Book Review: Come Sundown (Nora Roberts)

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Plot: The Bodine ranch and resort in western Montana is a family business, an idyllic spot for vacationers. A little over thirty thousand acres and home to four generations, it’s kept running by Bodine Longbow with the help of a large staff, including new hire Callen Skinner. There was another member of the family once: Bodine’s aunt, Alice, who ran off before Bodine was born. She never returned, and the Longbows don’t talk about her much. The younger ones, who never met her, quietly presume she’s dead. But she isn’t. She is not far away, part of a new family, one she never chose―and her mind has been shattered…

Come Sundown has a different tone than Nora Roberts book usually has. It firstly really had way less sex scenes (something that drives Zoë absolutely nuts) and the biggest pull for me was the fact that our heroine did not lose her personality the second she got some action. Bodine Longbow is pretty awesome. She runs the resort her seriously rich family owns. She’s a staple in her family, and they all rely on and trust her decisions. The “competent woman” had me cheering. Bodine is also written with a lot of warmth. She’s a generous and giving woman and her successes does not change her perception on the world or make her hard and cynical. I also liked Callen – he has heart, is not intimidated by money and is impressed rather than scared by Bodine’s straightforward and problem solving attitude. Then there is Alice, the other main character in this book. She broke my heart, and I’m sure everyone who have read this book will feel the same. What the character goes through remains a fascinating and eery topic, and it always grabs my attention. How sick can the human race be? Well, every time I think I’ve seen it all something else happens. Alice was a rebellious girl. It is clear throughout the book that she was never the perfect child but everyone agrees – she didn’t deserve the 20 years she got as punishment.

I (unfortunately) spotted one villain pretty early one – you must really just read properly to catch it. I thought Callen’s little war with the Deputy was silly and was only there to show how manly and adult-y Callen had become. I sincerely wished I got more of Jessica and Chase’s story. I’d be happy to have had them as main characters or even just more spotlight on them. In fact, if Nora wants to write a book ten years into the future where they rediscover their relationship, I’m ordering my copy now.

I think the best benchmark I can give you is to say that one night I was awake until three reading this book. If that doesn’t speak of the gripping quality it has, nothing will. It’s a big book so do gear yourself up for a massive adventure.

Have you read Come Sundown? If you have, let me know in the comments.

 Rating: 8.5/10

Movie Review: Valerian and the city of a thousand planets (2017)

Plot:

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Plot: A dark force threatens Alpha, a vast metropolis and home to species from a thousand planets. Special operatives Valerian and Laureline must race to identify the marauding menace and safeguard not just Alpha, but the future of the universe.

Couple of things about this film:

1) What the actual f? Valerian and the terribly long name was super long, extremely boring and amazingly pompous.

2) Who authorized the amazingly stupid and sexist decision to remove Laureline’s name from the movie title? Cara Delevigne is the only thing that actually works in this stupid, time wasting, teeth gnashing mishap.

3) Terrible, terrible dialogue.

4) Don’t watch this

5) As much as I like the guy, Dane DeHaan is miscast. He works in awkward and nerdy roles. This intergalactic officer with cheesy pickup lines laced with some sexual harassment made him look even more uncomfortable than he usually looks.

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6) Delevigne is the best thing about this film. Laureline clearly faces the same issues women face in their place of employment – sexual harassment, being overlooked for their male colleagues and always being subtly shut down when they are clearly a leader in their field.

7) The stunning visuals and CGI of the film is the only thing that keeps me from rating this movie a 0. It looks particularly good, and the fact that this is an independent production and managed to look like it did deserve a few points.

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8) The Pearl race was gorgeous, and their little converter was super damn cute. Too bad you can’t save the film with cute animals.

I actually don’t give enough fucks about this shitty piece of drawn out shit to write out full sentences, hence the bullet points above. You can steer well clear – this is exactly how I felt about Fantastic Beasts – it’s pretty but it doesn’t have a point. That said, at least Fantastic Beasts is better and has SOME POINTS.

Rating: 4.5/10

Movie Review: Dunkirk (2017)

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Plot: Allied soldiers from Belgium, the British Empire and France are surrounded by the German army and evacuated during a fierce battle in World War II.

