Blindspot 2017: Edward Scissorhands (1990)

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Plot: A gentle man, with scissors for hands, is brought into a new community after living in isolation

Here at the last bit of my 2017 Blindspot reviews I found a movie that was so wonderful I actually wanted to finish it (I am currently so busy my attention span with anything not work related is intolerant at best). I also wondered whether this would be too quirky for me – this film is a classic and has a huge fanbase, but is known to be a whole lot of quirky, and while I like some of these types of films I do have my threshold.

Well, Edward Scissorhands was not such a case. It is wonderful and will likely finish as my favorite Blindspot this year. The set and costume design is wonderful. The directing is magnificent – Tim Burton provides a darkly magical film that is somewhat sad. The movie is the work of an original genius – Tim Burton before things went skew. Who would have thought to tell the story of a man with scissors as hands, and despite that alarming quality being a kind and untainted soul? I had no idea what this film was even about, and was expecting a darkish thriller fantasy thing,  and it was quite wonderful to experience it so fresh and new even though Edward Scissorhands is as old as I am because it was so much different.

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The lack of wonder a post-Jack- Sparrow Johnny Depp inspires is felt more acutely when you see him in his earlier work such as this. He is inspired, quirky, and enormously talented and manages to convey so much without moving that many face muscles. Whatever he’s become, he is truly wonderful as Edward.

Then there is Winona Ryder, who was truly really pretty as a young girl. My love for this actress has increased exponentially in the last few years – I’ve seen Heathers and then naturally the incomparable Stranger Things, in which she’s both great in despite it being decades apart. Her character Kim is the typical pretty high school cheerleader, who dates the buffoonish Jim (Anthony Michael Hall). She arrives late to the scene, where Edward is settled in and enjoying company with her family when she returns from a camping trip with said buffoon and some friends. She’s naturally quite horrified about this new addition to her family, and even the town’s clear adoration of Edward doesn’t make her too fond of him in the beginning.

Tim Burton manages to tell a story about small town America that is crafty, wildly creative and very accurate. The ice cream coloring from the houses is ghoulish and the “pretty” neighborhood has a rot beneath that is quickly revealed when you learn more about the residents. The residents dwellings are as unlike to their personalities them as Edward’s is unlike him – his is dilapidated and dark while his inside is good and kind, and the town residents have lovely homes with ugly hearts. Especially Joyce (Kathy Baker), who delivers a fine but quite scary performance of a tiger on the prowl, vicious when she doesn’t get what she wants.

The soundtrack is also so beautiful. Whimsical and sad, it highlights each moment in the story perfectly. I’d love to listen to it on other occasions. So perfect and magical.

Then naturally there is the fact that this film doesn’t make you sit long. An hour and forty minutes is all Edward Scissorhands demands from you, and not a second is wasted on unnecessary storytelling. Tim Burton expertly takes you from one surprise to another, and he never lets you get bored or disinterested.

I absolutely loved this. I still have to big movies to finish for my blindspot for 2017 – Goodwill Hunting and The Nightmare Before Christmas, so it might be a bit early to say this was my favorite one this year. What I do know right now is this is one of the films I am the likeliest to rewatch in coming years.

Rating: 9/10

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Movie Review: Pitch Perfect 3 (2017)

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Plot: Following their win at the world championship, the now separated Bellas reunite for one last singing competition at an overseas USO tour, but face a group who uses both instruments and voices

In 2012 someone had the idea to create a movie about an Acapella university group with an essentially all female cast. It was a surprising success, people (mostly females) driving out to see women be funny, silly, talented and live in a sisterhood. They returned in 2015 with lesser men in the cast, and their hilarity continued to an extent that personally, for me, it surpassed the 2012 film in terms of quality.

Nothing would stop a production company from milking a successful movie for a number of sequels, so Universal Pictures granted the production of a final, third Pitch Perfect. I collected my own girl squad (men were welcome, they simply weren’t keen), and set off to watch this final film.

