Movie Review: One Day (2011)

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Plot: After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.

Mind-numbing, soul-crushing, depressingly dreary, the undeniable stupidity of the human – in particular female – race.

This quote from Perks of Being a Wallflower “We accept the love we think we deserve”. That powerful, terrifying and thought-provoking phrase surely indicates that Emma (Anne Hathaway) does not think she deserves a good man.  Emma meets Dexter on the night of graduation. It’s the typical – she crushed on him hard, he’s ignorant to it. He’s had everything given to him in life and is as a result more open to adventures than Emma. Jim Sturgess’ considerable charm is not enough to make rooting for Dexter plausible.

Dexter is beautiful, charming, affluent and a B-grade celebrity in One Day. He’s a jerk, he can’t keep his pants up, and he mistreats his dying mother and concerned father. The only thing good about Dexter is Emma, who for whichever reason remains his friend after rejections and indifference and an unhealthy dose of selfishness from his part. They remain friends for years. She struggles to bloom but eventually reaches her dream of becoming a writer. Dexter, in contrast, loses his B-grade celebrity status because everyone thinks he’s annoying and falls into pit after pit of despair. But no – Emma never realizes that she deserves more. She’s still caught in that University fantasy about the gorgeous man falling for her. No relationship ever works out for her because remains attracted to Dexter. His shitty personality is marginally better when he’s with her, but he only becomes fully saved towards the end of the film, and by that time I just couldn’t care anymore about him.

The script of this film is largely the cause of its’ failure. There is a constant lack of information. Dexter’s mother wants to tell him something, we actually never hear what it was. Is this the cancer she later develops? Is it to tell him she thinks he’s a piece of shit? We aren’t privy to that information and we don’t get to see how it alters Dexter. Dexter’s father is an unsuccessful attempt to be a stoic-but-good man. He’s grouchy and has some moments where he ekes out wisdom, but for the most part he’s an empty character that does nothing for the story. Emma has no family apparently. I didn’t even reach a well of sympathy or gushiness for these characters – the script doesn’t allow you to get there.

Dexter is completely insufferable. Have I mentioned this?! He is the typical and often seen privileged private school kid without morals. I can’t root for him on principle. Not all privileged kids are jerks, but this one certainly is.

Anne Hathaway does her best with Emma, she truly does, but Emma remains a bland, boring and pathetic character without self-esteem and an unhealthy dose of masochism. Anne Hathway can’t pass as a Brit. That accent is off, she rounds her words way too much, and she’s just so American.

I felt like I spent a decade of my life watching this film. It is barely more than one hour and thirty minutes, but so insufferable I’d rather have spent my time watching paint dry.

This film is a drawn out mess about a woman who believes she can save a jerk from himself. The truth is here and that is what irritated me about this film so much – no person can change another person. A person can only change him/herself.

The thing is, I also get platonic relationships that are borderline romantic or full of tension. We all do. There will always be a friend that has the potential for more but there is something holding either of you back at various times. It happens. I just can’t understand why Emma remains friends with such an unredeemable man.

I’m done with this review now. I really hated this film. There are some things that worked – the washed out tones look gorgeous particularly. Other things didn’t work – and most particularly those ugly damn boots Emma insisted on wearing all the damn time.

If you’ve seen this movie, let me know if there is a support group of traumatized watchers helping each other cope with the damage. If you liked it, please do tell me what you liked. I would be VERY curious.

Rating: 4/10

Movie Review: Wonder Woman (2017)

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Plot: Before she was Wonder Woman she was Diana, princess of the Amazons, trained warrior. When a pilot crashes and tells of conflict in the outside world, she leaves home to fight a war to end all wars, discovering her full powers and true destiny.

Can you hear that sound? It sure sounds like the patriarchal system starting to crack. Since I watched Wonder Woman Friday night I haven’t been able to stop looking at photos of young girls entering the cinema in their Wonder Woman costumes looking excited and elated. Someone of their own gender entering battle and saving people! I haven’t been able to stop checking on the financial success of WW, which is helmed as a victory of super heroines and female directors. I can’t help but laugh with glee how mad all the men are about the women only screening in Texas – how dare women want to celebrate and feel strong without having to hear whisperings that Steve Trevor is the actual hero? MADNESS.

