Movie Review: Beauty and The Beast (2017)

BEauty poster

Plot: An adaptation of the fairy tale about a monstrous-looking prince and a young woman who fall in love.

Of all the sentimental attachments I have to Disney classics, my attachment to Beauty and The Beast is the strongest. As a young girl Belle was like this guiding light – she liked to read, she was interested in a greater life and she was the author of her own story. She finds love because she’s brave and can see past the exterior, not because she needed rescuing. Belle rocks man. So it was with an uneasy mix of excitement and trepidation that I handled the news of a live animation adaption. Would they ruin it? Would they, GASP, try and be original? I am pretty happy with the original work and I would not have appreciated a new take where Gaston is the hero and the Beast is just a Beast – I’m looking at you, Maleficent.


However, I loved it. Emma Watson is most certainly not the world’s most accomplished actress, but she’s been unfairly criticized for her work as Belle. I was expecting much worse, both in terms of acting and of singing. People are reporting her as weak and unconvincing. She wasn’t. She is at times slightly wooden but not offensively so. Is her voice auto tuned? Maybe, but since I’m no Adele I am not going around judging people for their singing. Whether her haters like it or not, she’s a face of gender rights at the moment and that, combined with her serious personality and Harry Potter legacy made her a spot on choice for Belle. That yellow dress sure is pretty and springing and she seems to have good chemistry with Dan Stevens – who wouldn’t? – And eventually looks more comfortable with the role.


A standout performance is that of Luke Evans as Gaston. He’s the boorish, muscled and mean spirited villain with such style that it is obvious he had the time of his life being Gaston. He also has hands down the best singing voice of the cast. My favorite musical of this film is Gaston, he was perfect in every way and the musical is brilliantly executed.

Josh Gad as Lafou provided the required quota of comic relief. He was just a bit over the top. I also didn’t really understand the issue with him being Gay. Goodness me, I guess I’m just that peculiar that I really couldn’t care about someone’s sexual orientation as long as they are decent human beings, and my experience with the gay community has me convinced they are, in actual fact, more often better people than their straighter counterparts. On further thought Lafou wasn’t particularly straight in the original work, so I just don’t get the fuss. I found the third musketeer’s reaction to his wardrobe change hilarious and spot on.

My only issue with Dan Stevens as the Beast is that I didn’t get to see more of his lovely face. It is a pity. He has a gorgeous voice. Considering most of his work was under CGI (mores the pity), I can’t truly comment on his acting in here.

Maurice (Kevin Kline) was much less of a cartoonish fool and a man dealing with grief and guilt. I quite liked this impression of him, and made the character much more lovable. Also great voice work from Emma Thompson, Ian McKellan and Ewan McGregor.


It is true that Bill Condon provides an extravagant affair. He clearly had Disney’s massive financial backing because his sets are elaborate and finely carved. The only one lacking was Mrs. Potts. She definitely got the bums rush from the development crew. Everything else is so ornate and rich to look at. I enjoyed the castle crumbling as physical evidence of the Beast’s chances of finding his human form beginning to wane all the more.

I know the original work well enough that I can parrot the songs, so I picked up on the changed words. I don’t get why they did it though. It wasn’t necessary for the original works are close to perfect. My only serious complaint is the rendition of Beauty and the Beast. Neither the song in the movie or its’ rendition by Ariana Grande and John Legend comes close to the original Celine Dion cover. The new songs were dangerous experimentations. I liked all of them, but someone sure had balls to create new scores for such a beloved classic.

A lot of political commentary going on and naturally I was on board – women reading, doing their own thing, and specifically Belle stating that she’s not ready to have children yet to the complete bewilderment of her community is a priceless moment. We feel you, Belle.

I actually really loved this adaption. Disney has a knack of producing great live animations. It is somewhat lazy work with about half the creativity than an original production would require – just do good casting and great graphics and depend on the fans that are hit with a wave of nostalgia. It remains quite wonderful work however and I can’t wait to buy the DVD!

Rating: 8.5/10

Frozen (2013)


Anna and Elsa, two princesses in the Kingdom of Arendelle are the best of sisters and friends. Elsa has the startling ability of freezing things, and she and Anna have a great time playing with her powers. Anna is accidentally injured during one of these playtimes, and Elsa and their parents rush to the trolls to save Anna. The trolls say they are lucky that the ice went to Anna’s head and not to her heart, as ice in the heart kills. Anna returns, safe, but Elsa is now too afraid of her powers to play with her sister, and the two drift apart. Their parents are killed and they are alone, and yet Elsa still refuses to reconnect with her only remaining family member.

Years later it is time for Elsa’s inauguration as Queen. Anna meets Prince Hans of the Southern Isles, and immediately falls for him. They plan to wed, but her sister refuses to give permission as they only met each other. A fight ensues and Elsa accidentally sets of a catastrophic winter. She flees the city, and Anna feels very guilty that she provoked her sister. She makes plans to go to her sister and fix the problem and restore summer. Anna leaves Prince Hans in charge and sets out to find her sister, and meets Kristoff on the way, a young guy who makes a living by selling ice – something not really needed in such terrible winter. AccompanyingKristoff is his moose Sven, and the two are very tight. Anna is pretty sure her sister will listen to her, but she doesn’t know that Elsa has built herself an ice fortress and is rather happy with being by herself and not hurting anyone. They fight, and Elsa accidentally shoots ice into Anna’s heart, the very thing the troll had warned them against.

Kristoff takes Anna back to the troll where they hear that only an act of true love can thaw Anna’s heart now. Kristoff realises he needs to take Anna back to Prince Hans, who now has Elsa under lock and key.

Kristoff leaves Anna in Prince Hans’s care, and walks away, even though it is killing him because he has started to love her. Sven refuses to let this happen and Kristoff turns around, which is just as well because Prince Hans has revealed he only wants Anna for her lineage and throne, and now that she is dying and her sister is imprisoned, he doesn’t need to pretend anymore that he cares for her at all.

Will Kristoff reach Anna in time to save her heart? Will his kiss work the magic so desperately needed? Can Elsa reverse the winter she caused?

Rating: 7.5/10


Definition of Animation: Things Natasha only watches under duress.

Anyhoo, I have been hearing tons of adorable things about this movie, and everyone has been nagging me to watch it, and I eventually gave in because the day really called for frivolity.

It was quite good, and I will put it under my list of animation movies that make me happy when I watch it. I can see myself watching this again.

The things underlined: This is everything I could find in the movie that points to Disney changing its story on who saves who in life. They are working desperately hard to reverse the damage they did when they told little girls for decades, that you need a man to save you. These girls are doing it for themselves, and I say go for it!

I love the relationship between Elsa and Anna, even though Elsa is a brat most way through because of her powers. The two ladies prove that a sisterly bond is strong enough to equal true love, and I love and appreciate that as the people I love the most in this world is my two sisters.

I really enjoyed the singing – the songs itself were cute, funny, appropriate to the characters and original.

Olaf was also ridiculously cute. Does anyone else feel that currently all movies have these cute creatures in and that the producers are scared their movie will fail without some sort of an awwww feature? I mean, look at Toothless, Olaf, Groot, etc. The list is endless!

Have you seen/not seen it? Tell me!