I laughed. Rebel Wilson steals the show, again, with her fabulous return to Fat Amy. She’s got a massive agenda in this film – her father Fergus (John Lithgow) reenters her life and we get to see something of Amy/Patricia’s past. Is her father really reformed or is he there for some nefarious reason? I won’t tell you everything, but Rebel Wilson stunned us and she made us cry with laughter in the cinema with her amazing skills.

Naturally Beca (Anna Kendrick) has her issues being a know it all and a bit of a snob. She’s landed a promising position at a record label, but that is not good enough for her because she has all the opinions and also has never had a real job – that would have made her realize that new staff can’t always have their opinions listened to at the first go. She resigns, because finding another job is easy in the Pitch world, and when Aubrey (Anna Camp) has a proposition for the team to go sing at a military base for the troops she and the other Barden Bellas grab it with both hands.

Off they go to a number of improbable situations that will still make you laugh extra hard. Hunky Theo (Guy Bernet) has a thing for Beca and army officer Chicago Welp (Matt Lanter) develops an interest in Chloe (Brittany Snow), who is hilarious on her crush on him.

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More usuals are also there – Hana Mae Lee returns as Lilly, the really supremely strange Bella. Kudos to Lee, she has worked this awkward and hilarious character excellently. Ester Dean brings cultural and sexual diversity to the Bellas and is one of the most talented cast members in the film. Jessica, or Kelley Jakle, had me laughing at her comments, especially the “shot of white privilege” one.  John Michael Higgins and Elizabeth Banks also returns to their respective roles as John Smith and Gail Abernathy-McKadden-Feinberger, the hilarious and desperate commentators who follow the Bellas everywhere they go.

Pitch Perfect 3 is a closing chapter for the franchise and they send their characters of in ideal, if a bit too perfect, fashion. Everyone ends up where they always wanted to be – vet school, owner of a franchise, a singing career, or Amy, as we all do, with tons of cash and not having to answer to anyone. Some of the jokes are a bit skew, they aren’t as hilarious or as original as they were in the first two films, but these characters have become part of very fond memories for me. I watched the first one with quite a hangover and had to rewatch to actually like it, and the second one had me crying with laughter. This one? A bit lame but it was like watching old friends drive off in to the sunset.

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Have you seen Pitch Perfect 3? Let me know what you thought!

Rating: 6/10

Movie Review: Star Wars: The Last Jedi (2017)

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Plot: Rey develops her newly discovered abilities with the guidance of Luke Skywalker, who is unsettled by the strength of her powers. Meanwhile, the Resistance prepares for battle with the First Order

I will start out this review by just reminding everyone that Star Wars isn’t my primary Nerddom. I’d choose Harry Potter and Lord of The Rings over it any day. I’d choose many things above it any day – within Disney itself I’d rather focus on the Marvel stuff than Star Wars. So I was excited about this, but I wasn’t ready to weep and rave (won’t be that person for this on any day to be perfectly honest).

The movie… rather lacked in what I expected of it. There were some decent things, and it really looked good, but The Last Jedi has absolutely no point in the franchise – the rebels are absolutely no further in their quest and they are still as screwed as they were at the end of The Force Awakens. I’ve since endured arguments that some very BIG things happen in this film – can’t say because way too spoilery – and yes, that is probably true, but I still stand that the resistance gained nothing by The Last Jedi.

In no particular order, here is a list of things that frustrated me endlessly in this film.

Finn (John Boyega) has absolutely no point in this entire film. He is sent on a bogus mission with Rose (Kelly Marie Tran) and develops some love story there. Let me just reiterate this – I love a good love story but in a film where it isn’t needed, it is sad and desperate. These two characters could have been left out of the film and it would have done nothing to harm the plot.

Then the return of Luke Skywalker – I expected a whole lot more from this character than the bitter old guy that was presented. Mark Hamill has since spoken out against the director, and I think he might be on to something. Without giving away too much, the move is still very counterproductive. The scene with him and Kylo Ren was impressive, I will give them that. Luke Skywalker and Rey also had a really good vibe between them and seemed to build off each other quite well.