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Director Patty Jenkins was the perfect choice to direct this film. A film about a woman by a woman. If you will bear with me, I will tell you why – Diana Prince is portrayed as a strong woman who fights for herself, sees her love interest as secondary to her mission, is fierce and formidable while being beautiful and smart and adoring children at the same time. I feel like women are constantly told you can either be the soft maternal type OR the fierce business woman, and it was nice seeing a character on screen that didn’t just do it, she made it look positively easy. Gal Gadot strides on screen with her incredible face and intimidating charm and manages to be warm, pure, sweet, funny, caring and kick-ass without breaking a sweat. It is a standout performance of which she can truly be proud, and she’s truly the Wonder Woman we needed.

The opening scenes with Themyscira is certainly some of the weakest parts in the film. I enjoyed the women fighting sequences, it was beautifully choreographed. The beauty of the hidden island is a perfect contrast with the war Diana plans to enter. It did feel just a bit out of place with the strong structure of the rest of the film. The scene where Steve Trevor crash lands and brings a horde of Nazis behind him is heartbreaking to behold, and the consequences of his arrival made me very sad. The fight scenes aren’t ridiculously drawn out, something Mr. Zack Snyder just loves to do, and it is DC’s saving grace. I haven’t seen a DC movie like this ever, and it is the first I’ve able to place above many Marvel movies. If DC can take this magical formula and copy it directly over into Justice League, please note that I will buy a ticket again and be completely on board with cheering for the male heroes too – something I can do without feeling my gender threatened, hem-hem.

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Where DC usually spends their entire films being depressing and dull, Wonder Woman manages to balance the serious with banter and some light-hearted moments. That is actually where Marvel sometimes messes up – they can be too light-hearted. Steve’s insecurities that can’t help slipping out when Diana refers to him as an average man is quite funny, as well as Diana’s comments on why women should even want to tuck their tummies in had me laughing – so very well aimed at society’s double standards.

There is always the stock standard romance, and while it was present this time around, there was nothing stock nor standard about it. Steve is such an incredible guy – he has a purity that is very nearly Steve Rogers about him – morals, etiquette, the ability to see war as injustice on both sides. He allows Diana to do her thing and after only a few slips begins to understand that she will do what she wants to whether he thinks it is allowed or not. Chris Pine was a great choice as this character. He is a talented man that is finally getting some good exposure. He had good chemistry with Gal Gadot. Honestly – he looks like a wartime hero and that certainly gave him impact as well.

Did I see some of the plot reveals coming – I saw the one, but there were a few others that managed to surprise me. It made for interesting watching – and no, I’m not telling you. This movie is way too fresh out to be spoiled on my blog.

If you haven’t seen Wonder Woman yet – go right out and do it. I will need a really strong contender to even ruffle this movie’s feathers as my favorite film of 2017 going forth into the remainder of this year. It is an excellent superhero film in a time where superheroes are stock standard. Let me know if you’ve seen it, and what your thoughts were!

Rating: 8.5/10

Movie Review: Underworld Evolution (2006)

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Plot:Picking up directly from the previous film, vampire warrior Selene and the half werewolf Michael hunt for clues to reveal the history of their races and the war between them.

When films like Evolution gets hated on online I am always quite surprised. This said trashed film and it isn’t nearly as horrible as it is made out to be. The entire Underworld franchise is garbage rated on both IMDb and Rotten Tomatoes, but here’s the kicker: it’s actually not that cheesy, it is quite dark and violent and the history between the lycans and vampires are well thought out. Is there some sort of secret society in the entertainment industry that decides to trash things for reasons unknown? Oh wait, that’s the Academy right?

Continuing immediately after the events in Underworld, Seline and Michael narrowly escape after her killing the vampire elder Viktor (Bill Nighy). Seline hopes by awakening Viktor’s brother and last remaining vampire elder Marcus (Tony Curran), she will be able to save her life and Michael’s life. But even though Marcus and Viktor have a long line of dispute between them, Marcus is furious to find his brother dead and sets out on his path of retribution. He is terrifying as some sort of hybrid, and they have a dangerous road to survival set out to them. A whole lot of other things also occur and in it is more insight into the lycan and vampire history.

