Blindspot 2016: final rankings

WOW. I’m done! Can you believe it?! I most certainly can’t. My 2016 Blindspot list was the list I’ve bitched about the most, not because of the bad movies but because I struggled so much getting time to site down and watch the films I chose. I’ve been really bad with schedules, which really ddin’t help the matter. But anyway, let’s stop that now because yet I still somehow managed to see all each and every film listed.

My list of 2017 is up tomorrow, and I’ve at least seen a number of them in preparation with my bestie and the remainders are great films won’t feel like a bit of a chore to get through. I also have most of those films already available, which was one of the reasons I took so long with 2016’s Blindspot – struggling to find these films.

Here’s a rundown of from least favorite to favorite. The scores are listed, but I’m not too worried about that right now, just basically listing what I remember actually liking the most.

Home alone

Spot #12: Home Alone (1990)

Rating: 6/10

This is definitely the movie on the list that I should have watched way early in my life to really love it. I can see why people my age would love it if they saw it as children, and probably has the same sentiment towards it as I do towards a film like Matilda, which again reminds me that I really want to watch Matilda again. Home Alone was lost on me, I really couldn’t find any interest in a story where the main character was a child.

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Spot #11: Love Actually (2003)

Rating: 6.5/10

There are people that actually think that this is one of the best romantic comedies of all time. I could not disagree more. There are critically few characters that are even remotely likeable and I was highly offended by most of their actions. Eugh.The best thing about this film is Colin Firth and Alan Rickman, and if those two men can’t convince me that a film is worth it, nothing can.

Back to the future

Spot #10: Back To the Future (1985)

Rating: 7/10

The same as Home Alone here – missed my chance. It was much more appealing though as there were at least older characters, but I still felt my attention wavering once or twice.

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Spots # 8 & 9: Kill Bill Volume 1 (2003)& 2 (2004)

Rating: 7.5/10 and 8/10

Yes, I am fully aware that these are Tarantino films so low on my list, but I have my reasons – mostly (and I might get shot for this bout of honesty), is that I found the story a bit lacking on both and overly violent even for Tarantino. I am such a fan of Django Unchained, Inglorious Basterds (my favorite), and Pulp Fiction, and these two didn’t get anywhere close to touching my top favorite films of his.

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Spot #7: Eternal Sunshine of the Spotless Mind (2004)

Rating: 8.5/10

I had trouble finding films this year that convinced me of its originality, and ESotSM is one of the very few that could convince me that creative talent was still alive and well. I loved Kate Winslet with her crazy hair, I adored Jim Carrey, Mark Ruffalo was adorable and Frodo was a sufficient level of creep in here. Hey! Kristen Dunst didn’t make me gnash my teeth.

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Spot #6: Warrior (2011)

Rating: 8/10

This movie! I was bent double with anxiety. Who must win? Does any person deserve to lose? Performances by Joel Edgerton and Tom Hardy were phenomenal. I cannot accept that this film tanked in the box office, it is truly great.

memento

Spot #5: Memento (2000)

Rating: 8/10

Another frequenter of my Blindspots has been Christopher Nolan. He’s such an intelligent man and it comes through in his films. Memento was this year’s pick, and I unsurprisingly loved it.

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Spots #3 and 4: Alien (1979) and Aliens (1986)

Ratings: 8.5/10 (both)

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Yes, I agree. How haven’t I seen these two films up until now?! I lived for 26 years without the knowledge of how awesome Ripley was or how gross the chestbursters are, and although my life wasn’t sad before, it is all the richer now.

tkamb

Spot #2: To Kill a Mockingbird (1962)

Rating: 9/10

Both numbers one and two for me were really sad and thought provoking films that provided insight into the very best and the very worst of the human nature. Pan’s Labyrinth is the ONLY film that could have beaten out To Kill A Mockingbird.

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Spot #1: Pan’s Labyrinth (2006)

Rating: 9/10

The winner of the year is the gut wrenching and incredibly poignant Pan’s Labyrith. This is a bit touchy feely, but watching this film made me want to cry for two reasons – the beautiful directing and the sad story of Ophelia and her desperate escape methods from the horrors of her world.

Well, there we have it. I enjoyed the majority of this list – truly it is probably only numbers 10 – 12 that really grated on me, and yet I am not displeased about spending time with them. Did you do a Blindspot in 2016? Comment below t and I haven’t discovered your undoubtedly awesome page, send me the link below 🙂

Blindspot 2016: Alien (1979)

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Plot: After a space merchant vessel perceives an unknown transmission as distress call, their landing on the source moon finds one of the crew attacked by a mysterious lifeform. Continuing their journey back to Earth with the attacked crew having recovered and the critter deceased, they soon realize that its life cycle has merely begun.

Rating: 8.5/10

Woohoo! I am catching up! I can do this! I now officially can actually watch a Blindspot and call it for the month it is. Anyway.

