Read, Watched, Loved: May 2017

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Hey everybody! This post is going up super late this month – I was happily scheduling away on here and didn’t notice that I still hadn’t put this guy up. So as usual, here’s my monthly rundown (but for May). Let me know what you’ve seen and haven’t seen, and just generally how you are 🙂

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Guardians of the Galaxy Volume 2 (2017) – I don’t think anyone was able to hate this film. It was buckets of fun, and I really have such a soft spot for Baby Groot (who doesn’t?). It is similar to the first film but bigger and more of the formula that worked. The plot wasn’t as solid as the first, but I was able to have a fantastic time regardless of that.

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Pride and Prejudice (2005) –I liked this movie so much that when I wanted to initially write a quick blurb for here I ended up writing out the review. It is a wonderful film. I am now convinced I need a Mr. Darcy. He’s difficult and worth it. The adaption is fantastic and the chemistry between the leads is amazing.

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Sweet home Alabama (2002) – I watched this as a young person – maybe at around 21 years or so, and really enjoyed it. I have such love for Reese Witherspoon, she truly is a beautiful and talented woman. Her character has the terrible task of choosing between Josh Lucas and Patrick Dempsey, and this movie has humor and heart to it.

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Jackie Brown (1997) – I watched this for Tom and Mark’s Decades Blogathon.It is one of the few Tarantino films I hadn’t seen as yet, and found it a great pleasure to watch.

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The Host (2013) – I just had to watch this film again to compare source material to it. It is not as unforgivably bad as the internet make it out to be, and I had a rather enjoyable time watching it.

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Pride and Prejudice – Jane Austen: Pride and Prejudice is a slow read, that is no lie, but I enjoyed it so much. It is a wonderful, wonderful book with many events and excellent character development. It also gave me yet another book hero to attach strongly to.

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Three Fates – Nora Roberts: I reviewed this before and seemed to have a good thing to say about it. Strange, because I don’t remember loving it so much. I am having a really good time rereading it again though, it is truly Nora Roberts and some good and light reading.

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The Host – Stephanie Meyer: I’m not sure whether the I was a masochist or just seeking enjoyment without thinking too much about it, but I decided to pick up The Host again. It is okay and certainly better than Meyer’s previous novels. It raises some moral questions and has interesting theories despite some slow parts.

What did you do this month?

Series Review: Alias Season 1 (2002)

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What I liked:

  • The pilot episode – so long and intense and comprehensive. It had a lot to cover and managed to get the events in without becoming boring. And that red wig man.
  • The relationship dynamic – Sydney and her university friends, with her father, the extremely complex one she develops with Arvin Sloane and the complicated work relationship she finds herself in with Michael Vaughn. Her relationship with her SD 6 partner Dixon is prototype cop/spy partner relationship – extreme faith and support and I really liked that.
  • The actors – Jennifer Garner, Michael Vartan, Bradley Cooper, Victor Garber, Carl Lumbly, Kevin Weisman, MerrinDungey
  • The story and how heartbreaking it when you sit think it through – Sydney’s loss of her fiancĂ©, the awful reveal of what SD6 is and her turning against them, and the knowledge that most of the people within the ranks of SD6 truly believe that they are working as a clandestine operation for the CIA.

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  • Can we just talk about the episodes with Quentin Tarantino in? I laughed and laughed despite the desperate situation of the characters. He is SO bad. The man is such an insanely talented director but that where it stops – like keep him of the screen haha.
  • The progress Sydney and Jack makes as father and daughter. Sydney has legitimate issues with her father – he can be cold and removed and is terrifying to boot. When she learns that he works for the people that had her fiancĂ© slaughtered, they take another knock. That is not the end to the story and the two learn to trust and rely on each other and become more comfortable with each other as the show goes on.
  • Vaughn’s relationship with Eric Weiss. I DO like Eric. He is such a comedic drive to the show and full of quips.
  • JJ Abrams is such a champion of women. Sydney Bristow’s is loyal to her friends, sweet, kind, intelligent, kick ass and caring. She’s written as a multi-dimensional character that saves herself and those around her. I really enjoy the character and appreciate how she was written and brought to life by Jennifer Garner.
  • It would be easy to be annoyed with Will Trippin – he’s so sweet and kind and totally inlove with Sydney, and a complete spanner in the wheel where certain other people are concerned. Yet he manages to be sweet without being annoying and kind without coming across as insincere. He’s also a good journalist with a nose for a story and I suffered untold horrors about this character. Bradley Cooper is so sweet and young in here.
  • I thought Sark (David Anders) made the perfect villain. He is so cold and collected and young at the same time. He’s not that often seen in this season, but his introduction is chilling and mind teasing.