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Evolution remains dark, sexy and violent. It is not so much different from the first film. We are still following the gorgeous Seline and the gorgeous Michael, and we are treated to some sexy time between them. It was a little risqué, much more than the usual amount generally applied in mainstream films, but it continues to suit the tone of the series and stops just short of being icky.

More history is given about both species and I enjoyed that. I’m not sure whether there was a real point to bring in a father figure of Markus and Viktor and explaining all that sordid history, but at least it ultimately makes Seline able to walk in the sun.

At the end of the film all I wanted is Michael and Seline to be together and safe. That wish is mostly granted. It still ends with some depressing voice overs, but for the most part we are left with our favorite couple in a relatively safe future.

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Underworld Evolution is enjoyable, gritty, oddly romantic and with a lot of sexy Undertones. I’d give my left pinky toe to be built like Seline, and I wouldn’t mind dating Michael either, hybrid or not.

Rating: 7/10

Movie Review: Arrival (2016)

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Plot: When twelve mysterious spacecraft appear around the world, linguistics professor Louise Banks is tasked with interpreting the language of the apparent alien visitors.

Since I haven’t read one bad review about Arrival and about ten million people asked me whether I’d seen it, I was really rather excited to get to this. I also loved Sicario, which at that stage had been my exposure to director Dennis Villeneuve’s work.

Arrival is one of the most unique and well thought out films I’ve watch in ages. It is some of the best work I’ve seen from 2016, and would certainly have altered my Top Ten list of 2016. Villeneuve has a talent to direct the dark and dreary. His signature style is tense and the subsequent underlying tension makes him a formidable force to watch in the future. He knows how to get the most intense emotions from his films’ stars, most evident in the way Amy Adams, Jermey Renner and Forrest Whitaker portray their part of Arrival.

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I guess I see now why people were so riled up when Amy Adams was not nominated for best actress. She was fantastic as Louise, a linguist who is tasked to extraterrestrial beings when they mysteriously appear in random locations across the globe. The lingual exploration was fascinating, which explored the dissection of communication and language. It made me realize that we take language for granted and how it forms and changes us. Talking is so natural, we rarely pause to consider how remarkable it is that we are talking.

I am also appreciative that Villeneuve once again provided a film with such a strong female lead. He obviously has an appreciation for strong female characters – can we have more of him please?!

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I always feel like a complete noob when talking about CGI. Visual design is one of the areas where I truly have no experience in (or a desire to get experience in). My adventures into more serious films have shown me however how much tone and proper CGI can affect a film. Arrival has incredible CGI. The Aliens are formed in a way that is slightly revolting and highly fascinating, light years away from our perception of beady eyed human forms. There is a particular scene with Adams that was mesmerizing – I get goosebumps just thinking about it. The directing also is sad and heavy and dark, and impresses the sadness which Adams’ character carries with her.

The eventual conclusion to this two hour masterpiece will stay with you – I am still wondering about the implications of it all. The focus, despite the entire plot, is not truly on the Aliens. It is more about how would we even talk to Aliens should they arrive on the planet.

Rating: A well-deserved 9/10

Movie Review: Beauty and The Beast (2017)

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Plot: An adaptation of the fairy tale about a monstrous-looking prince and a young woman who fall in love.

Of all the sentimental attachments I have to Disney classics, my attachment to Beauty and The Beast is the strongest. As a young girl Belle was like this guiding light – she liked to read, she was interested in a greater life and she was the author of her own story. She finds love because she’s brave and can see past the exterior, not because she needed rescuing. Belle rocks man. So it was with an uneasy mix of excitement and trepidation that I handled the news of a live animation adaption. Would they ruin it? Would they, GASP, try and be original? I am pretty happy with the original work and I would not have appreciated a new take where Gaston is the hero and the Beast is just a Beast – I’m looking at you, Maleficent.

