Watched, Read, Loved: August 2017

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Yay! It’s spring! (I am writing this up quickly in September). The weather has turned me into a positive, upbeat person for the time being. There is something to be said to drive to work and the sun is actually up when you get there, so I am pretty thankful. The saddest thing is naturally not being in the sun during the day, but it makes life worth it.

Life-wise, we went to the Modderfontein nature reserve for a friend’s birthday. It’s quite lovely, and as it is not the one I usually head to for a it-doesn’t-feel-like-the-city feel, it felt like a new place to see in the concrete jungle I live in. Had some amazing cupcakes too, which changed my life – like WOW.

I also watched the international Dota championships – like, I still don’t know how that happened. I hope to have actually played this game by next year to have a clue what is happening.

I also did a Parkrun – naturally the morning was chillier than all the rest, but I did one. I’d love to 1) make better time 2) remember my barcode and 3) get fitter. We are doing an international health challenge at work, starting the 27th of September, and the aim is 10 000 steps a day. It is scary because I don’t think I manage 2000 a day at this stage.

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Ghost (1990) – I really thoroughly enjoyed Ghost. The effects had me giggling, while the youth of Swayze and Demi Moore was really pretty to look at. Definitely one of the best Blindspots this year, though my selection has been pretty on point if I say so myself.

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The Intern (2015) – you can read my review here. The Intern is a heartwarming film with a great message, and I had a great time.

Ella Enchanted (2004) – I seemed to have had a lot of exposure to Anne Hathaway this month, but I’m not complaining as I really like both films. Hathaway is joined by Hugh Dancy, who has the most perfect face to play any form of a Prince. So handsome. This is a really fun movie, and I always enjoy it.

Pride and Prejudice and Zombies (2016) – yes, again. Don’t judge.

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Sully (2016) – probably my favorite watch this month, Sully is inspirational and I was on the edge of my seat. Highly recommended.

Wild (2014) – Wild is a prime example why I don’t like real life adaptions. The lead character was uninspiring and selfish, and a track across the NST couldn’t convince me to root for her.

Mean Girls (2004) – Is Mean Girls the most quotable movie of all time? This movie is definitely one of my favorite films ever. It is relatable, accurate, hilarious and just so much fun.

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Fantastic Beasts and Where to find Them (2016) – I have a friend who was really outraged that I talked smack about this film. His attempt to convince me was to have me watch it at home in Bluray with 3D Glasses. I don’t have the heart to say that just because something is pretty to look at it means it is good, but it did improve on rewatch.

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Stranger Things – the amounts of hearts I want to draw around this show. STRANGER THINGS IS EVERYTHING AND I NEED MORE NOW. The soundtrack, the premise, the whole I difference of it all, the miraculous amount of kids who can actually act. I was told by ten million people to watch Stranger Things, and now, after watching, my life is richer as a result. I need the second season now. Like NOW.

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Game of Thrones Season 7 – I joined everyone and their grandma’s to watch the amazing penultimate season of Game of Thrones. I still need to do a recap of the last two episodes, which are some of the best this show as given us.

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Vampire Diaries Season 7 and 8

Season 7 nearly sunk the show for me. The departure of Nina Dobrev proved to be a terrible blow to the show. The odd thing is that Season 7 started fine and halfway just lost the plot. It became so bad that Damon slipped in his number one ranking for me, and was replaced by Enzo. Even after being done with the show, Enzo remains as number one. I need to find it in me to review the last two seasons, but man, some things just can’t be forgiven, DAMON.

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The Rise of Nine (Pittacus Lore)

I am steadily working my way through the Lorien Legacies series of Pittacus Lore. I am enjoying the Rise of Nine quite a bit, although I still find the battles way too frequent and drawn out.

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Finally, I am also trying to attempt to work my way through The Gunslinger. I really like Stephen King’s way – I’m not always sure whether his books are for me, the man is amazing with words. I was about 5 sentences in when I googled a word to check what it means, and that rarely happens for me. I’ll still have to see what the book is all about, and hope to finish at least the first one.

What have you been up to this month?