When will it stop?That was what I thought most frequently during the duration of Dunkirk. The endless bombing, the endless attacks, the lack of hope and the unseen enemy made Dunkirk anything but comfortable to sit through. The masterful score by Hans Zimmer heightens the dread. Every time a bomb went off it felt like a vibration in my heart. The correct use of young men for the majority of the army served to highlight that World War II was fought by young, scared men. Dunkirk doesn’t make them heroes – it makes them human. The cast is excellent – from the weathered and powerful lines of Kenneth Branagh to the stoic and impeccable (as usual) performance by Tom Hardy, the movie has an ensemble cast that will leave you impressed. Harry Styles takes on his first role as an actor and he does so remarkably well. I had a moment when I heard that he’d been cast in a Christopher Nolan film, but rest assured, not only did Nolan state he had no idea who Styles was when he was cast; Christopher Nolan would never cast a subpar actor no matter who he was. Styles impressed me – he is authentic and talented and I will probably like him much more as an actor as I ever liked him as a boy band performer.

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Another mention should be given to Jack Lowden, the other pilot in Air, alongside Tom Hardy. It takes significant amount of effort to divert my attention from the talented and gorgeous Hardy, but Jack Lowden managed to keep his own. He had one of the most intense scenes in the film, trying to get out of his slowly sinking aircraft. I will hope that this is not the last time I see this actor in a film, he was talented and worth the watch.

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As for the rest? It is too much to mention. It is about young, imperfect men fighting a seemingly hopeless war. Don’t expect too many acts of heroism – the only definable act can be that of the ordinary British people who got into their little boats to head to Dunkirk and evacuate 300 000 men from imminent death. The majority of the film was intense and scary, but that moment where Commander Bolton sees the tiny ships approaching had me sniffling back tears. The moment wasn’t the often used emotional manipulation in movies – Nolan is above that and is well capable of crafting a powerful scene that hits you in the feels without having to manipulate you to get you there.

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Dunkirk is haunting. It is typically Nolan. I wouldn’t name it as my favorite Nolan or war movie, but it is excellent in both categories. It serves as a reminder of the greatness of the human spirit, and sounds a clear warning to a state this world should never enter into again. I will readily admit I am a sucker for war heroes and get pulled into it every time, and this had the same result. I highly recommend it for movie lovers.

Have you seen Dunkirk?

Rating: 8.5/10

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Movie Review: Spiderman: Homecoming (2017)

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Plot: Peter Parker, with the help of his mentor Tony Stark, tries to balance his life as an ordinary high school student in New York City while fighting crime as his superhero alter ego Spider-Man when a new threat emerges.

Yes, I’m still alive. I’ve just been sucked into the vortex of two weeks of study leave followed by catching up said two weeks’ worth of the activities that pay my salary.  It’s been hectic, and I’ve had to drastically downscale both blogging and actually watching things. I got a chance about two weekends ago with Spiderman: Homecoming, which is incidentally the superhero film I’ve been least excited to watch. I have some interesting friends (these are the same people with who I watched Power Rangers with), so note that it there is an actual explanation for me finding myself in cinema for the zillionth remake of the Spidey.

I didn’t dislike Homecoming. It was just so Marvel. I’m a big Marvel fan, but these guys make the same film with different actors all the time. That doesn’t say Tim Holland isn’t a solid Peter Parker. Despite already being 20, he’s the youngest looking actor we’ve had to date in this role. He does his very best to appear teenagey and awkward, which is about as successful as a young attractive guy pretending to be awkward is bound to be. My love for Michael Keaton continues – he is the coolest person in the world at this stage, and him as Vulture made some of the best times in the film. His quest for villainy was a bit one sided and this was definitely not the strongest villain Marvel has eked out, but Keaton certainly did his best with the work.

I liked Zendaya quite a lot in her role as MJ – she’s just my spirit animal with her stand offish-ness and overall awkwardness.

Homecoming also features Tony Stark/Iron Man, probably the most loved Marvel superhero at this stage. It is an obvious ploy on the side of the studio – who doesn’t want to see Iron Man suited up and in action. I always like RDJ in this role, he’s as much this character as Hugh Jackman is the Wolverine. I appreciated his presence, and although it wasn’t really defined at stages and he seemed awfully dictatorial towards the kid. Happy (Jon Favreau) comes across as one big, rushed bully and it didn’t really jibe with what we’ve come to expect from him.

What more? This film is extremely long. I was fidgeting in my seat by the end of it. It is big and boisterous and really colorful. It has a lot of flash and plenty well cast characters.