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However, I loved it. Emma Watson is most certainly not the world’s most accomplished actress, but she’s been unfairly criticized for her work as Belle. I was expecting much worse, both in terms of acting and of singing. People are reporting her as weak and unconvincing. She wasn’t. She is at times slightly wooden but not offensively so. Is her voice auto tuned? Maybe, but since I’m no Adele I am not going around judging people for their singing. Whether her haters like it or not, she’s a face of gender rights at the moment and that, combined with her serious personality and Harry Potter legacy made her a spot on choice for Belle. That yellow dress sure is pretty and springing and she seems to have good chemistry with Dan Stevens – who wouldn’t? – And eventually looks more comfortable with the role.

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A standout performance is that of Luke Evans as Gaston. He’s the boorish, muscled and mean spirited villain with such style that it is obvious he had the time of his life being Gaston. He also has hands down the best singing voice of the cast. My favorite musical of this film is Gaston, he was perfect in every way and the musical is brilliantly executed.

Josh Gad as Lafou provided the required quota of comic relief. He was just a bit over the top. I also didn’t really understand the issue with him being Gay. Goodness me, I guess I’m just that peculiar that I really couldn’t care about someone’s sexual orientation as long as they are decent human beings, and my experience with the gay community has me convinced they are, in actual fact, more often better people than their straighter counterparts. On further thought Lafou wasn’t particularly straight in the original work, so I just don’t get the fuss. I found the third musketeer’s reaction to his wardrobe change hilarious and spot on.

My only issue with Dan Stevens as the Beast is that I didn’t get to see more of his lovely face. It is a pity. He has a gorgeous voice. Considering most of his work was under CGI (mores the pity), I can’t truly comment on his acting in here.

Maurice (Kevin Kline) was much less of a cartoonish fool and a man dealing with grief and guilt. I quite liked this impression of him, and made the character much more lovable. Also great voice work from Emma Thompson, Ian McKellan and Ewan McGregor.

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It is true that Bill Condon provides an extravagant affair. He clearly had Disney’s massive financial backing because his sets are elaborate and finely carved. The only one lacking was Mrs. Potts. She definitely got the bums rush from the development crew. Everything else is so ornate and rich to look at. I enjoyed the castle crumbling as physical evidence of the Beast’s chances of finding his human form beginning to wane all the more.

I know the original work well enough that I can parrot the songs, so I picked up on the changed words. I don’t get why they did it though. It wasn’t necessary for the original works are close to perfect. My only serious complaint is the rendition of Beauty and the Beast. Neither the song in the movie or its’ rendition by Ariana Grande and John Legend comes close to the original Celine Dion cover. The new songs were dangerous experimentations. I liked all of them, but someone sure had balls to create new scores for such a beloved classic.

A lot of political commentary going on and naturally I was on board – women reading, doing their own thing, and specifically Belle stating that she’s not ready to have children yet to the complete bewilderment of her community is a priceless moment. We feel you, Belle.

I actually really loved this adaption. Disney has a knack of producing great live animations. It is somewhat lazy work with about half the creativity than an original production would require – just do good casting and great graphics and depend on the fans that are hit with a wave of nostalgia. It remains quite wonderful work however and I can’t wait to buy the DVD!

Rating: 8.5/10

Movie Review: Guardians of the Galaxy Vol. 2 (2017)

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Plot: Set to the backdrop of Awesome Mixtape #2, ‘Guardians of the Galaxy Vol. 2’ continues the team’s adventures as they unravel the mystery of Peter Quill’s true parentage.

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The Original Guardians of the Galaxy was celebrated far and wide as original, refreshing and pretty much different from any normal Marvel film. I mean we love them, but they aren’t necessarily ground breaking in the stories they tell. I agreed mostly, but I also still felt that everyone and their grannies took the hype too far. Regardless of my opinion, the first film was a runaway success and since it is Marvel, a second one was inevitable.

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The sequel is in many ways an equal to original. Chris Pratt is Chris Pratt and the lovable and very attractive goofball. He is still surrounded by his team – Gamora (Zoë Saldana), Drax (Dave Bautista), Rocket (Bradley Cooper) and Groot (Vin Diesel). They acquire more recruits this time – Kraglin (Sean Gunn) and Mantis (Pom Klementieff). It is starting to feel like the Space Avengers with such a large cast going on here, but I very much doubt that the majority of the audience worries about that too much.

