down. Assistance is provided due to the movie moving backwards – Leonard never knows what he did yesterday, but at least we do. It quickly becomes apparent that Natalie (Carrie Ann Moss) isn’t what she pretends to be to Leonard, and it is very very easy to quickly learn to hate her. I STILL have no idea whether Teddy (Joe Pantoliano) is a villain or what. He’s most certainly not a good guy and is one of the best grey characters in the story.

The directing is unique and brilliant – stark black and white alternating between current events that are depicted in color – I have to admit I only noticed that part afterwards reading up about it – it is quickly clear that the movie is moving backwards in a way, but the clear difference isn’t something I immediately picked up on. I’ll definitely have to see this again at some stage.

So that is basically it for my second last Blindspot of 2016. I kicked against watching it, but in the end I was so entertained that it will definitely make one of my favorites of this year.