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Series Review: Stranger Things Season 1

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Plot: When a young boy disappears, his mother, a police chief, and his friends must confront terrifying forces in order to get him back.

I can begin this review by telling you that there is no way I will properly be able to express quite how much I liked Stranger Things. More than one person had told me I really should watch it, that I’d like it, that it was fantastic. Did I immediately listen? Of course not. It is me we are talking about here. When I finally got to it, well, everyone turned out to be right. It turned out to be a good decision at least on my part to only watch it recently – we are now closer to the release of Season 2 than I would have been if I watched it when it came out, and I would have suffered for months on end like the rest of you.

Let’s first talk about the music. It is so 80’s pop. I loved it. The tracks perfectly create a nostalgic feeling, and they highlight each situation for maximum effect. It reminded me so much of the music in The Guest, which is also rich in 80’s nostalgia and also sums up my vastly inferior knowledge of this interesting genre.

The cast is incredible, and mostly led by kids at that. Kids, entertaining me?! The majority of the cast still buy clothes in the infant section, and that is usually a safe indicator that the show is not for me. Gallen Matazarro with his amazing lisp, Caleb McLaughlin already being cooler than I will be, Finn Wolffhard working his nerdiness like a pro, Noah Schnapp as the missing kid– can we please have more of him in Season two? These kids are adorable. They have excellent dialogue, and their 80’s innocence of bikes and tapes and technology is refreshing and unexpected. A favorite scene is where Eleven accidentally starts taking off her shirt because she doesn’t have social cues and they are all like WHOAH. So.Sweet. It is a refreshing change from the children we now have that are on phones all the time and have lost all innocence.

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Milly Bobby Brown is Eleven, and I am sure that you’ve heard everyone say that she’s amazing. I am here to tell you that it’s true, she’s amazing. Eleven is such a sad character. Immensely gifted and supernatural, she’s so sad with all that power. No one ever really loved her; she’s had zero exposure to the outside world and no peers to play with, and everyone she’s ever met up until the diner guy (still mad about that) has betrayed her trust. Her friendship with Mike is so sweet and innocent and hurt my poor little heart. The trailer for season 2 has shown her face again and for that I am so thankful – she’s a key point in this show’s power.

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Natalie Dyer (Nancy), Charlie Heaton (Jonathan) and Joe Kerry (Steve) are the slightly older age group in Hawkins who are involved in the Upside Down. Nancy is the pretty and smart girl, who is frustrated by her suburban existence and the knowledge that the marriage her parents have is one of convenience. Dating Steve must be an exciting thing – he’s handsome and popular and a bad boy who isn’t so bad when you take a good look. It took me a while to actually like him, but there is a great amount of character growth for him through the course of the show. Jonathan is also a great character, and he is an impressively okay result of that horrendous father of his.

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Winona Ryder as Joyce Byers and David Harbour as Jim Hopper lead the adult portion of the show. Joyce is frantic about her son, and it is only a mother’s obsession with keeping her children safe that enabled her to find what she fount. Jim Hopper starts the show by appearing as a useless cop, but his progression in the show is amazing. His story is back breaking and the more you get to know about Jim the sorrier you feel for him. He has one of the best quotes in the show, which I will use for years to come.

The first two or three episodes I couldn’t help but wonder what the hell I’m actually looking at, but even while not knowing; it is too good to not watch. I would have watched the entire show in one sitting if I had 8 hours of leisure at any given time. It’s unique, creepy and flat out gross at stages, and the fight of pure innocence against disgusting darkness and meanness will keep you glued to your seat and routing for the good guys.

I actually moped when this show was done, and am not above watching it again. The show is a fantastic adventure, a tribute to old school thrillers and one of the most inventive shows Netflix has produced. I simply can’t wait for the second season, and can only cross my fingers that they create something similarly amazing.

Have you seen Stranger Things? Talk to me about it in the comments!

PS: Can we just discuss how incredible Netflix opening sequences are?!