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Plenty of things work – Dave Bautista’s literal minded Drax gets more dialogue and the things he says is what we think without saying it, making the situations he’s placed in quite hilarious. Telling the creepy Mantis she’s probably beautiful on the inside was quite funny and painfully blunt. Baby Groot is emotional manipulation – he’s so cute he could have danced the duration of the film and I would have liked the movie. Chris Pratt loses his shirt and I couldn’t complain about it. The directing is colorful and bright and suits the upbeat tone of the film. The dialogue is relatable and funny, the banter between the team easy and seemingly sincere. The soundtrack is a lot of fun and a continuation of the first film. Sylvester Stallone shows his face and boggles the mind that he’s still looking smoking when he is six hundred years old now.

What lacks is an actual plot. The writers focused on the one thing left unanswered in Volume 1 – Starlord’s patronage. Enter Kurt Russel, cool old-dude extraordinaire, as Ego the Living Planet. He’s not much of a villain with a lot of ego and little grey areas, and it is pretty clear quite quickly that he doesn’t want the best for his son. There are also gold people, led by Elizabeht Debicki’s Kismet, who are angry that Rocket stole shit from them and are now determined to wipe out the team. It’s a pretty weak story, sloppy in places and lazy writing. It doesn’t particularly fit into the Marvel Universe that has so carefully been crafted. Some redemption is provided by the presence of Baby Groot, the fights between Starlord and Rocket and the chemistry between Starlord and Gamora. I also didn’t particularly appreciate how every bad guy last time was sympathized with this time around – Nebula (Karen Gillan), the conflicted sibling of Gamora, is the grayest character of the lot. Her hatred towards her sister is based on her robotic punishment as a child, and we don’t really blame her, but was it necessary to include it so much again into the second film? Yondu remains damn cool and everything for a blue guy, and Michael Rooker is cool enough to be him, but again, so much unnecessary things in this film piled it up to one long watch. I appreciated the cameo by Sylvester Stallone, but really, was it necessary?

I enjoyed GoTG II. It is not a particularly strong film but it is fun and really funny. Marvel took a chance changing so much from their usual formula, and despite following some of their renowned plot moves, it is still the most original work they’ve done in a while.

A 7.5/10 for me

Have you seen Guardians of the Galaxy Volume 2? What did you think of it?

Blindspot 2017: Ocean’s Eleven (2001)

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Plot: Danny Ocean and his eleven accomplices plan to rob three Las Vegas casinos simultaneously.

Rating: 8.5/10

Brad Pitt and Matt Damon really is everywhere on my Blindspot list this year. I’m back with Brad Pitt today and looking at the 2001 heist film that proves just how cool Brad Pitt and George Clooney it.

If you are a clever deducer (I know that is not a word), you realized by the rating that I liked this. A good heist film remains a good heist film, and a fast paced, no-nonsense one provides for good entertainment. I thought the heist was brilliantly planned. The film is intelligent and quirky and doesn’t take time to tell its’ story.

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The core actors certainly contribute towards the camaraderie Oceans provides in spades. George Clooney, Brad Pitt, Matt Damon, Julia Roberts, Andy Garcia, Casey Affleck, Bernie Mac – really everyone on screen was great to behold. There is a chemistry in the group that comes across as authentic. I especially liked George Clooney and Brad Pitt together. Both men were able to look and sound like old friends who were up to no good.

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My favourite girl crush Julia Roberts was on screen again. She’s so talented and drop dead gorgeous and she’s so classy on screen. It takes a lot of an actress to be cold and angry and charming at the same time.

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I really liked that this film didn’t take ages to get through and sort itself out – I hate a long drawn out affair as you all know. The plan was laid out, the men were recruited and informed and things went down. Can’t all films just go like that??

Have you seen Ocean’s Eleven? What did you think? I see the next film in the franchise is an all women cast – a relatively popular decision nowadays. What you all think about that?

Book Review: Stars of Fortune (Nora Roberts)

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Plot: From #1 New York Times bestselling author Nora Roberts comes a trilogy about three couples who join together to create their own family and solve an ancient mystery through the powers of timeless love…
 
Sasha Riggs is a reclusive artist, haunted by dreams and nightmares that she turns into extraordinary paintings. Her visions lead her to the Greek island of Corfu, where five others have been lured to seek the legendary fire star, part of an ancient prophecy. Sasha recognizes them, because she has drawn them: a magician, an archaeologist, a wanderer, a fighter, a loner. All on a quest. All with secrets.