What I didn’t like:

  • The Francie stories –don’t get me wrong, I like Francie and her role in Sydney’s life, but Francie’s love life is completely NOT what this show is about.
  • Sydney’s mother – this started to irritate me even this early on. I think Alias has enough to deal with without bringing another character into the equation.
  • Anna Espinosa – she seemed like a pointless exercise to be the girl-Sydney-must-fight.

Rating: 8.5/10

I really enjoyed this season and it was such a good choice to visit again! I’ve already finished the second season, which was almost as good, and can’t wait to finish it all!

Blindspot 2016: final rankings

WOW. I’m done! Can you believe it?! I most certainly can’t. My 2016 Blindspot list was the list I’ve bitched about the most, not because of the bad movies but because I struggled so much getting time to site down and watch the films I chose. I’ve been really bad with schedules, which really ddin’t help the matter. But anyway, let’s stop that now because yet I still somehow managed to see all each and every film listed.

My list of 2017 is up tomorrow, and I’ve at least seen a number of them in preparation with my bestie and the remainders are great films won’t feel like a bit of a chore to get through. I also have most of those films already available, which was one of the reasons I took so long with 2016’s Blindspot – struggling to find these films.

Here’s a rundown of from least favorite to favorite. The scores are listed, but I’m not too worried about that right now, just basically listing what I remember actually liking the most.

Home alone

Spot #12: Home Alone (1990)

Rating: 6/10

This is definitely the movie on the list that I should have watched way early in my life to really love it. I can see why people my age would love it if they saw it as children, and probably has the same sentiment towards it as I do towards a film like Matilda, which again reminds me that I really want to watch Matilda again. Home Alone was lost on me, I really couldn’t find any interest in a story where the main character was a child.

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Spot #11: Love Actually (2003)

Rating: 6.5/10

There are people that actually think that this is one of the best romantic comedies of all time. I could not disagree more. There are critically few characters that are even remotely likeable and I was highly offended by most of their actions. Eugh.The best thing about this film is Colin Firth and Alan Rickman, and if those two men can’t convince me that a film is worth it, nothing can.

Back to the future

Spot #10: Back To the Future (1985)

Rating: 7/10

The same as Home Alone here – missed my chance. It was much more appealing though as there were at least older characters, but I still felt my attention wavering once or twice.

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Spots # 8 & 9: Kill Bill Volume 1 (2003)& 2 (2004)

Rating: 7.5/10 and 8/10

Yes, I am fully aware that these are Tarantino films so low on my list, but I have my reasons – mostly (and I might get shot for this bout of honesty), is that I found the story a bit lacking on both and overly violent even for Tarantino. I am such a fan of Django Unchained, Inglorious Basterds (my favorite), and Pulp Fiction, and these two didn’t get anywhere close to touching my top favorite films of his.

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Spot #7: Eternal Sunshine of the Spotless Mind (2004)

Rating: 8.5/10

I had trouble finding films this year that convinced me of its originality, and ESotSM is one of the very few that could convince me that creative talent was still alive and well. I loved Kate Winslet with her crazy hair, I adored Jim Carrey, Mark Ruffalo was adorable and Frodo was a sufficient level of creep in here. Hey! Kristen Dunst didn’t make me gnash my teeth.

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Spot #6: Warrior (2011)

Rating: 8/10

This movie! I was bent double with anxiety. Who must win? Does any person deserve to lose? Performances by Joel Edgerton and Tom Hardy were phenomenal. I cannot accept that this film tanked in the box office, it is truly great.

memento

Spot #5: Memento (2000)

Rating: 8/10

Another frequenter of my Blindspots has been Christopher Nolan. He’s such an intelligent man and it comes through in his films. Memento was this year’s pick, and I unsurprisingly loved it.

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Spots #3 and 4: Alien (1979) and Aliens (1986)

Ratings: 8.5/10 (both)

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Yes, I agree. How haven’t I seen these two films up until now?! I lived for 26 years without the knowledge of how awesome Ripley was or how gross the chestbursters are, and although my life wasn’t sad before, it is all the richer now.

