Plot: Meet Emmy, Leigh, and Adriana. Best friends since college, each has seen her share of career foils and romantic foibles over the past decade. Now, as they approach thirty, they’re looking toward their future…but despite all the success and luxuries they’ve attained—they’re not quite sure they like what they see.
When they are each alone for one reason or another on Valentine’s Day, the trio makes a pact. Within one year, each woman will change the thing that most challenges her. For Emmy, whose boyfriend of five years just left her for a personal trainer, it will be to find romance—or a fling—in every foreign country she visits. For Leigh, a book editor with a dream boyfriend and dream apartment, no change seems necessary—until she starts to notice a brilliant and brooding man named Jesse. And for commitment-phobic, drop-dead-gorgeous Adriana, her goal is to have an engagement ring and a house in Scarsdale. Each woman starts the first day of the year with the best of intentions—which is exactly why the pact goes immediately, and exceptionally, awry.
Filled with delicious insider details, Chasing Harry Winston whisks readers into the heart of an elite world, where friendships will be tested to the point of breaking, and showcases Weisberger’s best storytelling efforts to date
This had to be one of the most grating books I’ve ever read. If you don’t remember, I felt like the other novel of Weisberger (The Devil Wears Prada) was essentially full of white girl problems where the character felt she was being treated badly because work was tough and people didn’t automatically just like, like her. While Chasing Harry Winston doesn’t directly deal with Privileged College children that expect stellar treatment everywhere they go in life, it deals once again with the type of people I suspect the author knows and understands way too well because she is one of them. Emma, Leigh and Adriana are all three insufferable for legion of reasons. Adriana was the worst of the three – a privileged trust fund baby that hasn’t had to work for anything in her life, which is spoiled and is weak of character and completely lacking of morals. I rarely consider myself a prude, but with the amount of men Adriana has slept with she seems to be the ambassador for the local brothel. I found her way too annoying – her constant attention seeking, her sleeping around and her lack of any direction was just too much in one character to deal with. I felt that the character was written in a way to represent Sofia Vergara’s character on Modern Family – anyone share that notion?
Emma was more frustrating than she was intolerable. She’s just one of those women who are so stuck on relationships becoming married that she’s a shadow being without any real personality and that makes me furious. I appreciated that she took note of the fact that she should immediately think marriage when meeting a man, but it was extremely ridiculous that she felt ashamed with only sleeping with three men in her life – again, I must be a prude here to dare think that three sexual partners are sufficient (a bit more than).
Leigh was probably the character I identified the most with – she’s so happy to just be by herself and constantly worrying whether it is a crime, and living a stress ridden life that most people think is perfect but is actually just a lot of managing crises after crisis. Although, she really should have dumped Russell’s ass early on – while he seems to be a nice man he’s obviously a walkover and not the man for her. I’ve been where she was – in a relationship because everyone wanted her to be in one, which is about as healthy to your mental well being as tuberculosis is to your physical well being.
Something that made me see red was the constant use of the “dear” and “sweetheart” –I use “dear” only to friends when I’m being a little sarcastic and really only in emails in work where I am forced to be polite. These three characters? DEAR DEARDEAR SWEETHEART. Every conversation contains these endearments and really, who even addresses people they know like that? What is wrong with you?
This book lacks originality – the story has been used ten million times and nothing new – people who need to change: one woman is too commitment heavy, the other too commitment phobic and the last is seemingly perfect but really not. This is a standard story for any half-baked author who wants to push chicklit onto the market and if you’ve read it once, you’ve read it a hundred times.
The ending very slightly redeemed the book. It wasn’t an original ending by any means– like I said, if you read it once, you’ve read it a hundred times. Everyone ends up being more themselves than they were, more accepting of their own worth and heading forwards into life. Emma discovers that she can truly walk away, Leigh finds the courage to do something that she should have done ages ago and Adriana finally gets a job. It’s worth something that Adriana didn’t end up marrying Toby, but gosh, still one of the most disgusting characters I’ve read about in a while.
I was obviously riled enough at this book to write this entire review out, so there’s something. The print was also exceptionally tiny on my copy – so the book was actually quite long. However, reading it went quick, so I can probably mention one thing good that it is a fast paced read. Anyway, it was an exceptional waste of time. Have you read it? What did you think?