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I’ve seen some complaints that Daisy Ridley’s Rey didn’t really grow in this film. She’s still stubbornly sure that Kylo Ren (Adam Driver) can be saved, despite having seen his worst side. I don’t really have a problem with her, though she felt like a secondary character instead of a main one.

It is so great to see a Sci-Fi film (or any film for that matter) include so many female leads. The top three grossing movies of 2017 all have female driven casts – Beauty and The Beast, Wonder Woman and this. There is naturally Daisy Ridley, Carrie Fisher (to whom the franchise still stubbornly clings to), new comer Kelly Marie Tran, Billie Lourd, and Laura Dern, who not only managed to be a kickass character that could handle Poe’s attitude but had the most amazing purple hair and gave me such envy. Gwendoline Christie continues her role as Captain Phasma, but I am saddened to report that in The Last Jedi at least she’s on screen remains filler.

Adam Driver is the most fascinating new addition to the Star Wars franchise. He is enigmatic, conflicted and all the levels of mesmerizing as Kylo Ren. His shirtless scene is impressive – is Adam Driver really built like such a tank, because I’ve always perceived him as lanky, which also gave birth to the hilarious #KyloRenChallenge. Driver captures the level of conflict Kylo Ren feels at the same time, and a sad moment where you learn why he turned so decisively from Luke Skywalker.

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The adorable BB-8 is on the loose, and his sinister counterpart isn’t any less cute. The new animals – what are those things? Are also cute and very expressive, which provided more than a few laughs in cinema.

My plan this year is to refresh some of the films in the franchise – I’ve might like this more when it fits into a bigger picture. Right now it is only remembered as long and an excellent money scheme by the ever powerful Disney.

Rating: 6/10

Blindspot 2017: The Italian Job (2003)

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Plot: After being betrayed and left for dead in Italy, Charlie Croker and his team plan an elaborate gold heist against their former ally.

This month is running the risk of churning out very little blog posts. That’s okay. I’d rather post when I’m in the mood versus loading crap because I have some demented sense of responsibility. I sat down to get through this Blindspot entry after my emotional breakdown finishing Spartacus. I can’t even contemplate reviewing it yet, I go into a hulk smash mode whenever I think of it – just ask Zoë. So I am not committing to watching another show right now. I can’t deal with having my heart ripped out of my chest a second time.

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So on to The Italian Job – it was quite okay if a bit forgettable. Mark Whalberg pretends he can act and we let him think he can. Seriously, I’ve always thought of him as Second-Tier Matt Damon. Then Donald Sutherland – what’s the word on him out there? He seems to have been 76 for 76 years; I can neither contemplate him as younger or older than he always seems to be. I’m also not really onboard with saying he’s a fantastic actor – age is not an indicator of talent. President Snow is a top tier thief in The Italian Job, recently on the run from his parole officer, when he meets up again with Charlie (Whalberg), and a Fast and the Furiousesquetype of team of thieves. There’s Jason Statham as Handsome Rob (don’t get why people think he’s handsome – he’s short, angry, and can’t act), then two other guys. Or three other guys. Not sure. They are all introduced in a typical fashion, with flashbacks and quips. Some of the dialogue is quite off, the humor doesn’t always hit the right spot, and it is very easy to forecast the resolution of this film. Homegirl Charlize Theron is the best with acting in the bunch working to find her father’s killer, and she made the movie okay for me. She’s a smart sort in this film, making sure the skills she learned from her nefarious father is turned into a legal and thriving enterprise. Also – really blonde and pretty and completely devoid of her South-African accent.

It seems like an Ocean’s Eleven, without the extreme charm of George Clooney and Brad Pitt to carry it when needs be. The acting and storyline isn’t as solid as it should be either. They rely heavily on the use of Mini Coopers to provide flash, and I guess when the car manufacturer launched again back in 2003 it was a big deal. But shoot me – I don’t see a man driving a mini as significantly manly. The car is so tiny – if you want to rob things just use a big vehicle.