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Spot #2: To Kill a Mockingbird (1962)

Rating: 9/10

Both numbers one and two for me were really sad and thought provoking films that provided insight into the very best and the very worst of the human nature. Pan’s Labyrinth is the ONLY film that could have beaten out To Kill A Mockingbird.

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Spot #1: Pan’s Labyrinth (2006)

Rating: 9/10

The winner of the year is the gut wrenching and incredibly poignant Pan’s Labyrith. This is a bit touchy feely, but watching this film made me want to cry for two reasons – the beautiful directing and the sad story of Ophelia and her desperate escape methods from the horrors of her world.

Well, there we have it. I enjoyed the majority of this list – truly it is probably only numbers 10 – 12 that really grated on me, and yet I am not displeased about spending time with them. Did you do a Blindspot in 2016? Comment below t and I haven’t discovered your undoubtedly awesome page, send me the link below 🙂

Happy Women’s Day South-Africa: Top 15 Favorite Kick-Ass female characters on screen

Today is Women’s Day here in South-Africa. Over here we like public holidays quite a bit (although India has TWENTY ONE), so we are all having a day off today – Whoop!

To celebrate, I made a list of strong female characters on screen. I think we can all agree that there are too few well written, complex female characters, but these ladies below are amazing and did their job extremely well in their respective films!

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Fifteen: The Black Widow – Marvel movies

Female superheroes have increased marginally, and I am really happy about that. My only negative comment is that I am confused why female superheroes need to either wear skin tight leather suits or skimpy Wonder Woman outfits while their male counterparts wears aerodynamically pleasing outfits or war clothing. We have a far way to still go in this genre, but at least we can all agree that Natasha Romanoff kicks ass multiple times on screen and is a fully functional member of the squad. I really enjoy this character, and I think Scarlett Johannson has done a great job bringing her to the screen. It annoyed me a bit that her infertility was this massive discussion in one of the movies – the reproductive capability of her male teammates have never been discussed.

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Fourteen: Katniss Everdeen

Katniss as a character has many flaws – she is selfish and can’t choose between two men. While that is certainly a crime, I have never been able to really judge her too harshly for it. Her world is dark and horrible, and she has nothing wonderful. Turning away from the caring of a good man? It seems nearly cruel to expect her to do that.

But despite this obvious flaw, I really thought the character was badass and capable, and honorable to take her younger sister’s place in a situation where she was guaranteed her death.

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Thirteen: Hermione Granger, The Harry Potter series

If this had been a literary list, Hermoine would have been much higher. Film Hermoine is great and Emma Watson did a good job with her, but my opinion remains that the film adaptions didn’t do justice to the sheer magnificence of the novels, on any level. Anyway, this isn’t a Harry Potter discussion, so I will just mention that Hermoine Granger is the reason those two boys stayed alive. She is strong, intelligent, fiercely loyal and brave, and her contribution to the wizarding world and the feminist cause must never be forgotten.

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Twelve: Elle Woods, Legally Blonde

When Legally Blonde dropped in 2001, every single person on this planet was charmed by Reese Witherspoon and the ditzy genius she created. There were tiny dogs, buckets of pink, manicures and textbooks, all in one film. I placed Elle Woods on this list because we too often forget that it is perfectly possible for a woman to love pink, to be girly and to be very determined, intelligent and capable all at one time. Another excellent thing in the film was that sisterhood won out in the end, and Warner Hungtinton the Third was booted on his ass.

Caroline

Eleven: Caroline Forbes, The Vampire Diaries

As the only series character to make it on to this post, you must know that I am very much team Caroline. Another pretty blonde girl who shows determination, loyalty and passion for life! In season one, Caroline works on your nerves pretty much incessantly. She’s insecure and whiny, and seems to be shallow and petty. However, the second she becomes a vampire and she realises that she will live an eternity in her own head, she gets a grip in such a remarkable fashion that I became her biggest fan.

I am no man

“I am no man”

Ten: Eowyn, Lord of The Rings

Perhaps the lady with the most iconic quote on the list, Eowyn, shield maiden of Rohan, is on first impression another lady who waits while her beloved father figure wastes away at the hand of the dastardly Wormtongue and her brother rides to war against orcs. It quickly becomes clear that this is a proud woman who was raised by warriors, and that she is simply tired of being left behind while those she loves die around her. She finds a way on to the battlefield, and if that chilling and rousing speech Theoden gives before his final ride isn’t enough, Eowyn steals everyone’s thunder by killing the leader of the Nazgul. She also gets her super happy ending at the end, which pleased me to no end.