Homecoming won’t be my favorite superhero film of the year – there was Wonder Woman, I still need to see Logan and I’m sure it is going to blow me away, I loved Guardians of the Galaxy Vol. 2. Thor and Justice League still need reviews too as well. So, herewith my final comment: Homecoming certainly wasn’t made for me, but I think them teens sure loved it.

Have you seen it? What did you think?

Rating: 6.510

Movie Review: Sweet Home Alabama (2002)

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Plot:A young woman who’s reinvented herself as a New York socialite must return home to Alabama to obtain a divorce from her husband, after seven years of separation.

I wouldn’t want to be the woman who had to choose between Patrick Dempsey and Josh Lucas. It seems criminal to be faced with such a decision. This is what befalls Melanie Carmichael (Reese Witherspoon), a successful fashion designer in New York. When the lovely Andrew Hennings (Dempsey) proposes, Melanie, real-surname-Smooter, must head back to the place she’s been avoiding for the last couple of years like the plague, to get a divorce from her high school sweetheart Jake Perry (Josh Lucas), without alerting the press and Andrew’s mother, who just happens to be the mayor of NYC.

But naturally all is not as easy as it should be. Melanie is faced with the fact that she’s become an uppity Yankee snob, and an uncaring one at that. Jake has a lot of secrets, and he’s clearly not as over her as he wants her to believe. There are many people of her past that hasn’t forgotten the mayhem she caused in her life, and that they are comfortable with who they are despite not being upstate and fancy.

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So yes, I wouldn’t want to choose between the blue eyes of Josh Lucas and the warm charm of Patrick Dempsey. It would be SAD. This film is your basic romantic dramedy. There are some attempts at deepness – talk of a miscarriage and Jake knowing he would have to make a drastic change to win back his estranged wife, and lots of subliminal messages about just being yourself and not hiding away your past. There was also so much 2002 fashion in Witherspoon’s outfits that I had a grand time laughing at it – who would have thought that a mere fifteen years later the choker-fashion would return?

Sweet Home Alabama (2002)
 Reese Witherspoon and Patrick Dempsey
Credit: Buena Vista Pictures/Courtesy Neal Peters Collection

I enjoyed Sweet Home Alabama. You need to walk in without too much expectations – this is just your basic enjoyable romance. A 7/10 for me.

Movie Review: One Day (2011)

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Plot: After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.

Mind-numbing, soul-crushing, depressingly dreary, the undeniable stupidity of the human – in particular female – race.

This quote from Perks of Being a Wallflower “We accept the love we think we deserve”. That powerful, terrifying and thought-provoking phrase surely indicates that Emma (Anne Hathaway) does not think she deserves a good man.  Emma meets Dexter on the night of graduation. It’s the typical – she crushed on him hard, he’s ignorant to it. He’s had everything given to him in life and is as a result more open to adventures than Emma. Jim Sturgess’ considerable charm is not enough to make rooting for Dexter plausible.

Dexter is beautiful, charming, affluent and a B-grade celebrity in One Day. He’s a jerk, he can’t keep his pants up, and he mistreats his dying mother and concerned father. The only thing good about Dexter is Emma, who for whichever reason remains his friend after rejections and indifference and an unhealthy dose of selfishness from his part. They remain friends for years. She struggles to bloom but eventually reaches her dream of becoming a writer. Dexter, in contrast, loses his B-grade celebrity status because everyone thinks he’s annoying and falls into pit after pit of despair. But no – Emma never realizes that she deserves more. She’s still caught in that University fantasy about the gorgeous man falling for her. No relationship ever works out for her because remains attracted to Dexter. His shitty personality is marginally better when he’s with her, but he only becomes fully saved towards the end of the film, and by that time I just couldn’t care anymore about him.

The script of this film is largely the cause of its’ failure. There is a constant lack of information. Dexter’s mother wants to tell him something, we actually never hear what it was. Is this the cancer she later develops? Is it to tell him she thinks he’s a piece of shit? We aren’t privy to that information and we don’t get to see how it alters Dexter. Dexter’s father is an unsuccessful attempt to be a stoic-but-good man. He’s grouchy and has some moments where he ekes out wisdom, but for the most part he’s an empty character that does nothing for the story. Emma has no family apparently. I didn’t even reach a well of sympathy or gushiness for these characters – the script doesn’t allow you to get there.

Dexter is completely insufferable. Have I mentioned this?! He is the typical and often seen privileged private school kid without morals. I can’t root for him on principle. Not all privileged kids are jerks, but this one certainly is.