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The Italian job a decent enough heist/thief movie, with the characters as always trying to show you how nice thieves really are. Did I miss the part where the name of the movie links to the content of the movie? Or is it merely because their job in Rome resulted in the death of one of their team members? I can’t really tell, so let me know if you know.

I’ve had such a fantastic list in 2017 so The Italian Job isn’t near to the best I’ve seen, but it is quite enjoyable all the same. You don’t need to think too hard about it, so it was really quite okay to watch with my broken Spartacus and Gannicus’d heart.

Rating: 7/10

Movie Review: Justice League (2017)

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Plot: Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy.

You can say a lot about the lackluster of appeal the majority of movies DC has eked out has, but I do admire how devoutly DC sticks to Zack Snyder. Whether it is detrimental or genius or blindly devout, they are sticking with this guy and we must all just deal with it. Patty Jenkins did a fantastic job with Wonder Woman, and she’d be a strong contender for any DC material out there, but I guess these guys are just not ready to let a woman do the job she’s certainly qualified for and choose a lesser able man to do it.

BUT, despite what the internet is telling you (Seriously people, you don’t have to hate everything just because it’s fun to smack down films), Justice League qualifies as one of the better DC movies. Certainly second to Wonder Woman, but compared to the joke that was Suicide Squad (which I didn’t hate completely) and the absolute disaster that was Batman vs. Superman (I’d like to forget that one completely), the Justice League is nearly Oscar material in comparison.

Snyder, who I’d like to say at this stage it can’t all be his fault, has a distinct modus operandi. The excessively dreary dialogue and repressive atmosphere that makes you question why you ever liked movies, the irritatingly long fight scenes (remember Zod vs. Superman? FML), the monumental and recurring and completely unnecessary GCI. It’s exhausting, but up until this point DC has not suffered at cinema. They have likely noticed how much more popular their competitor was, and it was a really good decision to attempt some lightheartedness while also keeping the signature dark style.

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However, only one of these irritations became a reality. The fight sequences were handled ridiculously quick compared to Batman vs. Superman as well as the drawn out Superman film in 2013. There were attempts at humor, which worked for the most part. The story was less cluttered and the dialogue had a clear direction. The CGI was the main culprit and was horribly abused. Since Henry Cavill is on the poster, it can be safely deduced that he’s in the film, so that is not a major plot spoiler I’m giving you now (or if it is you lack deductive skills). Followers of Cavill on Instagram will know that he’s sporting a moustache for an upcoming Mission Impossible film. (He, and maybe Tom Selleck, remains the only men to successfully WERK the moustache) He was contractually obliged to keep said moustache throughout shooting, and when Justice League reshoots clashed with the ‘stache, the powers that be decided to CGI the shit out of Cavill’s face. The results are startling, leading many people to wonder if he is, in fact, Human Shrek. The scene where his face is altered is clearly visible and terrible work – I can’t imagine how that got approval. His resurrection is fake and devoid of feeling because of CGI-Superman. I was confused in cinema – his face was distorted and it looked terrible. I sat in the second row of the cinema (was fully packed), so got a very close up and disturbing view of CGI-Superman. Even knowing now why he looked like that does not make it better in any way.  He had a whole lot more teeth than what is usually visible on his beautiful and talented face. That said, Cavill is a superb Superman – he has the gravity required for the success of the role and certainly looks the part. It also takes a whole lot to convince me that Jason Momoa is the second prettiest thing on screen.