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Nine: The Bride, Kill Bill

Quentin Tarantino is a phenomenal film maker, and the roles he creates for women are legendary. The Bride is one such character, hell bent on revenge and making people pay for what was done with her. Uma Thurman brings this vengeful character to life with scary finesse, and even though this isn’t my favorite Tarantino film, the character itself is impressive as they come.

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Eight: Hit Girl, Kick-Ass

She’s super tiny, she swears like a sailor, she wears a bright purple wig and her father is Nicolas Cage. Who doesn’t love her? I was a major fan of both movies, and it would be amazing if they could make a third. Hit Girl is the best part of this franchise, showing that gender and size is insignificant when it comes to being a bad ass.

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Seven: Rey, Star Wars: The Force Awakens

The horror when Disney bought Star Wars was paramount. Everyone was sure it would be a disaster, and no one could even get a moment of sleep due to the inordinate amounts of stress this franchise was causing in their adult lives. LUCKILY, Disney actually ended up doing a great job, and introduced a bunch of new characters that were able to flow nicely with how things had been done in the past. One of the best new additions was Rey, played by Daisy Ridley, a survivor and a strong female character who can do things for herself. I really enjoyed this character – she is a fantastic blend of purity and strength and was wonderful and empowering to watch.

ALL YOU NEED IS KILL

Six: Rita Vrataski, The Edge of Tomorrow

A nice little situation of role reversal, Emily Blunt was a hardened war veteran who saved Tom Cruise’s ass REPEATEDLY from aliens. I loved the character – she was sassy, strong, smart and the heroine of the day.

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Five: Vesper Lynd, Casino Royale

Did you also just rub your heart because of the pain that shot through it when Vesper was mentioned? It HURTS. Vesper is hands down the best Bond girl that has ever been onscreen. Her sharp brain kept her well equipped to banter with Bond, and her eventual control over Bond ripped out my heart. The fact that Casino Royale is the best Bond film out there certainly helps, but this character in herself is powerful and strong and determined, attributes that were completely left out during the writing process for the other female characters over this incredibly long franchise.

Ellie Sattler Laura Dern

Four: Dr. Ellie Sattler, Jurassic Park

I mentioned in my review of Jurassic World that it felt awful to realize that Dr. Ellie Sattler, who was in the very original Jurassic Park in NINETEEN NINETY THREE was a better, well written and strong female character than the running-in-heels-Bryce-Dallas-Howard. Dr. Ellie Sattler, played by Laura Dern, is super smart, professional, excels in her field and gets to see Dinosaurs in JP. I have loved and admired this character from my childhood till now, and I am eternally grateful to the writers that they allowed this strong character to see the light.

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Three: M, The Bond Franchise

Dame Judi Dench is literal life goals. She is classy, successful and revered, and a girl can just dream to be her when she grows up. M is Bond’s boss, the only person who can try to control him, and their relationship is amazing and complex. I love the power of M, and Judi Dench is incredible to behold as this woman who puts her country above everything in her life.

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Two: Furiousa, Mad Max

Homegirl Charlize Theron teamed up with Tom Hardy in the return of Mad Max, and what a job she did. Furiousa is powerful and intense, and her survival skills in the mad world she finds herself in is incredible. The film should have been titled Furiousa, as it is about her and how she helped the wives escape from that dreadful man. The entire film is one big celebration of sisterhood and sticking together, and I could only cheer on the women as they battled for their freedom.

Shoshanna

One: Shoshanna Dreyfus, Inglorious Basterds

The final accolade was difficult to award, because all of the ladies on here are amazing. However, I do think that Shoshanna is worthy, and that her role in Inglorious Basterds is incredibly important. I loved her – her courage and determination, her absolute hatred of anything Nazi, and her eventual success at revenge.

Well, there you have it. There are hopefully a million other female characters that can be mentioned by you below, and I look forward to seeing your opinions!

Blindspot 2016: Kill Bill Volume I (2003)

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Plot: The Bride wakens from a four-year coma. The child she carried in her womb is gone. Now she must wreak vengeance on the team of assassins who betrayed her – a team she was once part of.

What I liked:

The score: The insanity matched the movie.

The directing and coloring. This might not be my favorite Tarantino, but it is classically his style and looks marvelous.

Kill Bill Volume I starts really slow and nearly lost my attention, but once it hits stride it is highly entertaining.