Anne Hathaway does her best with Emma, she truly does, but Emma remains a bland, boring and pathetic character without self-esteem and an unhealthy dose of masochism. Anne Hathway can’t pass as a Brit. That accent is off, she rounds her words way too much, and she’s just so American.

I felt like I spent a decade of my life watching this film. It is barely more than one hour and thirty minutes, but so insufferable I’d rather have spent my time watching paint dry.

This film is a drawn out mess about a woman who believes she can save a jerk from himself. The truth is here and that is what irritated me about this film so much – no person can change another person. A person can only change him/herself.

The thing is, I also get platonic relationships that are borderline romantic or full of tension. We all do. There will always be a friend that has the potential for more but there is something holding either of you back at various times. It happens. I just can’t understand why Emma remains friends with such an unredeemable man.

I’m done with this review now. I really hated this film. There are some things that worked – the washed out tones look gorgeous particularly. Other things didn’t work – and most particularly those ugly damn boots Emma insisted on wearing all the damn time.

If you’ve seen this movie, let me know if there is a support group of traumatized watchers helping each other cope with the damage. If you liked it, please do tell me what you liked. I would be VERY curious.

Rating: 4/10

Movie Review: Wonder Woman (2017)

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Plot: Before she was Wonder Woman she was Diana, princess of the Amazons, trained warrior. When a pilot crashes and tells of conflict in the outside world, she leaves home to fight a war to end all wars, discovering her full powers and true destiny.

Can you hear that sound? It sure sounds like the patriarchal system starting to crack. Since I watched Wonder Woman Friday night I haven’t been able to stop looking at photos of young girls entering the cinema in their Wonder Woman costumes looking excited and elated. Someone of their own gender entering battle and saving people! I haven’t been able to stop checking on the financial success of WW, which is helmed as a victory of super heroines and female directors. I can’t help but laugh with glee how mad all the men are about the women only screening in Texas – how dare women want to celebrate and feel strong without having to hear whisperings that Steve Trevor is the actual hero? MADNESS.

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Director Patty Jenkins was the perfect choice to direct this film. A film about a woman by a woman. If you will bear with me, I will tell you why – Diana Prince is portrayed as a strong woman who fights for herself, sees her love interest as secondary to her mission, is fierce and formidable while being beautiful and smart and adoring children at the same time. I feel like women are constantly told you can either be the soft maternal type OR the fierce business woman, and it was nice seeing a character on screen that didn’t just do it, she made it look positively easy. Gal Gadot strides on screen with her incredible face and intimidating charm and manages to be warm, pure, sweet, funny, caring and kick-ass without breaking a sweat. It is a standout performance of which she can truly be proud, and she’s truly the Wonder Woman we needed.

The opening scenes with Themyscira is certainly some of the weakest parts in the film. I enjoyed the women fighting sequences, it was beautifully choreographed. The beauty of the hidden island is a perfect contrast with the war Diana plans to enter. It did feel just a bit out of place with the strong structure of the rest of the film. The scene where Steve Trevor crash lands and brings a horde of Nazis behind him is heartbreaking to behold, and the consequences of his arrival made me very sad. The fight scenes aren’t ridiculously drawn out, something Mr. Zack Snyder just loves to do, and it is DC’s saving grace. I haven’t seen a DC movie like this ever, and it is the first I’ve able to place above many Marvel movies. If DC can take this magical formula and copy it directly over into Justice League, please note that I will buy a ticket again and be completely on board with cheering for the male heroes too – something I can do without feeling my gender threatened, hem-hem.

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Where DC usually spends their entire films being depressing and dull, Wonder Woman manages to balance the serious with banter and some light-hearted moments. That is actually where Marvel sometimes messes up – they can be too light-hearted. Steve’s insecurities that can’t help slipping out when Diana refers to him as an average man is quite funny, as well as Diana’s comments on why women should even want to tuck their tummies in had me laughing – so very well aimed at society’s double standards.

There is always the stock standard romance, and while it was present this time around, there was nothing stock nor standard about it. Steve is such an incredible guy – he has a purity that is very nearly Steve Rogers about him – morals, etiquette, the ability to see war as injustice on both sides. He allows Diana to do her thing and after only a few slips begins to understand that she will do what she wants to whether he thinks it is allowed or not. Chris Pine was a great choice as this character. He is a talented man that is finally getting some good exposure. He had good chemistry with Gal Gadot. Honestly – he looks like a wartime hero and that certainly gave him impact as well.