Sasha is the one who holds them together—the seer. And in the magician, Bran Killian, she sees a man of immense power and compassion. As Sasha struggles with her rare ability, Bran is there to support her, challenge her, and believe in her.

When a dark threat looms, the six must use their combined powers—including trust, unity, and love—to find the fire star and keep the world on course.

Rating: 7.5/10

For all my love of Nora Roberts her books generally follow the same route. She’s a good writer who thoroughly researches everything she writes about, but I’ve never really stumbled across a book of hers that felt like fresh air until Stars of Fortune. I avoided this series mainly because I so strongly disliked The Dark Witch series. I was sure that another venture into magic was a poor choice for Roberts. You know, because I speak with the authority of a gazillion New York Times bestselling author.

Hidden Treasures is the first of three books which covers the adventures of six people who are essentially strangers in the beginning. Each has a secret, and everyone is unwilling to share. Sasha is an artist who has flashes of the future. Her Seer qualities have led her to lead a reclusive life, and you can’t really blame all the boys for staying away from her as she can read emotions. She’s been having troubling dreams where she sees evil and alternatively a really hot man being her boooyffrrriieeend, and ends up deciding to go to Corfu because literary characters have a lot of money and also because of possibility of hot boyfriend (don’t blame her). She immediately meets Riley and Bran. Riley is a girl, as the name can be a bit confusing, and Bran is the loverboy she’s been dreaming about. They are both in the game of hiding shit from their new friend, and that promises later drama. The three decide to rent a place together to search for the three stars that was hidden centuries ago, because that is totally safe and believable. The three are soon joined by another three, which tidily brings it up to three boys and three girls each. Convenient AF, am I right?

So I’ll stop amusing myself and actually review now. I liked the book. It is original for Roberts although it still has some of her traditional plot devices in. She really spent some time developing each of the secret supernatural abilities each of the character possesses. The book is well structured and doesn’t lag. It was good enough that I’m now progressing to the second book, although I must admit of the three inevitable love stories that of Sawyer and Annika interests me in the least.

As for the two leading characters in Stars of Fortune, Sasha is continuously a wet blanket with a poor me attitude and a certainty that she’s beleaguered and weak and everyone hates her. Bran is a lot more fun and for reasons not clearly understood immediately attracted to Sasha. He’s pretty cool, he’s a sorcerer, and seems the most formidable of the team up to this point. Their fights with Nerezza is increasingly testing on the team, and their trust grows in each other as all secrets are revealed in due course. I’m rooting for all our characters, since Nora has never really killed anyone off, but still I will work through the series and sees what happen.

This series is a bit of a trick with recommendations – it certainly contains new mystique and an interesting supernatural element, but it is still Nora Roberts at the end of the day, so if you aren’t a fan of her usual work I’m not sure if you’d even enjoy this. But I sure did!

Movie Review: My Best Friend’s Wedding (1997)

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Plot: When a woman’s long-time friend reveals he’s engaged, she realizes she loves him herself and sets out to get him, with only days before the wedding.

Rating: 6/10

I was so looking forward to this. Julia Roberts in her heyday? I am so onboard watching her films, any of her work really, but especially anything done that time period. The film also stars a really young and hunky Dermot Mulroney (SURPRISE) and an equally young and fresh faced Cameron Diaz. But here is what I can tell you about this film:

Julianne Potter (Julia Roberts) is an annoying character who is having a tantrum about the fact that she’s been friendzoning an amazing man for years and now that he’s moved on she wants him back. She’s also clearly evil and doesn’t mind hurting a perfectly nice and innocent young woman just because her title as the perfect girl is being attacked. Kimmy Wallace (Cameron Diaz) is Julianne’s nemesis in here purely because she dared to date a clearly single and unattached man.