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Justice League is miles, and I mean MILES, better than Batman vs. Superman. Ben Affleck has become more comfortable as Batman, he has some believability in the role now, and manages to inject some humor and sarcasm into his portrayal that was desperately needed. He has injected a humanity into his portrayal that was absent in BvsS, something that made him that much more a success of a character. There are also multiple mentions to the fact that the reason he’s a superhero is because he’s rich, which got some chuckles from the crowd. Ezra Miller is a great Barry Allen – he’s so hilariously young and awkward and he is responsible for making the movie more lighthearted. I’ve been pained by Miller in the past – his usual roles are so weird and whiney, but he was an excellent choice for this role. I could have done with some more backstory on Allen, as well as with Cyborg (also an excellent casting choice in Ray Fisher), and the delicious Arthur Curry (Momoa). They showed enough of him to make me excited to watch Momoa as Aquaman for that origin story. It struck me that it was the first time I heard Momoa actually speak English (his other native tongue being Dothraki), and for his major return to the spotlight this seems to be a great role for him.

Wonder Woman returns to Gotham, and her work is questioned by Batman, who displays into the White Man syndrome fantastically. He queries why she hasn’t been a beacon to people, never considering that she gets to make that choice herself. All her actions are basically only to show how strong her male colleagues are, and when Aquaman (Jason Momoa) sits on the Lasso of Truth, her beauty is complimented whereas Superman, Cyborg and The Flash have their abilities complemented, a sure sign that a male director called the shots. I love Gadot as Wonder Woman, and it is an unquestionably the better film. I’ve seen some unhappiness by the Amazonian’s decidedly smaller costumes, and it’s true – Themyscira underwent a troubling fashion change at the hands of Snyder.

I cannot stress enough how good the casting is in this film. Ezra Miller impressed me to no end, and he has a quirky banter with his team mates. He even manages to be endearing. Momoa is well, Momoa, big and manly and tough. The glimpse into the underwater world we will get to visit in Aquaman was beautiful, and I can’t wait.

A not so good thing about Justice League is the utterly forgettable Steppenwolf (Ciaran Hinds). He’s poorly introduced, and for all the hard work in keeping the “boxes” safe, he just smashes through all lines of defense. He is also yet another CGI villain from DC. His vampirish followers are slightly scary. His end is ridiculous and leaves room for so much open ended questions. Where did he even go? That end is also preposterous – as my friend pointed out we have all these super-humans battling Steppenwolf and the second Superman pitches everything is saved? What is the point of the Justice League then? How about the incredible Cyborg? The warrior Wonder Woman? The Flash that is seemingly only as fast as Superman, eliminating the need for him almost entirely? Aquaman that saves the team from certain death by water?

I’d love seeing a more realistic villain – this guy was so vague about his purpose and half the time he was a secondary focus point. Can we maybe have less CGI villainy and more real-human villainy? I hope with Lex Luthor in the credit shots we are going to have that the next round.

I enjoyed JL – it is not without flaws but it is the first real attempt DC made to correct their ensemble films. It’s been a good year for these guys and I’d love to see what they conjure up next year.

Have you seen Justice League? Leave your thoughts below

Rating: 7/10

Movie Review: The Fate of the Furious (2017)

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Plot:When a mysterious woman seduces Dom into the world of terrorism and a betrayal of those closest to him, the crew face trials that will test them as never before.

I am quite the big fan of the Fast and Furious franchise. I reviewed the entire series a while ago, and naturally the mere mention of the return of Dominic Toretto and his family was enough to get me excited. These movies have become progressively bigger and more extreme as the series developed, and the Fate of The Furious makes no exception.

To be honest, this is the first film that I felt was overly ridiculous. It has always been very ridiculous with this franchise, but this one went very extra. The “banter” between Dwayne Johnson and Jason Statham made my toes curl with embarrassment. Seriously – the testosterone these two emit in each other’s presence was nothing short of hilarious. Dwayne Johnson had some pretty funny lines as a school soccer coach, and his desperation in having his girls win the game to avoid a Tay-Tay concert was quite funny and understandable. Fast 8 tries to market Jason Statham now as one of the team, as a Shaw brother it is quite confusing as he was a main villain about fifteen seconds ago.

Dominic Toretto abandoning his family seems crazy, and that is exactly what he does. Villian Cypher (Charlize Theron) shows Dom something on a screen and it is enough to make him drop his wife Lettie (Michelle Rodriguez) and his team. What could make him do this? What does Cypher want? That’s never too clear, because I don’t think the plot is the primary point of this film, and we are left in the dark more than once.