Rating: 9/10

Movie Review: The Finest Hours (2016)

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Plot: The Coast Guard makes a daring rescue attempt off the coast of Cape Cod after a pair of oil tankers are destroyed during a blizzard in 1952

On the 18th of February 1952, Boatswain’s Mate First Class Bernard “Bernie” Webber, Andrew Fitzgerald, Ervin Maske, and Richard P. Livesey saved the lives of 32 men that were stranded on the SS Pendleton. They raced against unimaginable odds and time to reach the broken ship, and their heroics to this day stands as the greatest rescue in the US Coast Guard history.

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It’s an inspirational story that is bound to get your heart pumping and leave you in awe of the four men that set out on a tiny boat in a big storm to save the lives of desperately endangered men. But Disney got their hands on it, and a Disney film will never produce the horror and adrenaline that event surely had. It was a watered down, poorly directed film that made an actor like Casey Affleck look awkward and misplaced and uncomfortable as hell. I’ve seen him now in a few things, so that might just be his personality.

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Finest Hours contains a staggering number of cheesy phrases. There were constant yelling of things like “hold on boys” and “if I can do it so can you” and “we can do this” and “great job”. It was awkward, I felt awkward and the entire thing can be summed up in that one word – AWKWARD.

The beautiful Chris Pine continues to be everywhere. His beautiful mug is showing up in a lot of places these days, and you won’t hear me complaining. I just saw Wonder Woman, which places him pretty high on my list of Chrises (that list must happen), so this was obviously never going to end up as my favorite role of his. He’s not bad, however, and he is very convincing as Bernie Webber. Shy and sweet and loyal to his work, Bernie has some baggage. Pine does everything he can to make you like Webber. When Webber meets Miriam Pentinen (Holliday Grainger), their relationship is as sweet and stereotypical of the 1950’s as you can think it to be. Miriam chooses Bernie despite her fear of water – as she says “how do you know what lies underneath?” quite often. I share this sentiment with her, which is why I’d never date a coastguard. I can’t understand why she would choose that either. But anyway.

The disbelief in this film is too much for the real life events to seem authentic. It is poorly scripted and most of the time I really didn’t know what was going on. Miriam only seemed selfish and unsupportive of her fiancé, and that irritated me quite a bit. The cheesiness of the lines is bad enough that I’m sure the actors had a difficult time saying it out loud and not visibly cringing.

Sadly, The Finest Hours is not as fine as the title might suggest. Cheesy, silly and at places downright unbelievable, Disney did not do a good job honoring Bernie Webber.

Rating: 5/10

Movie Review: Sully (2016)

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Plot:The story of Chesley Sullenberger, an American pilot who became a hero after landing his damaged plane on the Hudson River in order to save the flight’s passengers and crew.

Situations where airplanes malfunction rarely have a happy ending. It’s either disappearances or crashes and morbidity is synonymous with these events. So when Captain Chelsea “Sully” Sullenberger sent out a mayday signal on the 15th of January 2009 after birds took out both of the engines on the Airbus 320 on Flight 1549 which Captain Sullenberger was the pilot of, no one believed it possible that Sullenberger could put down the plane on the Hudson River successfully. In doing so, he saved the lives of his 154 co-passengers. The successful landing was a combined result of a lifetime of experience and a man that not only excelled at his job but was born to do it. I followed this story obsessively when it came out, and recently checked again the technical difficulty this landing required. I love stories about human courage and defeating unimaginable odds (who doesn’t?), and the event kept me glued to the screen for weeks.

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That said, I’ve burned my fingers the last few months with real life events turned into movie adaptions. It’s a seemingly difficult task for directors to tell these stories accurately and keep the inspirational levels as well as the truth intact. However, with Sully, director Clint Eastwood made a film that wasn’t only true and inspirational, it is Oscar worthy.

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Tom Hanks plays veteran pilot Chelsey Sullenberger. He does so by portraying a pilot who had the correct level of confidence in his abilities, which he combined with good sense and humility. Hanks shows you all the sides – the PTSD, the stress he and his family is shouldering, the fatigue and overpowering sense of media frenzy. Aaron Eckhart is the lighter of heart Co-pilot Jeff Skiles. His importance to the success of the landing is paramount, as he did not, as I would have, started yelling “what the fuck” at the top of his lungs.