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I can tell you that the message of this film was clear – MOVE ON AND DON’T POACH. Seriously – Kimmy was so perfect it hurt teeth to look at her, but she was a good person who loved her fiancé. Julianne, who incidentally is the “heroine” of this film, is notoriously horrible to men and obsessed with herself. I just didn’t appreciate the fact that the heroine was horrible and that the story didn’t have the traditionally happy ending we demand from romantic comedies – If I want moral lessons or unhappy endings I would rather check out another genre, thanks so much.

I’m rating this 6/10 because I’m petty and angry about the ending. The rest of the film is probably okay if you are fine dealing with the root-canal version of a heroine. As a last comment I can say that Dermot Mulroney was pretty damn hunky in his youth and suits my idea of the ultimate 90’s man as well despite the fact that he’s named Dermot. I’ll leave you with that, folks. Let me know what you thought about this in the comments!

Movie Review: Power Rangers (2017)

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Plot:A group of high-school students, who are infused with unique superpowers,harness their abilities in order to save the world.

Rating: 7/10

The world has seemingly not run out of the need to reboot franchises. Before I get started about what I think is the ridiculously unnecessary reboot of Spiderman, I will just talk about Power Rangers. I really never thought I’d say this, but this film handled its’ source material in such a way that I didn’t want to laugh out loud in the cinema because of the cheesy factor.

I never saw the original Power Rangers series, that was on MNet in South-Africa and my parents didn’t really see the need for us to have that luxury. I somehow survived my youth without being too scarred about that admission and as a result I have no attachment to the Power Rangers. Hell, I thought there was only one girl Power Ranger so I was pleased when yellow was also a girl.

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This 2017 adaption is full of youths who have some or other trouble – Zac Efron-esque Dacre Montgomery plays Jason Scott, the Red Power Ranger. He’s been kicked off the football team after a cow incident – the exact incident remains quite unclear. He’s been sentenced to detention for the rest of his natural born life and there meets Kimberly Hart (Naomi Scott). He and the cheerleader barely know each other which is complete BS because we all know that cheerleaders and jocks all know each other because rules of society. Kimberly is in detention because she was an awful person and slut shamed another girl via social media. Joining them in detention is Billy Cranston (RJ Cyler). He has some sort of behavioral problem and likes to blow up things, hence detention.

The three all end up at an abandoned mine, where they meet Trini Kwan (Becky G) and Zack Taylor (Ludi Lin). Billy causes an explosion and they discover their respective discs, and they are all bemused to find themselves alive and powerfully strong after a truck accident.

First and foremost I’d like to impress that I was impressed with the inclusivity of the film. Unlike the current administration in the States, the world has a need for inclusivity and for children to understand that they can be superheroes with any skin color. I liked that they didn’t make the black kid the black Power Ranger. Would have felt strange.The inclusion of a gay character was also necessary – because again, perhaps we should understand that people of all genders, races and sexual orientation want to see themselves represented as strong and capable.

The movie is not without humor and it is well placed and paced. RJ Cyler provided the majority of quips and he is very well suited. However, for a kid with behavioral problems he sure didn’t exhibit them too much. Naomi Scott and Becky G were very girl power and I liked them for it.

They only played the song Go-Go Power Rangers once. I think the producers couldn’t help themselves. It’s okay, I’ll forgive them as it was only once. It was included for nostalgia, and even I knew its importance and relevance, though I did laugh at it.

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Elizabeth Banks impressed me as the villain. She is actually quite the diverse actress when she wants to be. Her take on the villain was very one sided, but she can take some applause for the creepy way she handled herself throughout the film.

power-rangers-2017

The last part of Power Rangers is just one big spectacle, with motorized dinosaurs and burning Krispy Kremes (by the way, I will love to know what they paid for that product placement). The Power Rangers realize up until the very end that if they aren’t working as one team, they have no chance to save their city and ultimately the entire world – because if we are dealing with teenagers, let’s make it even more dramatic. This part was really a lot like Transformers. I don’t know about you, but I am not a Transformers fan for a very specific reason – it is stupid. I think a stronger message could have been passed with the team defeating their enemy without machinery present.

I  enjoyed Power Rangers. I never thought they’d be able to bring such ridiculous source material to the big screen in a remotely respectable fashion. I was wrong. The cast worked well together and the graphics were done really well.

PS: I will return in April with regular posting. I am just currently in a cold war with my service provider about data usage. See you soon!