I won’t say why Dom did what he did, but there WAS a BIG reason. Naturally Brian (Paul Walker) must be mentioned loudly at least once, and that he can’t come help because they decided he needs to be away. I don’t really agree with the decision on that, because Brian O’Connor in the Law of the Furious would never drop Dominic Toretto – however sad Paul Walker’s death may be, I think the character would have died too instead of abandoning his family.

Charlize Theron’s Cypher has a very blurry reason for the things she does. The chemistry between her and Vin Diesel is less than zero, and that kiss they share is cold and plain weird (despite Diesel’s strange comments about it). There is a lot of explosions and more bad dialogue, and when Diesel, Johnson and Statham appear together onscreen the manly manliness is almost too much to witness. The rest of the crew – Roman Pearce (Tyrese Gibson), Megan (Nathalie Emmanuel) and  Ludacris (Tej) get laughably terrible lines. Mr. Nobody (Kurt Russell) is still cool AF, and he’s joined by tough guy Scott Eastwood as a new recruit. The awesome Kristofer Hiviju is Cypher’s henchman, and I still love Tormund even though he’s a baddy in here.

The last few scenes of the film is naturally very dramatic and highly unlikely, and the end is  mushy but manly-still. This formulaic fan festival of epic proportions is outrageous, crazy and very similar to the last couple of Fast films. I found it slightly less engaging with a little worse dialogue, but I’m not even fooling myself – if there is a Fast 9, I will still watch it.

Rating: 6/10

Movie Review: The Lego Ninjago Movie (2017)

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Plot: Shunned by everyone for being the son of an evil warlord, a teenager seeks to defeat him with the help of his fellow ninjas.

In an unexpected turn of events, I consented to watch the Lego Ninjago movie Sunday night. There are a number of films which I’ve seen, and wanted to see, in cinema this year, of which Ninjago didn’t even register as a possibility. However, I was under obligation to adhere to the “birthday-person-is-allowed-final-word” clause, and I sat down and watched Ninjago.

I suspect Lego is laughing all the way to the bank. It is pure genius business decision, and contains enough adult humor to entertain parents while stressing them out – every child that sits through one of these films will end up wanting some new Legos (hell, I think a lot of adults end up wanting new Legos after a film like this). It is a feast for childish imagination and is bright and colorful and really very excitable. I want to sanctimoniously preach to the parents who had their children out of bed on a Sunday night at our 20:30 screening, but I guess that is beside the point. It is child based and sweet, although it does pale in comparison to 2015’s Lego film. It is funny and cute but lacks some of the sharp dialogue that has become expected in animation films.

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Ninjago also has some seriously crazy moments and I couldn’t help but wonder which choice herbs they were smoking when thinking of the ideas they implemented. It was very weird. I liked Jackie Chan as Sensei Wu, Dave Franco as Lloyd Garmadon and Justin Theroux as the not-so-evil-supervillain Garmadon. Typing that out made me realize that this film barely had a plot or a conclusion (the end is particularly haphazard), but ultimately, for children, it is fine. Personally I enjoyed the first Lego film more, and I’ve been informed that Lego: Batman is a finer film than Ninjago.  However, Ninjago has some laugh-out-loud moments and it was bright, quirky and still not nearly as bad as I expected so all to them.

Have you seen Ninjago? If so, what did you think?

Rating: 6.5/10

Halloween Month Movie Review: Hocus Pocus (1993)

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Plot: After three centuries, three witch sisters are resurrected in Salem, Massachusetts on Halloween night, and it is up to two teenagers, a young girl, and an immortal cat to put an end to their reign of terror once and for all.