The passengers get their moments too – a woman with her elderly mother, a mother with her infant daughter, business men and women, a father and his sons rushing to make the gates for the flight – real people with real lives all just planning a quick trip. It adds a human element, and the chanting of the passengers as they braced for landing is heartbreaking to listen to.

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I was engrossed by Sully. It is chilling and inspiring and I will definitely watch it again. Eastwood and Hanks are a power combination that should be explored further. If you need to feel inspired, watch this. It is a story about thinking on your feet, being insanely courageous and calm, and using the experience life has given you to fulfill your life’s work.

Have you seen Sully? What did you think?

Rating: 8/10

Blindspot 2017: Walk the Line (2005)

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Plot: A chronicle of country music legend Johnny Cash’s life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis, and Carl Perkins.

I’ve really had a very good run with my Blindspots this year. I really pretty much enjoyed every film on the list I’ve chosen, which makes it that much better than last year’s. I continued this good streak with Walk the Line, the 2005 biopic of Johnny Cash’s life. There is a bit more to the success of watching this film, as I’ve had the DVD for four years now. The protracted delay in seeing this reputably excellent film started to get silly, hence the adding to the Blindspot this year.

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I enjoyed Walk The Line very much. Joaquin Phoenix is simply phenomenal as Johnny Cash. He manages to be tortured, sad, brilliant and talented. He has an excellent voice. His love story with June Carter (Reese Witherspoon) is not some silly romance. It has depths and it develops over years of challenges for both of them. The film doesn’t try and make Cash a hero – they show a man who had a hard life and who had a lot of inner demons. His relationship with his father, Ray Cash (Robert Patrick), is hard and littered by a lifetime of resentment, anger and unresolved issues. I cannot praise Phoenix enough – the brilliance of his portrayal and the amazing voice he just pulled out of a hat and worked with. Ginnifer Goodwin has the undesirable task of being Cash’s first wife Vivian, a woman who was clearly never happy with anything Cash did for his family. She came across as the quintessential housewife of the 1950’s – bored, whiney and unhappy with everything that she ever received. In contrast Reese Witherspoon is the bounciest of bouncies with June Carter. Witherspoon has a surprisingly sweet voice and she delivers the performance of her life as Carter. She manages to portray a woman who is successful, charming and very much human. Her Oscar as best actress in a Leading Role is well deserved, though I do wish that Phoenix received an Oscar for his role as well.

The soundtrack is another rousing success. Littered with Cash’s poignant work, the soundtrack tells a story all on its own. I also really enjoyed the pacing of Walk The Line – it is never slow or boring and it doesn’t lose track of the story it is trying to sell.

I am so happy I finally sat down and watched this – I’ll definitely watch it again. Have you seen Walk The Line? Did you like it?

Rating: 8.5/10

Series Review: Pride and Prejudice (1995)

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The BBC series adaption of Pride and Prejudice is nothing short of iconic. You mention Pride and Prejudice and the majority of people are as likely to think of this series as they are of the novel. While there are other adaptions (such as the 2005 adaption and the ridiculously fun 2016 Pride and Prejudice and Zombies), the series starring Jennifer Ehle and Colin Firth will always be used as a benchmark for the book. As otherwise as I usually like to be, I sat down with the series after I watched the other two films.

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Jennifer Ehle as Elizabeth Bennet is my favorite version of Elizabeth. She manages to capture Elizabeth’s independence and intelligence, and she always seems to be constantly smirking at Darcy. In my opinion Ehle is much prettier than Susannah Harker’s Jane Bennet – I only mention this because in the book it is clear that Jane is supposed to be the prettier one. Harker makes a decent Jane, though she falls short of my favorite. Jane is always the sweet sister, and although there is nothing wrong with her she is definitely the more stereotypical female of so long ago.

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Crispin Bonham-Carter as Charles Bingley is my favorite Bingley. He is as charming, sweet-natured and handsome as Bingley is supposed to be. The character will always be the direct opposite to Darcy, which always makes their friendship baffling and sweet. Bingley is besotted with Jane, and only his inability to see his sister Caroline (Anna Chancellor) for the horrific person she actually is makes him do silly things such as run away from Jane.