Uma Thurman. Yes. She fits in with Tarantino’s work so well.

The quest for revenge. I might have found the violence too much, but no one would deny that she was right to seek her revenge and revel in it.

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This car. It is naturally everything and so Tarantino.

Vivica A. Fox and Lucy Liu. Both their performances are a bit over the top and ridiculous but it is clearly the aim of this production, and works really well.

The blood spattering in the Tarantino way. So ridiculous. So macabre. So funny.

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What I didn’t like:

The Violence. It is heavy, even for Tarantino.

Some serious questionable events (sorry everyone)

That man in the hospital renting Uma’s body out for perverts – disgusting and nasty, but improbable.

That said, her escape from the hospital… also, really improbable

A sword being allowed on an aeroplane? This one got me the most. Like that would ever be allowed.

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Rating: 7.5/10

I’m expecting to get some strong opinions, so go right ahead J Kill Bill is entertaining once it gets past that slow start, but is unnecessarily violent in parts and contains so many things where I’m like “this wouldn’t ever happen”. There are factors that gives it an up on the negative feelings I had, like the excellent cast, imagery and acting. However, I’m a much bigger fan of Pulp Fiction, Inglorious Basterds and Django Unchained. Happy I FINALLY saw this though. The effort I went through to procure a working copy of this? I will be bitching for ages.

Movie Review: Django Unchained (2012)

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Plot: With the help of a German bounty hunter, a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner.

Rating: 8/10

I really like myself and my heritage on a regular basis. I’m not one of those white people perpetually steeped in guilt of what my ancestors did. However, there are a few things that makes me ashamed of the things the White Man has done – surely the most pompous and perplexing breed of human ever to roam the earth. Django Unchained definitely made me feel disgusted with American settlers. I firstly want to say it is incredibly rich of Americans to bitch so endlessly about Apartheid – just look at how they went on. Anyway. Let’s actually talk about the movie, shall we?

Django Unchained is now the third Tarantino film that I’ve seen. I saw Pulp Fiction as part of a Blindspot 2015 film, and watched Inglorious Basterds in the same week I watched this one. Django certainly has the same feel of Tarantino films – that crazy flamboyance. I love that he has such a distinct style – you only need to watch one sequence to know who you are dealing with.

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It is not an easy story to watch. It gets very rough in places and I felt a bit sick a few times. It is not that the violence is particularly often, it is the dehumanizing type of violence that is so terrible. Once again Christopher Waltz manages to steal the show as the infinitely sweet Doctor King. He was the one white man in the movie that showed he had a soul and was had kindness in him. His courteous treatment of Django and his gentle education makes him a character that I won’t soon forget (and how vastly different is he from his role in Inglorious Basterds?!)

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I’ve never really paid much attention to Jamie Foxx’s work, but I was really impressed with him. He manages to be severe yet humorous, a difficult feat, and has intense character development. The first scene with him in where he throws off his cloak it is obvious that Django is not a man that was born to be oppressed.

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I love Leonardo DiCaprio, well, on the level that everyone loves Leonardo DiCaprio. I was truly revolted by him in this film, which showcases his talent and abilities. But still, just NO.

DU is a bit long – I think the end went on slightly longer than it should have. It is really good though, and definitely worth a watch.

Movie Review: Inglorious Basterds (2009)

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Plot:In Nazi-occupied France during World War II, a plan to assassinate Nazi leaders by a group of Jewish U.S. soldiers coincides with a theatre owner’s vengeful plans for the same.

Rating: 9.5/10

So, I’m saying this at the start so I can get this off my chest: Is there anything more rewarding to a movie lover than an excellent film? I don’t think so, for very obvious reasons. I’m going to try and write out something for this but if you get halfway and decide that I sound like a lunatic, know that I loved this really really really.

Anyway, I can’t believe it took me so incredibly long to get to this. My sister, who really hates violence in movies, told me about the horrendous scalpings and I steered quite clear. I knew I should give it a try when my Bestie said that she thought I would like it a lot (and threatened to scalp ME if I didn’t educate myself in the Tarantino-business).

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It is madly intense. The first opening scene is a nail biter and Christoph Waltz is utterly charming and utterly terrifying. He seems so calm and pleased about being called the “Jew Hunter” that you can’t help but wonder if he is truly insane, whether he is very cruel or incredibly ambitious. Honestly, I think the character is all three.