Did I see some of the plot reveals coming – I saw the one, but there were a few others that managed to surprise me. It made for interesting watching – and no, I’m not telling you. This movie is way too fresh out to be spoiled on my blog.

If you haven’t seen Wonder Woman yet – go right out and do it. I will need a really strong contender to even ruffle this movie’s feathers as my favorite film of 2017 going forth into the remainder of this year. It is an excellent superhero film in a time where superheroes are stock standard. Let me know if you’ve seen it, and what your thoughts were!

Rating: 8.5/10

Movie Review: Underworld Evolution (2006)

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Plot:Picking up directly from the previous film, vampire warrior Selene and the half werewolf Michael hunt for clues to reveal the history of their races and the war between them.

When films like Evolution gets hated on online I am always quite surprised. This said trashed film and it isn’t nearly as horrible as it is made out to be. The entire Underworld franchise is garbage rated on both IMDb and Rotten Tomatoes, but here’s the kicker: it’s actually not that cheesy, it is quite dark and violent and the history between the lycans and vampires are well thought out. Is there some sort of secret society in the entertainment industry that decides to trash things for reasons unknown? Oh wait, that’s the Academy right?

Continuing immediately after the events in Underworld, Seline and Michael narrowly escape after her killing the vampire elder Viktor (Bill Nighy). Seline hopes by awakening Viktor’s brother and last remaining vampire elder Marcus (Tony Curran), she will be able to save her life and Michael’s life. But even though Marcus and Viktor have a long line of dispute between them, Marcus is furious to find his brother dead and sets out on his path of retribution. He is terrifying as some sort of hybrid, and they have a dangerous road to survival set out to them. A whole lot of other things also occur and in it is more insight into the lycan and vampire history.

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Evolution remains dark, sexy and violent. It is not so much different from the first film. We are still following the gorgeous Seline and the gorgeous Michael, and we are treated to some sexy time between them. It was a little risqué, much more than the usual amount generally applied in mainstream films, but it continues to suit the tone of the series and stops just short of being icky.

More history is given about both species and I enjoyed that. I’m not sure whether there was a real point to bring in a father figure of Markus and Viktor and explaining all that sordid history, but at least it ultimately makes Seline able to walk in the sun.

At the end of the film all I wanted is Michael and Seline to be together and safe. That wish is mostly granted. It still ends with some depressing voice overs, but for the most part we are left with our favorite couple in a relatively safe future.

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Underworld Evolution is enjoyable, gritty, oddly romantic and with a lot of sexy Undertones. I’d give my left pinky toe to be built like Seline, and I wouldn’t mind dating Michael either, hybrid or not.

Rating: 7/10

Movie Review: Arrival (2016)

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Plot: When twelve mysterious spacecraft appear around the world, linguistics professor Louise Banks is tasked with interpreting the language of the apparent alien visitors.

Since I haven’t read one bad review about Arrival and about ten million people asked me whether I’d seen it, I was really rather excited to get to this. I also loved Sicario, which at that stage had been my exposure to director Dennis Villeneuve’s work.

Arrival is one of the most unique and well thought out films I’ve watch in ages. It is some of the best work I’ve seen from 2016, and would certainly have altered my Top Ten list of 2016. Villeneuve has a talent to direct the dark and dreary. His signature style is tense and the subsequent underlying tension makes him a formidable force to watch in the future. He knows how to get the most intense emotions from his films’ stars, most evident in the way Amy Adams, Jermey Renner and Forrest Whitaker portray their part of Arrival.

"Story of Your Life" Day 37 Photo: Jan Thijs 2015

I guess I see now why people were so riled up when Amy Adams was not nominated for best actress. She was fantastic as Louise, a linguist who is tasked to extraterrestrial beings when they mysteriously appear in random locations across the globe. The lingual exploration was fascinating, which explored the dissection of communication and language. It made me realize that we take language for granted and how it forms and changes us. Talking is so natural, we rarely pause to consider how remarkable it is that we are talking.

I am also appreciative that Villeneuve once again provided a film with such a strong female lead. He obviously has an appreciation for strong female characters – can we have more of him please?!

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I always feel like a complete noob when talking about CGI. Visual design is one of the areas where I truly have no experience in (or a desire to get experience in). My adventures into more serious films have shown me however how much tone and proper CGI can affect a film. Arrival has incredible CGI. The Aliens are formed in a way that is slightly revolting and highly fascinating, light years away from our perception of beady eyed human forms. There is a particular scene with Adams that was mesmerizing – I get goosebumps just thinking about it. The directing also is sad and heavy and dark, and impresses the sadness which Adams’ character carries with her.