What better month to finally watch Hocus Pocus? Following news of an imminent and probably unnecessary sequel, combined with the onset of Halloween, I knew I had to finally sit down and watch this favored and loved cult classic. It was a completely different movie than I thought it would be! The acting of Bette Midler, Sarah Jessica Parker and Kathy Najimy is amazing and hilarious. Sarah Jessica Parker in particular surprised me. She’s just Carrie Bradshaw in my mind, and I couldn’t see her as something else. Well, as the beautiful, crazy and really damn weird Sarah Anderson she was all the levels of entertaining – such an inspired and crazy performance. The three actresses as the Sanderson sisters work great together; they share symmetry in their movements so accurate it is almost like watching a dance routine. Realizing that Sean Murray – always Timothy McGee in NCIS to me – is the poor Thackery Binx also gave me such delight.

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I really enjoyed the performances by the Sanderson sisters and how ridiculous they were and still so nastily evil, but I did find the story just a bit lacking. There isn’t always too much structure, but even with this flaw I still had a really entertaining time with it. It’s the generic “the youth defeats the evil” storyline, and while you would just love to question everything about it, I suggest you don’t, and watch Bette Midler with really weird dentistry enchant you and make you cackle with glee.

Have you seen Hocus Pocus? Let me know what you thought!

Rating: 6/10

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Happy Mean Girls Day!

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Yesterday was October 3rd. Every Mean Girl alumni knows what that means – it is the annual celebration of  the day Aaron Samuels asked Cady Heron what day it was. It reminded me that I recently watched Mean Girls again, and was as always super entertained by this highly quotable, relatable, hilarious comedy.

Most Mean Girls stars (Lacey Chabert, Amanda Seyfried, Jonathan Bennett and Daniel Franzese) reunited to ask for aid to the Las Vegas shooting victims in honor of their Mean Girls Day, and I thought that was a really nice gesture.

To celebrate this annual anniversary of one of my favorite films, here is some hilarious quotes:

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I feel exactly like you with regards to this film, girl who doesn’t even go here!

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Janis Ian gets my feelings about people using terrible grammar and being silly while at it!

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Karin, I get this question a lot!

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We know, Gretchen, we know.

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And lastly, some amazing and inspirational words from Kenny G.

What is your favorite Mean Girls quote?

Blindspot 2017: Ghost (1990)

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Plot: After a young man is murdered, his spirit stays behind to warn his lover of impending danger, with the help of a reluctant psychic.

Sitting down and finally watching Ghost was such a rewarding and fun experience for me. The 1990 Patrick Swayze, Whoopi Goldberg and Demi Moore CGI extraordinaire feast gave me a good couple of laughs, and while I am sure the film was never created for laughs, it is a side effect of watching a 90s film with CGI in 2017 for the first time. However, the film holds really well in the test of time. It has that really hot scene with the clay and sexy time in, and that is a really well shot scene even today. The sweetness of Demi Moore’s Molly and Patrick Swayze’s business-orientated-but-wildly-in-love Sam is a really lovely relationship on screen.

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The little “devils” arriving to take all the evil ghosts made me snort with laughter. The “angels/white light” arriving to fetch the good guys is so expected but still so good to see. Vincent Schiavelli makes a really creepy Subway Ghost and did really well acting deranged and loony. Patrick Swayze’s body magic through train walls was amazing to behold. Demi Moore was really shockingly beautiful in an innocent way in the 90s – not many women would be able to pull off hair like that, and her sadness and confusion in the situation she found herself in was done well enough that I found her sincere. Patrick Swayze is attractive in a 90s way, and I really enjoyed seeing him in something other than Dirty Dancing (my exposure to him is bad, I know).

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The stand out performance is that of Whoopi Goldberg, who very deservedly won an Oscar for her role as Oda Mae Brown, the fake psychic who somehow manages to become a real one when she’s able to hear Sam when he is a ghost. She is forced to help him because he bugs her senselessly until she relents, and her irritation and attitude, as well as her quick fire remarks, made this role tailor made for Whoopi Goldberg.

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You probably shouldn’t be thinking too hard about his movie, but it is really a nice piece of cinematic history to sit through. I can see myself watching it again without any fuss – definitely excellent popcorn entertainment.

Rating: 8/10