Alison Steadman as Mrs. Bennet achieved what the other ladies in her role couldn’t achieve – the woman drives me crazy. If you’ve read the book you will remember that this character is supposed to drive you crazy – so this statement is an accolade rather than an insult. Mrs. Bennet is self-involved, silly, a really poor mother, a huge embarrassment to her older daughters, an enabler in her younger daughters’ poor behavior and just generally the most frustrating character to be written in a long, long time. I also enjoyed Benjamin Whitrow as Mr. Bennet – he had a lot of the sarcasm and sass Mr. Bennet is supposed to have.

As for the sisters other than Jane, Julia Sawalha as Lydia Bennet and Lucy Briers as Mary Bennet are favorites. Julia captures Lydia’s callous disregard for her family and Briers was a perfect Mary – long suffering, dull, and despite her attempts to appear noble and wise as shallow and embarrassing as the majority of her family. Kitty Bennet is always a bit on the background and not as focused on. Polly Maberly did good in that role as well, but as it is rarely focused on I won’t claim it is my favorite performance.

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And last but not least for the character discussions, there is Mr. Colin Firth as Mr. Darcy. In the role that started and defined his career, Firth gives as a Darcy that we can strongly root for. Darcy is such a poop in the beginning, but as Zoë and I discussed, his atrocious snobbery and behavior makes him falling so hard for Elizabeth that much more rewarding. His character undergoes such strong changes when he ultimately falls for Elizabeth – it is rewarding and beautiful and powerful.

I really liked the costume and set design. The dresses are gorgeous and styled, something which lacks and seriously grieved me in the 2005 adaption. They also kept the house good looking, again a flaw in the 2005 version, as the Bennets’ are never poor, they just aren’t as rich as the elite. I really did like the dresses they put Elizabeth in, so white and gorgeous. The hair – those curled fringes, made me want to cry. No woman, no matter how beautiful, can make such horrid styling work. It was deplorable.

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The only thing that made me enjoy the series a little less was the music score. I’ve never been a fan of classical whiney screechy music, and it is all over the series. It deducted from my experience. The flashback moments done in the series had me smirking and sighing, but they probably did the best they could with their available technology.

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The ultimate love declaration? This is the closest to the book. I like it for the pure Britishness of it all. It is like “I love you, but let’s not embarrass ourselves”. Something I like about the entire story is how Elizabeth’s feelings change towards Darcy – it’s not sudden, it is a gradual realization that he’s not so bad as she thought and her realization of her own mistakes. If I can say, controversially, that my favorite declaration of love still comes from Mr. Darcy in PPZ, you must please forgive me. His deliverance and his Elizabeth’s reaction are so incredible that it not only stands out in this little genre, but across a large part of movies for me.

The Pride and Prejudice Series conclude my watching of Pride and Prejudice work for the first time. I am really sad about it, so anyone who wants to do another (GOOD) adaption, please see this as a beacon call for it to happen. I enjoyed all three films, and Zoë and I plan to do a discussion post soon about it, and then you will really know which actors act where in there for us.

Have you seen this? Please let me know so we can fan-club together!

Movie Review: Bad Moms (2016)

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Plot: When three overworked and under-appreciated moms are pushed beyond their limits, they ditch their conventional responsibilities for a jolt of long overdue freedom, fun, and comedic self-indulgence.

I really expected to be either wildly irritated or exasperated by Bad Moms. I wasn’t – It was actually a surprisingly fun film and catered exactly for its target audience. Mila Kunis plays Amy, an overworked mother of two young children. If you can believe she’s supposed to be washed out, well, you can believe anything. She’s still crazy gorgeous despite her wearing adult clothes all the time. Her husband is her third child – a boy-man who does nothing to help her with raising children and is eventually caught in an online cheating scandal. This understandably leads Amy to lose her shit. She drops pretending to be the perfect mother that actually cares about the strict rules Gwendolyn, who is the perfect president of the Parents association, sets. Gwendolyn subsequently loses her patience and war erupts in the pretty suburban life of these women. Amy decides to run for president at school and she teams up with Kathryn Hahn’s Carla, and Kristen Bell’s Kiki, and eventually ends up winning (if you don’t expect this you are a dumb-dumb) and shows the mothers their children are supposed to be kids and be fun and have a good time.