The eventual conclusion to this two hour masterpiece will stay with you – I am still wondering about the implications of it all. The focus, despite the entire plot, is not truly on the Aliens. It is more about how would we even talk to Aliens should they arrive on the planet.

Rating: A well-deserved 9/10

Movie Review: Beauty and The Beast (2017)

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Plot: An adaptation of the fairy tale about a monstrous-looking prince and a young woman who fall in love.

Of all the sentimental attachments I have to Disney classics, my attachment to Beauty and The Beast is the strongest. As a young girl Belle was like this guiding light – she liked to read, she was interested in a greater life and she was the author of her own story. She finds love because she’s brave and can see past the exterior, not because she needed rescuing. Belle rocks man. So it was with an uneasy mix of excitement and trepidation that I handled the news of a live animation adaption. Would they ruin it? Would they, GASP, try and be original? I am pretty happy with the original work and I would not have appreciated a new take where Gaston is the hero and the Beast is just a Beast – I’m looking at you, Maleficent.

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However, I loved it. Emma Watson is most certainly not the world’s most accomplished actress, but she’s been unfairly criticized for her work as Belle. I was expecting much worse, both in terms of acting and of singing. People are reporting her as weak and unconvincing. She wasn’t. She is at times slightly wooden but not offensively so. Is her voice auto tuned? Maybe, but since I’m no Adele I am not going around judging people for their singing. Whether her haters like it or not, she’s a face of gender rights at the moment and that, combined with her serious personality and Harry Potter legacy made her a spot on choice for Belle. That yellow dress sure is pretty and springing and she seems to have good chemistry with Dan Stevens – who wouldn’t? – And eventually looks more comfortable with the role.

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A standout performance is that of Luke Evans as Gaston. He’s the boorish, muscled and mean spirited villain with such style that it is obvious he had the time of his life being Gaston. He also has hands down the best singing voice of the cast. My favorite musical of this film is Gaston, he was perfect in every way and the musical is brilliantly executed.

Josh Gad as Lafou provided the required quota of comic relief. He was just a bit over the top. I also didn’t really understand the issue with him being Gay. Goodness me, I guess I’m just that peculiar that I really couldn’t care about someone’s sexual orientation as long as they are decent human beings, and my experience with the gay community has me convinced they are, in actual fact, more often better people than their straighter counterparts. On further thought Lafou wasn’t particularly straight in the original work, so I just don’t get the fuss. I found the third musketeer’s reaction to his wardrobe change hilarious and spot on.

My only issue with Dan Stevens as the Beast is that I didn’t get to see more of his lovely face. It is a pity. He has a gorgeous voice. Considering most of his work was under CGI (mores the pity), I can’t truly comment on his acting in here.

Maurice (Kevin Kline) was much less of a cartoonish fool and a man dealing with grief and guilt. I quite liked this impression of him, and made the character much more lovable. Also great voice work from Emma Thompson, Ian McKellan and Ewan McGregor.

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It is true that Bill Condon provides an extravagant affair. He clearly had Disney’s massive financial backing because his sets are elaborate and finely carved. The only one lacking was Mrs. Potts. She definitely got the bums rush from the development crew. Everything else is so ornate and rich to look at. I enjoyed the castle crumbling as physical evidence of the Beast’s chances of finding his human form beginning to wane all the more.

I know the original work well enough that I can parrot the songs, so I picked up on the changed words. I don’t get why they did it though. It wasn’t necessary for the original works are close to perfect. My only serious complaint is the rendition of Beauty and the Beast. Neither the song in the movie or its’ rendition by Ariana Grande and John Legend comes close to the original Celine Dion cover. The new songs were dangerous experimentations. I liked all of them, but someone sure had balls to create new scores for such a beloved classic.

A lot of political commentary going on and naturally I was on board – women reading, doing their own thing, and specifically Belle stating that she’s not ready to have children yet to the complete bewilderment of her community is a priceless moment. We feel you, Belle.

I actually really loved this adaption. Disney has a knack of producing great live animations. It is somewhat lazy work with about half the creativity than an original production would require – just do good casting and great graphics and depend on the fans that are hit with a wave of nostalgia. It remains quite wonderful work however and I can’t wait to buy the DVD!

Rating: 8.5/10