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I had a blast with this. I loved the old school 1979 special effects. Loved it. CGI just misses the point at times, and I had a few giggles with the old technology, but I loved it too. I thought Ellen was as badass as any female character could hope to be. I thought the alien was super gross, and I really don’t appreciate how they used milky substances to get the point across. I might remember that for a while still. The growth spurt of the alien was impressive AF. I thought the cat was a bastard quite a few times (when are they not?), and he was just chilling there when the Alien killed that poor guy. Cats are asses. I really liked Dallas, I thought he could have lived a bit longer. The musical score was fantastic – proper tension building music that was alternated with periods of dead silence. It was incredibly effective. The tension that builds as a result is so creepy. Back to that alien, how gross was it when he birthed/got out of that poor unfortunate fellow? I must say, that glob on his face was also pretty gross man. It was also once again essential to note that Ripley was right at the very start to refuse access to the quarantined staff, but whoever listened to a woman when she was obviously right? Not a machine robot, nope siree. The dialogue was good, so much more superior to what movie writers wring out these days. Think about it – when last did you encounter a modern movie that had excellent writing? Rare, rare. My blindspots this year hasn’t always been satisfactory, but I really thought this is as epic as its cult status makes it to be.

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Movie Review: The Martian (2015)

The martian Poster2Plot:During a manned mission to Mars, Astronaut Mark Watney is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive

Rating: 10/10

I have never, for any movie, given a full score on this blog. It stems from my grade four days where the teacher believed that nothing deserved a perfect score because then there wasn’t room for improvement (Such a cheerful woman).

Well, Mrs. Van den Berg, The Martian is perfect so I’m giving it 10/10. I can’t think of anything that annoyed me or should have been done in another way. The Martian is both a cinematic masterpiece and a feel good movie, which, as we know, is impossible to pull off.

Don’t be mistaken, you are going to sit and watch the Martian for a long time – it is very close to three hours. However, I did not even care about the time passing. Any shorter would have rushed the whole movie and it would not have been so good. Ridley Scott is in top form and I hope he stays that way. The pace of the movie is tightly controlled and he worked the cast to perform their best.

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I will question the sanity of the Academy if Matt Damon does not get an Oscar. The film also deserves the Oscar for best film. Mark Watney is perfectly written. He manages to be on Mars, stranded, dying, but still find a way to keep himself alive. He has made me more determined to pass Botany, because that shit saves lives. His humor and determination to solve problems, and the sad way he keeps himself sane and only loses it a handful of times makes him one of my favorite characters to ever be written.

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I will start the discussion of support characters with Melissa Lewis, played by Jessica Chastain. Jessica Chastain is quickly becoming one of my favorite actresses. She carefully picks her roles so she doesn’t end up with mediocre movies; she is phenomenally talented as an actress and is incredibly beautiful. Melissa Lewis made an amazing woman and commander, the way she managed her team and how she went about it. It makes me really optimistic that there were so many strong female character roles in The Martian – it is uplifting and not one of them were typecast or silly or dumbed down at the end.

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Continuing onto the crew, I thought that Kate Mara, Sebastian Stan, Michael Pena and Aksel Hennie all did superb work as the other astronauts in the Ares III. They all had their independent roles and personalities and weren’t only there as seat fillers. I especially liked Alex Vogel’s (Aksel Hennie) love and commitment to his family. I found the smidge of romance injected into two of the character’s story really sweet and perfectly placed – it was only a very small part of the story.

Then the crew on earth had Sean Bean in, whose notable performance can be further celebrated by the fact that he did not die. It’s true, I’m not lying. They even injected a Lord of The Rings reference into one of his scenes, and I enjoyed that thoroughly. I really liked his character Mitch Henderson – Sean Bean can really pull of the quietly-dignified-but-still-disapproving look so well.

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I can keep on discussing further performances by Chiwetel Ejiofor, MacKenzie Davis and Donald Glover but I won’t as this is getting to a rather long review. However, I will briefly mention Kristen Wiig, who impressed me by not being another comedic role and who did a wonderful job as the NASA spokesperson.

The humor that was part of the movie was perfectly written in and beautifully portrayed. The many uses of ductape was probably a favorite of mine – it is everywhere in the film. The adoration for coffee was another favorite as well as the exasperation you saw on so many employees’ faces when they were told to get a job done faster than what made sense.

The camaraderie between the astronauts was hilarious and touching. It seemed as if they were real coworkers and their banter was endearing.

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There are a lot of things I want to keep on mentioning – I never want to forget how much I enjoyed this film the first time I saw it. Its success lies in being so human – Mark Watney does nothing that makes you pity him, but his lonely fate on Mars is heartbreaking to behold. His crew’s anguish in leaving him behind and how the citizens on the planet band together to bring him back home was a glimpse of the good side of humanity. NASA seems to be fangirling about the Martian as much as we are, and that makes it even more fun. I can’t help but think The Martian coinciding with the discovery that there is water on Mars isn’t a PR dream for them right now.

We probably can’t be friends if you dislike this movie. I am sorry. Go watch it, go like it, and come talk to me.