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I didn’t expect this amount of heart in this silly little film. There is warmth and humor and some prodding reminders that children are supposed to be young and play outside, not to be rushed from exams to sports to cultural activities. Hahn has some funny moments, though she really is typecast at the moment. It is always good seeing Kristen Bell in anything – she’s so adorably weird and this film doesn’t try to change that – Kiki is weird as hell.

I can’t really comment on more in this film – it is just a for fun film, there is a pretty hot guy, some pretty hot moms and just a film to relax with. This really isn’t for all you I-only-watch-serious-movies people, so if you don’t want a silly comedy, just don’t watch it J

Rating: 6/10

Movie Review: The Intern (2015)

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Plot: 70-year-old widower Ben Whittaker has discovered that retirement isn’t all it’s cracked up to be. Seizing an opportunity to get back in the game, he becomes a senior intern at an online fashion site, founded and run by Jules Ostin.

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The Intern was touching, sweet and a kind movie. It is a feel good film, the characters are set up to succeed, and really, don’t expect any plot twists. What made this film stand out for me is the warmth of Robert De Niro’s Ben – a retired 70 year old who applies in a senior intern program at Jules’ (Anne Hathaway) wildly successful but very new company. Anne Hathaway is really also quite wonderful in her role as Jules, and it manages to bring up so many things that successful women have to face – the guilt of working long hours when you have a young child, the judgement you face from other mothers with less ambition, the questions you need to endure as a CEO which a male CEO would never have to face, the emasculation your husband is doomed to feel because his fragile ego can’t deal with your success, and the scary feeling that you are employing hundreds of people who depend on you making good choices.

But The Intern doesn’t stop there. It is about making older people feel relevant and important, how important it is for retired people to feel that they still have a cause – that is something that sits very close to my heart – and also a reminder that older people have knowledge and skills that we would do well to pay attention to.

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The cast, lead by Hathaway and De Niro, really contribute to the heart that makes this film work. I would love to have the style and class Rene Russo has when I’m all grown up, Adam DeVine is there for some funny laughs – this guy has the best facial expressions – and Andrew Rannellis, Christina Scherer, Nat Wollf, Jason Orley and Zack Perlman as more colleagues bring a variety of dramas and meltdowns and adventure to the film. JoJo Kushner is such an adorable little girl – like if I can be guaranteed I’d have such a cute child I would maybe even consider having one. Anders Holm has the unfortunate task of playing the emasculated husband, and he was for the most part really sweet and I was impressed by how well Matt was dealing with having a successful wife until he was a douchebag and I was revolted – but he was cute at least.

The Intern has some problem with pacing at some times, not all the scenes are shot very well and there is a ridiculously positive tone to all the events – so not really the perfect movie, but  I thoroughly enjoyed it and found it sweet, strong messaged and fun to watch.

Have you seen this? What did you think?

Rating: 6.5/10

Book Review: Jewels of the Sun (Nora Roberts)

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Plot: Determining to reevaluate her life, Jude Murray flees America to take refuge in Faerie Hill Cottage, immersing herself in the study of Irish Folk and discovers hope for the future of the magical past.

Finally back home in Ireland after years of traveling, Aidan Gallagher possesses an uncommon understanding of his country’s haunting myths. Although he’s devoted to managing the family pub, a hint of wildness still glints in his stormy eyes–and in Jude, he sees a woman who can both soothe his heart and stir his blood. And he begins to share the legends of the land with her–while they create a passionate history of their own..

Rating: 6.5/10

I always think that I have read all that there is to read with Roberts. I think of her work in four categories – her JD Robb work I haven’t really touched, her thriller mysteries which I devour,  her romance trilogies such as this, which I really thought I had covered them all, and her Mills and Boon novels which I really rarely, rarely venture in to.