Then there is Mr. Waltz himself, who speaks English with the clear precision that people who aren’t speaking their first language use. Hearing his voice is so lovely. I can also sit and listen to him for days speaking in his native German. Gosh.

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Then there is Mr. Bawnjourno Brad Pitt. It is so obvious that he is having the time of his life on set – he is so cocky, that ridiculous accent, the exaggerated mustache and the BAWNJOURNO. I’m still laughing my ass off at it every time I remember.

I also really cheered for the strong female characters, most notable Shoshanna Dreyfus. Melanie Laurent did an absolutely fantastic job with her portrayal as our Jewish heroine. She manages to portray that innate classiness of French woman while accurately expressing her dislike in anything Nazi.

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I’ve discovered the following thing that I love about Tarantino: He is able to address heavy subject matter in a way that still has a few laughs but it never takes away that he is acutely aware of the atrocities he is addressing. He never shies away from a taboo subject and he never lends sympathy to the oppressors. Inglorious Basterds is such a film – I can’t even say the Nazis were terrible because that is too tame a word. IB does nothing to diminish that fact and shows through a little bit of humor and a whole lot of crazy what the Nazis were and how wonderful it would have been if the war had ended in such a way.

So, I hope you take it that I loved the film – if you haven’t seen it yet, put it on your Blindspot list and get it done!

#bawnjourno

Blindspot 2016: The list

I wanted to say happy Tuesday but since it has long since been established that Tuesdays are actually the real Mondays, I’ll just say: keep strong, friends. I’ve finally managed to pick some Blindspot choices – I actually went through IMDb’s Top 250 and chose a lot of them from there. I should get a post up sometime about what I’ve seen on that list.

Alien (1979)

I know. I’m ashamed.

Aliens  (1986)

Same ↑

Home Alone (1990)

I have no idea why I never saw this as a kid. I’m really interested.

Kill Bill Volume I (2003)

Tarantino is my man of the moment and really looking forward to this. It might be a bit violent for my taste but I am still willing to try.

Kill Bill Volume II (2004)

Same ↑

Back to the Future (1985)

When Back to the Future Day happened last year I hid in my room, ashamed and sad  to not take part in such festivities.

Memento (2000)

What is a Blindspot list from Natasha without a Christopher Nolan education?

To Kill A Mockingbird (1962)

This book wasn’t a part of my education at school (fuck you, Government). I want to get to both the film and the book this year.

Eternal Sunshine of the Spotless Mind (2004)

I haven’t really read up about this because I hate spoilers, so really keen to see what it is about.

Pan’s Labyrinth (2006)

Dark fairy tales? IN.

Warrior (2011)

Tom Hardy, my husband. But it also shows up on the IMDb list so it is worth a watch. Can’t wait.

Love Actually (2003)

Because my bestie hated it and everyone else loved it (or most people). So I will go see what I will see.

What did you pick? Link me your posts below 🙂

Blindspot 2015: Pulp Fiction (1994)

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Plot: The lives of two mob hit men, a boxer, a gangster’s wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

Rating: 9/10

I was so dreading watching this. So long, so much love running around for it. Who has time to spend nearly three hours on something and then tell the world that they hated it? Anyway. I finally forced myself to sit down and get this done, because I still need to watch A Good Year as well and in case nobody noticed, its nearly 2016. So. I sat down and for at least the first fifteen minutes I was like “what the effing eff is this?” All I saw was this one weird couple yapping about something and Samuel L. Jackson saying “motherfucker” more times than I could ever possibly wish to count.

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Then it got really good really fast. It is incredibly weird and the only plot line I ever established was that Pulp Fiction is a movie about a random day in the life of mobsters. However, the day was really interesting and the characters are intriguing. The music, directing, characters and eloquent dialogue is strange enough to keep you watching, and I guess that is what a movie should be doing. I though Uma Thurman made an amazing Mia Wallace, Samuel L. Jackson was really weird but really good and John Travolta has obviously always had a penchant for strange hairstyles.

Pulp Fiction was much more than I thought it would be – as you’ve guessed by the high rating up there. The dialogue is especially a big attribute to the film – providing insight into these strange underworld characters. The non-linear storyline concludes well in the end and the crossing of these characters’ paths are then very funny to behold.

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Pulp Fiction is a great film by all accounts, and a definite recommendation, but only if you actively enjoy strange films.

PS: what the fuck is in that suitcase?!