So when I the Gallaher family series naturally I had to investigate. There is a clear distinction between  Nora Roberts writing Irish stories and real Irish writers writing Irish stories. They can’t be grouped together and Roberts really writes perfectly nice books about them but it is clear she doesn’t have the cultural grasp of the nation as the authentic ones do. Her characters are nearly cartoonish with their cultural habits and they are all, always, the “black Irish”. But anyway, I’m not here to bash one of my favorite authors, that is just the impression I wanted to share with you.

Jude Murray – who names their child Jude? – is unsure of who she is when she lands in Ireland. Since we’ve all been there I won’t really blame her. She meets the incredibly attractive and remarkable single bar owner, Aidan Gallagher. She’s clearly immediately what he’s been waiting for his whole life, and he finds her neurosis and anal personality endearing and not irritating as shit. (Because this is a totally legitimate love story). But there is more – Jude is living with the town ghost, who has been cursed to stay as a ghost in eternity because she spurned a proud Prince Fairy’s advances when she was a married woman. Men and their fragile egos aren’t made for positions of power. So there are some conversations with ghosts and fairies and sad souls all in the midst of Jude and Aidan falling in love, and we are kept entertained and a little flabbergasted throughout the book.

Despite all my mean spirited thoughts, I actually did like this book. It is innocent, empty fun and you don’t have to think way too much about it. Despite the cartoonish cultural attachments, I enjoy Aidan. He’s obviously written to be a hero and he’s good at that. Jude is my favorite of the three female characters in the trilogy – Darcy is a gold digger and Brenna was written as this fiercely independent woman who really wasn’t a fiercely independent woman. Jude might be neurotic and insecure but she’s the most believable of the three female leads. The entire trilogy didn’t need the ghost element – it is certainly not the main focus of these romance novels, and it mostly feels pushed in to breathe some life into the often lagging plot.

Anyone looking anywhere for some real characters or even just a love story that feels legitimate will probably not like this. If you are in the midst of stressful exams like I was, this might just get you through the week and prevent you of beating your zoology professor to death.

Blindspot 2017: Ghost (1990)

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Plot: After a young man is murdered, his spirit stays behind to warn his lover of impending danger, with the help of a reluctant psychic.

Sitting down and finally watching Ghost was such a rewarding and fun experience for me. The 1990 Patrick Swayze, Whoopi Goldberg and Demi Moore CGI extraordinaire feast gave me a good couple of laughs, and while I am sure the film was never created for laughs, it is a side effect of watching a 90s film with CGI in 2017 for the first time. However, the film holds really well in the test of time. It has that really hot scene with the clay and sexy time in, and that is a really well shot scene even today. The sweetness of Demi Moore’s Molly and Patrick Swayze’s business-orientated-but-wildly-in-love Sam is a really lovely relationship on screen.

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The little “devils” arriving to take all the evil ghosts made me snort with laughter. The “angels/white light” arriving to fetch the good guys is so expected but still so good to see. Vincent Schiavelli makes a really creepy Subway Ghost and did really well acting deranged and loony. Patrick Swayze’s body magic through train walls was amazing to behold. Demi Moore was really shockingly beautiful in an innocent way in the 90s – not many women would be able to pull off hair like that, and her sadness and confusion in the situation she found herself in was done well enough that I found her sincere. Patrick Swayze is attractive in a 90s way, and I really enjoyed seeing him in something other than Dirty Dancing (my exposure to him is bad, I know).

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The stand out performance is that of Whoopi Goldberg, who very deservedly won an Oscar for her role as Oda Mae Brown, the fake psychic who somehow manages to become a real one when she’s able to hear Sam when he is a ghost. She is forced to help him because he bugs her senselessly until she relents, and her irritation and attitude, as well as her quick fire remarks, made this role tailor made for Whoopi Goldberg.

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You probably shouldn’t be thinking too hard about his movie, but it is really a nice piece of cinematic history to sit through. I can see myself watching it again without any fuss – definitely excellent popcorn entertainment.

Rating: 8/10